collective

This website is an inspirational resource journal aimed to explore the connection between technology and audiovisual arts.

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The Human Seasons by David Dawson – Set Design by Eno Henze

Eno Henze's set design creates a backdrop for the atmospheric and emotionally resonant choreography by David Dawson for The Royal Ballet.

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A look back at the first computer art contests from the '60s: bullet ricochets and sine curve portraits

"The brush is an electron beam; the canvas, an oscilloscope; the painter, an electronic computer." This is how the journal Computers and Automation introduced its January 1963 cover: a...

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Zebra

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Guide to Projectors for Interactive Installations

Video projectors are one of the most important tools for creators of interactive installations. The information for projectors is available on various websites, but this 2 part guide will focus on their use in production and interactive environments.

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The Mutation of Publishing since 1894

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Software Takes Command

Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cultural artifacts. It has become our interface to the world, to others, to our memory and our imagination - a universal language through which the world speaks, and a universal engine on which the world runs. What electricity and combustion engine were to the early 20th century, software is to the early 21st century. Offering the the first theoretical and historical account of software for media authoring and its effects on the practice and the very concept of 'media,' the author of The Language of New Media (2001) develops his own theory for this rapidly-growing, always-changing field.

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