──────── 𝙲𝙾𝙵𝙵𝙸𝙽𝙻𝙴𝙳 : bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. ah, we are like ropes drawn tight with strain that pull us different ways. 〃 blog for @ fangtv.
She could still smell the smoke. A severing of ties, all threads cut loose. Now, it feels like a century. Years - deep, this wound. Her heart is still unable to comprehend how to piece itself back together. The nights come and they leave her the bones of other rituals ⸻ dreams that feel like memories. Like a reaper, a snakeskin - keeper, she is neither here nor gone. The owner of After Hours offered little information regarding the vampire world of politics and terror. Zoya remained professionally curt with them, elusive if not on the emotional boundaries of anger and swallowed fear. “ I’ll be working the rest of the week, the clients tend to want their futures spilled no matter what day of the week. “ She greets them with a nod of polite acknowledgement, feigned almost to perfection. She turns back to organizing her tarot cards, the magic crackling underneath her fingertips at the presence of a vampire. Something involuntary, perhaps. “ What about you, hm? Have you had any curiosities on seeing your fate? “
truthfully, arjun doesn't recall the exact reason they allowed a witch into their business. however, a witch to the side was always better than one behind. though ... they were masters in drifting out of sight. an admiration of sorts stemmed from arjun in the past: the stain of the hunt passed from generation to generation. those who knew did not experience and those who did were, mostly, long below. to carry history through bloodline and soul ... something immortals could never know. perhaps that's why: a fondness of sorts. however, it could only go so far and they trusted her no further.
they raise two fingers in a blasé greeting, moving to seat themselves. the air shifts. just slightly, to the left ... they hum. " my fate ? " arjun repeats, gazing down at the cards becoming aligned. they, too, hold their own sort of allure as all things magical and spiritual. it's as if belief is crying out; yearning for an age long passed⸻ or perhaps they're bored and create delusions out of fucking paper. " i think if i had interest in hearing a deck of cards declare my soul destined for eternal, fiery purgatory, i'd refer to another stack of paper. " a shake of their head to punctuate their claim. arjun begins to rustle about the bar, searching for a case of cigars they'd stashed. " tell me, if you're keen to talk about your findings, zoya. have you read your own ? or a vampire's before ? "
WHERE . . . after hours.
WHEN . . . the slowest night of the week.
after hours was created with one purpose and one purpose only⸻ oversee the vampric population of lefleur. the revelation had set a flame within the center of a long dead chest. eyes which were never threats before suddenly blaring orange: a predator to a predator, a danger to a danger. it only felt natural to create a controlled space; a sanction which arjun alone could step inside and trust their nature to stay concealed. to a degree, at least. they couldn't shake the sensation of traitors amongst vampires: the greed for miracle blood, the reality of a dog eating other dog ... no where would ever truly be safe again.
and safety, yes even now, quivered as @deadhymn came down the stairs to the pit of the bar. arjun spares but a glance upward. the familiarity of presence and footfall alone revealing to them his identity. " ah, viktor ... vik ! it's been a minute. " they say with a sudden cheeriness which chills rather than warms. hands clasp together in front to add towards the anachronism. " at last you remember i exist. it's been ... weeks, has it not ? " a friend of a friend, a foe of a foe ... arjun wasn't quite sure where to play viktor rousseau. at best they would remember their order and the first place they'd met. and that is exactly what they do : begin preparing his drink as if second nature. " i hope it wasn't my drinks. you know i'm running out of new hobbies to try after so many years. "
WHERE . . . their residence.
WHEN . . . just before midnight.
" don't lie right to my face, pear. " her gaze has yet to wander, but once it does she looks to @pathshroud with a churn of of disdain. it doesn't take long for her to turn that gaze into action. snapping to attention on both feet, she stomps over towards her similar, warped mirror image and snatches her keys. " you're tired. you can take a break ... i haven't seen you miss a singular day since we got here. like, actually, take a break. " the keys dance between her fingers as she shuffles back. " what, afraid i blew all my money ? "
status. open
location. the bayou
time. right after the sun set & the moon went up
a liar always needs a cover. that's why zion had a towel thrown around his shoulder and a pair of swimming trunks packed in his bag. even though he was clad in all black from head to toe. he had been collecting herbs for a spell, but he'd claim they were for tea. no matter that he was nowhere near the actual water and was heading in the wrong direction. when he heard something crunch behind him, he stood up and turned away from the bush. a charming smile plastered across his face and he waved over at their direction. “ hey there. i reckon this place is like a maze. even if i was born and raised. ” zion snickered softly, scratching his neck with his left hand. “ are you on your way to the water ? ”
" am i going the wrong way ? " she asks immediately, her eyes shooting towards the path which draws her. the water in the bayou may not be the same as the deep of her home, but it's close enough to quiet ... a part of her which screams. still, kore could admit this place tripped even her up⸻ no. she'd never admit it aloud, only to herself. she blinks and gives off a small scoff as she returns to look at him. the attire registers all at once: all black, a bag, a towel, dirt on his hands. this was not typically the look someone on their way to the water. he could be and entirely be eccentric or ... whatever else land dwellers were, but still she hums, curious. following is a feigned need: " you won't let me get lost, right? "
status. open
location. crossroads motel
time. almost midnight
the motel was no longer his home. niccolo needed to find a place of his own if he was going to be the face of the fellowship. still, he had a tradition to stop on by every now and then. the hunter had stashed a couple of weapons around the area for others to secretly find. some of the rooms were also used to pass messages along. so, he was strolling through the parking lot and taking a glance of everything. up until he spotted someone he didn't expect to see. “ isn't it a little late to be out alone ? ” he squinted, even though he was able to see just fine. then, he chuckled softly, realizing he didn't have any company either. “ i'm heading out soon if you need a ride somewhere. ” he pointed over to his car at the end of the lot.
the night has long been arjun's friend. before even their blood went silent and their home buried the night offered a gentle calm. it never bothered them, no, even in more dysfunctional times and dread. someone would expect a tragedy at night; most feared the dark alley over the dimly lit one. to expect is to accept. they've long accepted. so when a voice rings and it's question is laughable, arjun does laugh and pause on the draw of a cigarillo. " first you open with bad irony and then follow it with ... a gesture of blind kindness. " they gesture with the smoking end towards the car, " i can't tell which of us is suppose to be the stupid one. me, who could say yes or you who asked. " another laugh escapes laced in that woodsy aroma. " you have to agree it's ridiculous, right ? "
𝐂𝐑𝐄𝐃𝐈𝐓. ✞ 「 the harsh, brisk air wafting from the sea; it burns your eyes as much as it brings you closer to nature, eyes sharper than a knife, predatory but gleaming like a jewel, staring long enough at your reflection until it warps and twists to a form you hardly remember, trembling vocal cords with the strain of a note lost to grief; you aren't sure when it left you. 」 cis woman. she+her. ╱ now nobody in lafleur is saying KORE ASPARA AMATAYAKUL is trouble, but nobody's exactly rushin' to defend them either. folks have been talkin' about the 33 75 year old unemployed ex-opera singer since the day they rolled into town. seems there's always some new story about how they're allegedly a merfolk and have been here for three years. i don't put much stock in every rumor that floats through this shithole, but with a independent, beguiling & amorous reputation like theirs, something tells me we only scratched the surface of the BAIFERN PIMCHANOK wannabe's story.
⁰¹. 𝐓𝐇𝐄 𝐁𝐀𝐒𝐈𝐂𝐒
birth name ⸻ aspara amatayakul .
nickname ⸻ kore, introduced as to everyone, ara, close friends .
species ⸻ merfolk siren .
dob ⸻ october 1st .
zodiac ⸻ libra .
age ⸻ thirty-three, seventy-five .
gender ⸻ cis woman .
pronouns ⸻ she/her .
sexuality ⸻ demisexual .
relationship status ⸻ single .
family ⸻ pear morakot (twin), younger sister deceased , a colony from the gulf of thailand .
occupation ⸻ currently unemployed, former opera singer .
⁰². 𝐏𝐇𝐘𝐒𝐈𝐂𝐀𝐋 𝐀𝐏𝐏𝐄𝐑𝐀𝐍𝐂𝐄
height ⸻ 5'5" .
hair color ⸻ black .
eye color ⸻ a dark, murky blue .
build ⸻ lithe and athletic.
in her late twenties, kore convinced her surviving sibling to become land dwelling. a violent inner divide within her colony and its neighboring one sprung forth, claiming the life of her younger sister in its height. although the event left her shaken and erratic, she also saw this as her only opportunity to escape the overarching claw of her mother's control. to land kore took herself and her sibling, looking to create a life separate of the pod's worsening turmoil. kore traveled with their sibling for a handful of years, attempting to figure out proper life in the world of mortals ( and come to find out, more ). kore took to it well, finding herself enjoying attention and intrigue she brought with allure. in fact, she found the interaction and social aspect to be exhilarating and once she realized she could make a career off her voice later in life ... she did despite all the warning signs. a respectable career took off for her overseas under a fellow merfolk entertainment proprietor on land; a marketed woman with a haunting voice and face you'd die for. and die many ended up doing in small throes, victims of the lullaby of old legend. those who did not succumb were obsessed with kore, that haunting image in their hallucinations, and it became threatening to her. the backlash of a mermaid's song was never quite talked about enough and how dangerous it could be to have multiple affected persons. it quickly became dangerous. once again, kore was forced to flee, abetted by her sibling, and thus she landed in lafleur.
⁰⁵. 𝐓𝐈𝐃𝐁𝐈𝐓𝐒,
⸻ THE SONG, kore never exactly felt guilt over those affected by her voice. in fact she at first couldn't help but to find it a bit amusing how quickly most succumbed. this, never spoke aloud, but true. her actions aren't intentional, she just struggles to find herself fully involved. it is her nature, she enjoys her singing and her voice. however, since her departure from the stage kore has not sang again. perhaps this is her guilt manifesting or a quiet fear in threatening her safety again. she hasn't admitted this either.
⸻ LAFLEUR, the last place she had ever wanted to end up, however she is making the most of it ... kind of. compared to bigger cities ad coastlines with stretching blue seas, lafleur is a speck on the map. kore's favorite thing has been the state's rich atmosphere and festivals outside of the town. at almost three years, she has finally began to settle and accept that she's safest here.
⸻ THE REVELATION, the revelation of vampires has kore intrigued by the reasoning behind it. however, she doesn't necessarily think its a bad choice. predators are known of in the grass in form of snakes, in the tundra as wolves, in the forests as bears ... the neighborhood vampire should be known. while she doesn't believe all vampires, or any supernatural, to be dangerous in personality or intent ... she knows herself and her apathy towards mortals. in turn, she knows how mortals are scared of anything stronger than them. she takes a neutral stance and keeps herself even quieter now regarding her own.
𝐂𝐑𝐄𝐃𝐈𝐓. ✞ 「 heavy, cigar-scented laughs carrying across a recently emptied bar, a voice carrying wisdom but not without its biases and clear emotional ties towards the knowledge; years of memories bleeding with too strong of an opinion and with it the matters of heart, blood stains well hidden in the dark of a dress shirt; teeth long licked clean and a smile left in the wake of a fainting body; the body is more inviting than the smile, the protective shadow over their own turned haunting figure at the hint of betrayal. 」 agender. they/them. ╱ now nobody in lafleur is saying ARJUN MEHTA is trouble, but nobody's exactly rushin' to defend them either. folks have been talkin' about the thirty-six / six hundred and fifty-two year old owner of after hours & vampire monarch of lousiana since the day they rolled into town. seems there's always some new story about how they're allegedly a vampire and have been here for long than anybody realizes. i don't put much stock in every rumor that floats through this shithole, but with a dramatic, caustic & protective reputation like theirs, something tells me we only scratched the surface of the DEV PATEL wannabe's story.
⁰¹. 𝐓𝐇𝐄 𝐁𝐀𝐒𝐈𝐂𝐒
birth name ⸻ long left behind .
current alias ⸻ arjun mehta .
species ⸻ vampire .
dob ⸻ 1374, will claim April 16th .
age ⸻ thirty-six, six hundred and fifty-two.
gender ⸻ agender.
pronouns ⸻ they/them .
sexuality ⸻ bisexual .
relationship status ⸻ single .
family ⸻ lourenço castro, maker. three long dead younger brothers.
occupation ⸻ owner of after hours .
status ⸻ vampire monarch of louisiana .
⁰². 𝐏𝐇𝐘𝐒𝐈𝐂𝐀𝐋 𝐀𝐏𝐏𝐄𝐑𝐀𝐍𝐂𝐄
height ⸻ 6 ' 2" .
hair color ⸻ black .
eye color ⸻ brown, almost black .
build ⸻ slender and lightly muscled .
a once feeble hearted mortal, turned by their maker under the guise of great purpose; a false promise to be something greater than a aimless traveler in the midst of india's turmoil in the 1400s. as all things go, it was too good to be true. arjun became a subject of prolific exploitations and going against the balancing rules of the vampire authority. targeting of fellow vampires, other supernaturals and harmful use of mortals. through sheer wit and eventual allyship with members of the council once they'd sailed to america, arjun managed to usurper their maker and convince the council of his wrongdoings. however, justice is not clean and arjun has been left permanently shifted by the means in which they'd outsmarted their maker. mimicking the ideal progeny and right hand man comes with scars and a disillusion of the self over years. trust comes slow, if at all and their idea of protection is often seen as overbearing and erratic due to fear of betrayal.
⁰⁵. 𝐓𝐈𝐃𝐁𝐈𝐓𝐒,
⸻ THE MONARCH, they were considered by the authority for lousiana due to their feat over their master and how closely arjun worked with council heads. it wasn't arjun's first decision and they were hesitant to take a position further than, that they'd consider, eyes on the ground ... but they were convinced due to enjoyment of the state. they've overseen louisiana for a total of thirty years following the destruction of the previous monarch.
⸻ LAFLEUR, they have been a constant come-and-goer within this specific town. due to their position they attempt to make an appearance across multiple cities, trying to maintain a presence towards other vampires. it wasn't until the great revelation that they settled within this town.
⸻ THE REVELATION, arjun was against it and they find the themselves further disturbed. a sense of control has been taken away from them and floods into threatening their agency. in retaliation, they established the dive meant for vampires: afterhours, on a whim. their first operator was their own progeny, but since then they've opened more to other vampires to assist in running it.
⸻ THE FELLOWSHIP OF THE SUN, the very thing they'd fretted about; the threat of safety and agency. it was only a matter of time. if inner-species turmoil was potential, of course mortal turmoil would be. they've become increasingly paranoid in the following years due to the whispers of formations and interact cautiously with those not within their circle.