So this is where I had to pause. And just sort of linger for a moment on what, you know, the, the power of this moment, which was really cool to realize like how big moving is for kids...You, it's a perfect, I mean, it's, it's the perfect storytelling way to show the disempowerment of children. Like, you, you, you can't control this. You cannot, you parents need a job change and move. You were going to lose your teachers, your friends, your community. And it's like and, you can't do anything about it. Like, really? Because you're just a kid. And I thought this is such a great place for storytelling. I mean like, maybe like one of my favorite places is to to to put the, the audience and the characters right. Into, you know, the, the child situation, the children's mindset. You can't, and I think, you know, it's, it's easy to forget that, that kids feel just as much if not more than grownups, right? But there's, they just, they don't have any power. They can't do anything about it. They just....they're stuck with the parents they got, or the par or the, you know, being whatever their, their life situation is, the class they're in, the country they're in, they're just stuck there. They don't get that choice. And, and yet they feel just as much. And I think that is so beautiful. And that is like one of the central, you know, the, the, the best parts of children's storytelling or, or, or, or movies or television shows about kids, is that you can, you can have a moment like this right. Where you really just, and then, you know, for me, I had to think about like, and then where does this episode go? And it goes in a place that really, and we'll get I And, you know, I guess in this next episode, really it, where it repowers the kids through their love. Yeah. Which is just a weird storytelling choice. -Rider
