Battle Scene, 1748, Slovak National Gallery
http://www.webumenia.sk/dielo/SVK:SNG.O_4150
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@cma-prints
Battle Scene, 1748, Slovak National Gallery
http://www.webumenia.sk/dielo/SVK:SNG.O_4150
Louis XIV, Robert Nanteuil, 1664, Cleveland Museum of Art: Prints
Medium: engraving
https://clevelandart.org/art/1989.240
Suite of Vases: Plate 13, Jacques François Saly, 1746, Cleveland Museum of Art: Prints
Designing ornamental vases or urns was particularly popular during the mid-18th century since the only limit to the possibilities was the imagination of the artist. Saly, a sculptor by training, was a student at the French Academy in Rome from 1740 to 1746, at which time he published a set of 30 etchings. Saly began with basic antique vase forms but deviated from classical ornament to use a rich variety of fantastic creatures for embellishment. Medium: etching
https://clevelandart.org/art/1996.229.14
View of Venice, Carlo Ponti, c. 1860, Cleveland Museum of Art: Photography
Size: Image: 24.8 x 33.1 cm (9 ¾ x 13 1/16 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.) Medium: albumen print from wet collodion negative
https://clevelandart.org/art/1988.214
Peasant with his hand in his cloak, Adriaen van Ostade, Cleveland Museum of Art: Prints
Medium: etching
https://clevelandart.org/art/1924.662
Lender and Auguez in "The Song of Fortune", Henri de Toulouse-Lautrec, 1895, Cleveland Museum of Art: Prints
Medium: lithograph
https://clevelandart.org/art/1925.436
The Pipes of Pan, Mariano Fortuny y Carbó , 1865, Cleveland Museum of Art: Drawings
Medium: Watercolor with traces of pen and black ink; border in graphite
https://clevelandart.org/art/2015.446
Une loge de carrier, Auguste Louis Lepère, Cleveland Museum of Art: Prints
Medium: wood engraving
https://clevelandart.org/art/1921.1389
Woman Standing, François Boucher, Cleveland Museum of Art: Prints
One of the most lavish tributes paid to the memory of Jean-Antoine Watteau (1684-1721) was the publication of four volumes of more than 600 prints (1726-35) after all the paintings and drawings known by the master. Boucher was one of the printmakers who worked on the project, which enabled him to study Watteau's draftsmanship, one of the most significant lessons of his early career. Size: Platemark: 32.3 x 21.6 cm (12 11/16 x 8 1/2 in.) Medium: etching
https://clevelandart.org/art/1927.314
Arthur Wellesley, Duke of Wellington, George Baxter, 1854, Cleveland Museum of Art: Prints
Size: Platemark: 11.5 x 8.4 cm (4 1/2 x 3 5/16 in.) Medium: Baxter process
https://clevelandart.org/art/1935.298
Gloria Victis, Antonin Mercié , c. 1880, Cleveland Museum of Art: Modern European Painting and Sculpture
Size: Overall: 73.7 cm (29 in.); without base: 71.2 cm (28 1/16 in.) Medium: bronze with gilding
https://clevelandart.org/art/1964.375
The Horrors of War: It's No Use Crying Out, Francisco de Goya, Cleveland Museum of Art: Prints
Medium: etching
https://clevelandart.org/art/1922.574
Madame du Barry, Jean Baptiste Lemoyne II, c.1771, Saint Louis Art Museum: European Art to 1800
https://www.slam.org/collection/objects/5744/
Description of Egypt: Thebes. Hypogees Vol. II, Pl. 49, Antoine Maxime Monsaldy, Cleveland Museum of Art: Prints
Size: Sheet: 54.3 x 71.6 cm (21 3/8 x 28 3/16 in.); Platemark: 37.8 x 50.8 cm (14 7/8 x 20 in.) Medium: etching, hand-colored
https://clevelandart.org/art/2008.199
The River Bank or Geese, Alfred Sisley, 1897, Cleveland Museum of Art: Prints
Medium: lithograph
https://clevelandart.org/art/1942.1053
The Brown Sisters, Ipswich, Massachusetts, Nicholas Nixon, 2003, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/48476/
Parisian Service (Haviland service): The Fight (no. 2), Félix Bracquemond, 1875, Cleveland Museum of Art: Prints
Size: Sheet: 31 x 45.4 cm (12 3/16 x 17 7/8 in.); Platemark: 25 x 25 cm (9 13/16 x 9 13/16 in.) Medium: etching
https://clevelandart.org/art/1922.412.2