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@cover-up-the-sun
Landscapes by Shen Fei
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Ballonlea is great, except for the inexplicable floating forest Chinchous
radost moja
Art by Tom Shropshire š
goddd please just hire voice actors again. like actual voice actors. no more celebrity voice actors please just hire people who know what theyāre doing the or voice acting industry will cannibalize itself more than it already is. let jack black do whatever he wants though
in medieval times there were a lot of reanimated skeletons with swords but you dont really see any more these days
ā³ The Elder Scrolls Online Blackwood SceneriesĀ [3/?]
thanks for making me this hot tea bro. Why did the steam make the shape of a skull and crossbones when you stirred it lol
Boos in the garden, from āSuper Mario 64ā².
nothing will remind you that eating is good and okay like fantasy books will. āand that night in the valley they brought out the best plum cake and sweet cream, trout and turnips roasted over the fire, mead and goatsmilk and fresh cold water from the spring-ā and itās like yeah dude youāre absolutely right. then sometimes itās like āas he slept that night in the woods, he sorely missed the valley, where they brought out the best plum cake-ā and itās like man that sucks iāll have some seconds in his honor
Schloss Hirschhorn,Ā Hirschhorn,Ā BergstraĆe district of Hesse, Germany,
@giuliogroebert
So true. It doesnāt have to be life or death. It has to be the stakes and how much you care. How much youāre emotionally invested. It could be the tiniest thing ā she finally takes his hand ā and your heart could break for them.
I feel like thereās a whole generation of creators that never watched the movie Apollo 13. Itās based on history, we know they survive.
It was the most stressful, suspenseful movie Iād seen in YEARS. I spent the whole movie going āOMG, are they going to make it?!!ā
You donāt have to kill anyone to keep your show/movie āinterestingā. You just need to be a good writer.
āApollo 13ā³ is a great example because everyone who walked into the theater the day it opened already knew the ending. And you still get this enormous sense of relief when that first crackle comes over the radio. When Ed Harris sits down, you sink into your chair in relief.
Because the characters donāt know the ending. And we care about the characters. Weāre experiencing what theyāre experiencing vicariously, through them. Thatās the catharsis of good storytelling.Ā
And the people who made the movie understood that and they were all good at their jobs.
You create tension by getting your audience to care about the characters (which, honestly, doesnāt take all that much, as humans can form an emotional attachment to a Roomba [literally] and will). Once your audience is invested, you can create tension a million ways.Ā
Itās entirely possibleĀ to tell a story with life and death stakes thatās full of tension, of course, but if you have to have life or death stakes or there wonāt be any dramatic tension, youāre not doing your job as a storyteller.Ā
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