My boys. #myboys
I don't like drawing full bodies, so I decided to draw that.
Color Me Curious
untitled
"I'm Dorothy Gale from Kansas"

pixel skylines
almost home
Lint Roller? I Barely Know Her
EXPECTATIONS
cherry valley forever
Noah Kahan

tannertan36
Fieri Frames
occasionally subtle
Not today Justin

Jimmy Eat World

No title available
Claire Keane
PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies

#extradirty
YOU ARE THE REASON
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@coffee-and-moonshine
My boys. #myboys
I don't like drawing full bodies, so I decided to draw that.
Finished comm for @mwuuh!! Thank you so much for commission me :'D
I commissioned @nordickies to draw Ian and Jean-Baptiste, and they did such a wonderful job of it!! Look how soft their hair is, look at Jean-Baptiste's flirty smirk, look at Ian's stern yet loving look. Ugh, stop it, they're so beautiful!!
A bunad is a Norwegian folk costume made popular in the 19th century. It has different designs depending on which region you're from, and sometimes it looks different if you're married versus unmarried.
Nobody actually comes from Svalbard, though many people work there, some for many, many years. In 1978, Elsa Knutsen from Vesterålen designed the Svalbard bunad for anyone who has resided on Svalbard through all four seasons.
A cheerful, young, bisexual man who just wants to touch someone (consensually).
A sad, old, gay man who just wants to be touched.
Soot and fire.
I didn't do much today, but I managed to get this thing done at the very least. It's Ian and Svanhild! They're very close, but you'll never find them calling each other friends. While Ian goes to Roland for most of his troubles, when shit really hits the fan he goes to find Svanhild, who is never happy to see him pop up but will do her utmost to help anyway, all while complaining about it.
Actually working on a Coffee & Moonshine comic!
It's the very basic outlines, very very rough, inconsistencies and all. You can totally tell that I started out putting more details into the sketches but then I went "fuck it" and drew, like, four lines per panel. It's how I usually work, anyway.
We're in 1928, and Bouvet Island has been declared Norwegian. Ozzie and Anker go to pick up its representative person, who they only know exist because of a British sealer's report from 1825. Jean-Baptiste doesn't appear visible to people unless he acknowledges them, but can still be noticed by sound or leaving foot prints (or, in this case, hand prints).
Both Jean-Baptiste and Anker have different hair here than they do in the line-up picture, and Jean-Baptiste also has a beard.
It's also worth noting that Ozzie and Anker speak Norwegian, and Jean-Baptiste speaks French. Normally I add little flags to indicate the language spoken, but this is just the sketch. One notable exception is the last panel, where Ozzie says, "Stop it!" in French.
By some miracle, I managed to finish sketching the remaining panels of this ridiculously long comic.
Here we go! The final iteration, with shading and highlights. Very simple colouring because if you know me you know I don't like working with colours. I just don't know them very well.
I don't remember all their exact heights, but Ozzie is 150cm and Roland is 210cm.
Now, using these individual drawings, I'm hoping I can get some character sheets up! With names, nicknames, ages, languages spoken, when they became Norwegian (if applicable), special abilities, relations, as well as smaller doodles with various details (piercings, jewellry, scars, etc.). A little bit of history as well. I'm predicting that Ian's and Jean-Baptiste's character sheets will be the most fleshed out ones, simply because the main story is about them.
Individual images beneath the cut.
They need to be locked up for being so disgustingly in love.
Practiced some lighting! There's no punchline. Just Ozzie asking Roland if he's a fucking idiot.
Anker (left) and Ozzie (right) are watching Ian and Jean-Baptiste bicker.
Ozzie is not having a good time, because he's been approached for help and he fully intends to help them out, but they keep getting distracted by petty bickering. He's simply stunned by their rudeness.
Anker, however, is having a blast, finally getting some distraction from his monotonous day-to-day life.
The old man who hates himself and the young man who loves him.
So the plan was that I would finish these out-of-context single panels from the comics I've written, but I've reached the point where I'm about to go from drawing with a mouse to drawing with a tablet. I'm going away for Christmas on Monday, and I will not be able to finish all of these with a mouse before then, and I intend to start over once I get the tablet.
So, uhhh, here! Have all 30 out-of-context panels in all their finished and unfinished glories.
Ian and Jean-Baptiste meet:
Roland has finally convinced Ian to go to an after-work party with all the other non-humans, after Ian has been avoiding them for nearly a century. Upon arriving, he notices a strange feeling pulling him towards someone he's never seen before, and he freaks out. "What is this? Who are you? What is this bond?" Jean-Baptiste just stares at him, dumbstruck, because unbeknownst to Ian, Jean-Baptiste doesn't understand a lick of English. Roland steps out from the party house and tries to calm Ian down, but Ian demands to know who "this twink" is.
Ian is stunned when Jean-Baptiste speaks Norwegian with a thick French accent, and he promptly switches to speaking Norwegian as well. Roland admits that he doesn't know what "this bond" is, and is too drunk to handle it right now, and that they'll deal with it in the morning. Ian then turns to Jean-Baptiste to ask him more questions, but Jean-Baptiste is, like, "yeah, no, I'm going home, I'm not talking to you." Ian is left standing alone, more confused than ever.
The morning after:
Ian and Jean-Baptiste have been called in to Osvald's office to discuss whatever the fuck that whole thing was. Jean-Baptiste says that he's not too keen on having a mysterious bond to someone as aggressive and loud as Ian, and Ian replies that he's not thrilled by the idea of being linked to a Frenchman. Jean-Baptiste, confused, asks him what he's got against the French. Ian tries to explain "playful hatred" between people of certain nations, "like the English and the Irish, and the English and the Scots". He says, "Surely you're aware of this, being French?" Jean-Baptiste admits that he's never been to France, that he just speaks the language, and says, "but after how you acted yesterday, I think I can learn to hate you. If that's what you want. I'm just being 'playful'."
At the office:
Roland, who is Ian's boss, shows up as well, and the three of them enter Osvald's office, where his assistant Anker is also present. Anker presents possible evidence of why Ian and Jean-Baptiste might have this strange bond, and it seems compelling. Osvald asks them what the bond feels like, and Jean-Baptiste mentions that it feels kind of magnetic in a way, and Anker suggests, "like an attraction?", to which both Ian and Jean-Baptiste react with disgust, as the very idea of being attracted to the other one is preposterous. Ian says he's got standards, to which Jean-Baptiste takes offence, and the two of them bicker and glare at one another. Osvald turns to Roland and asks him when Ian started acting like a brat, and Roland admits that Ian has actually been like that a long time.
They're planning to travel:
The hypothetical evidence of Ian's and Jean-Baptiste's bond makes them think there are more non-humans like them who are share this bond, though they are not on Norwegian soil. Osvald suggests meeting the non-human on Saint Helena, and Jean-Baptiste asks if they can fast travel, but since Saint Helena isn't a Norwegian territory, they can't do so. Technically, Osvald adds, they could fast-travel to Jean-Baptiste's island and then go by boat, but it'd take too long, so they're going to go by plane. Ian quips that Jean-Baptiste probably doesn't even have boats stationed on his island, and Jean-Baptiste stammers, before stating, "We don't use boats to get to my island..."
Roland tells Ian to behave, and Osvald tries to get back on topic, saying, "We're gonna get you plane tickets to Jonestown as soon as possible." Roland, Ian, and Jean-Baptiste stare at Osvald in horror, until Anker leans in and tells Osvald, "The actual town is called Jamestown. Jonestown is a place where almost a thousand people were massacred." Osvald, for whatever reason, says, "Oh, my bad. We're getting to tickets to Jonestown, not Jamestown." This goes back and forth for a bit, while the other three just stare in stunned silence.
Osvald reassures them that Anker will get them the plane tickets they need, because he clearly can't remember which is the correct one.
On the airplane:
Jean-Baptiste, having spent most of his life on a remote island with nothing but open space, gets uncomfortable indoors, and the smaller the space the worse he feels. Add the fact that he can't get out of the airplane while it's in mid-air, and you've got a stressed out little man. He insists he will be fine as long as he gets to sit in the aisle seat... which is on Ian's ticket. He asks if they can swap seats, because he will actually kill someone if he's forced to sit in the middle seat.
Ian, being a prick, tells him to sit the fuck down in the middle seat, and Jean-Baptiste is so stunned by Ian's lack of understanding that he resolves the problem by sitting on Ian until Ian gives up his seat.
Meeting Julia:
They land on Saint Helena and they meet Julia. Ian shakes her hand, and is surprised to discover that the bond strengthens in intensity upon physical contact. She doesn't speak Norwegian, so she and Ian converse in English, with Ian translating for Jean-Baptiste.
Julia talks about what she knows:
She lists a few others she knows that also share this bond with them, whom she's met in the past. She knows of some others who theoretically should have this bond, but she's never met them. Ian asks her if she speaks French, to which she says, "No, but it's sweet that you want your friend to be included." Ian snorts, and says that they're not friends. When she asks why, he says that Jean-Baptiste sat on him. Amused, Julia asks why, and Ian says that he didn't want to change seats with him. She tells him that that's a dick move.
She tells Ian that Jean-Baptiste has good reason to not like confined spaces, what with what his life has been like. Ian admits that he never considered that, and Julia says, "I have a feeling you don't consider a lot of things."
So what does the bond do?
Julia tells Ian that two people with the bond can easily locate one another, provided they're not too far apart. She hasn't checked what the distance limit is, but they could be several kilometres apart and still be able to tell where the other is. Ian asks if there's something else she's noticed that the bond can do, and she thinks about it for a moment before cheekily saying, "Sleeping with someone with the bond feels amazing." She asks a blushing Ian if he wants to try it with her, and he nervously tells her that he's gay. She asks if he thinks Jean-Baptiste would be up for it, and Jean-Baptiste perks up, having heard his name. Ian responds thusly.
And immediately becomes embarrassed, realising how he reacted. Jean-Baptiste asks him what's going on, and Ian refuses to translate. Julia is smirking, and tells Ian to translate, which he does, reluctantly. Jean-Baptiste is intrigued, but turns on Ian, saying, "You just said 'no' on my behalf, did you? What if I want to sleep with her? Who do you think you are?"
Me having a conversation with Ian about his future.