Cocteau Twins

[cocteaus]

[cocteaus]

[legendarytragedynacho]

Elizabeth Fraser - Cocteau Twins in 1983 (Will Heggie on the right)

Photo by Sarah Van Rij

[tempestades]

[cocteaus]

[s0rdide-sentimental]

[morffyne]

23 ENVELOPE 1985

[1984wd]

Simon Raymonde, Cocteau Twins

[cocteaus]

[tenstoreyluvsong]

[faux-sophisticated]

[cocteaus]

[she-wont-be-rich-or-beautiful]

Cocteau Twins

[scottielaw]

Cocteau Twins

October 25, 1990

Glasgow, Barrowlands

Correct Encores

First Encore:      Whales Tails Second Encore: Mizake The Mizan and My Love Paramour

[10millionlightyears]

Cocteau Twins EP cover art

[scottielaw]

[under-radar-mag]

When Cocteau Twins released their sixth album, Blue Bell Knoll, in 1988, critics hailed it as a major step forward for the abstract pop trio. But to hear members Simon Raymonde and Robin Guthrie tell it, the record wasn’t so much a quantum leap as a natural evolution. Guthrie in particular sees the album as a logical next step after the band’s previous work The Moon and the Melodies, which was a collaboration with American composer Harold Budd. He denounces the idea that the album was anything more than the result of a gradual maturation. (via Cocteau Twins on Blue Bell Knoll: Simon Raymonde and Robin Guthrie on the Band’s “Golden Era” - Interview | Under the Radar - Music Magazine)