girl, coyote

[coyotie]

#COYOTIE:    INDEPENDENT  MALIA  TATE  FROM  TW.      STRONGLY  CANON  DIVERGENT.          WRITTEN  BY  CHRISSIE.     AN  EXPLORATION  IN  SURVIVOR’S  GUILT.    HUMANITY  VERSUS  NATURE.    FINDING  YOURSELF  AFTER  TRAUMA.      BREAKING  THE  CYCLE.   CAN  VIOLENCE  BE  FOR  A  GOOD  CAUSE?     FIND   YOUR   INDEPENDENCE.

[otkhastzya-deactivated20250716]

“you  know  the  problem  with  heroes  and  saints?”      she asked as she closed the book’s cover and headed for the door.       “they  always  end  up  dead.”

[otkhaztsya]

“we    all    die,“      he  said  as  he  jogged  off  to  retrieve  his  kill,      “not    everyone    dies    for    a    reason.”

[otkhaztsya]

“we    all    die,“      he  said  as  he  jogged  off  to  retrieve  his  kill,      “not    everyone    dies    for    a    reason.”

[archivedzly-deactivated20230806]

* 𝐍𝐎 𝐁𝐎𝐃𝐘 𝐍𝐎 𝐂𝐑𝐈𝐌𝐄 - 𝐈'𝐌 𝐍𝐎𝐓 𝐋𝐄𝐓𝐓𝐈𝐍𝐆 𝐔𝐏 𝐔𝐍𝐓𝐈𝐋 𝐓𝐇𝐄 𝐃𝐀𝐘 𝐈 𝐃𝐈𝐄. They think she did it but they just can't prove it, she thinks i did it but she just can't prove it... * ( horror based fbi profiler written by stevie. carrd. ©

[otkhastzya-deactivated20250716]

“you  know  the  problem  with  heroes  and  saints?”      she asked as she closed the book’s cover and headed for the door.       “they  always  end  up  dead.”

[otkhaztsya]

“we    all    die,“      he  said  as  he  jogged  off  to  retrieve  his  kill,      “not    everyone    dies    for    a    reason.”

[ohisms]

↪     𝑫𝑰𝑹𝑬 𝑺𝑰𝑻𝑼𝑨𝑻𝑰𝑶𝑵𝑺  .    (   a  collection  of  dire / urgent situation  sentence  &  action  starters .   adjust  phrasing  +  ʳᵉᵛᵉʳˢᵉ  as  necessary .   )

𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 :

hide .   hide now .

shh !!  there’s somebody in the house .

i’m not gonna hurt you !  see ?  look ,  i’m putting down the  [ weapon ] .

[ name ] ,  what were you thinking ?!

you’re being followed ,  pretend you know me .

stop , stop !  just put the  [ weapon ]  down !

drive ,  just drive fast !

you seriously think i could’ve done this ?

can you walk ?  i need you to walk for me ,  okay ?

let me handle it ,  just go !

what was your plan ??  you could’ve gotten yourself killed !

you’re just going to leave me here ?!

[ name ] ,  can you hear me ?  get out of there !

you knew and you didn’t tell me ?!

don’t you know how dangerous this is ?

you’re not going to shoot me .

move and you die .

i’m gonna come back for you ,  do you hear me ?

we have to stop the bleeding .

can you see how many fingers i’m holding up ?

i just want to go home !

don’t move a fucking muscle .

if it weren’t for you ,  we wouldn’t be in this mess .

i almost DIED back there ,  and you’re laughing ?

you’re only making this worse for yourself .

you think this is a joke ?

if i go down ,  i want you to run .

we’re gonna die ,  so what’s the point ?

this was the ONE thing i told you not to do .

i can’t promise we’re going to make it out of here .

where’s your first - aid kit ?!

just calm down and find your phone ,  we need to call the police .

someone’s been stalking me .

just listen to me for once !

i didn’t think you had it in you .

put the gun down ,  and kick it over here .

we can’t stick around here ,  let’s go .

kiss me before we die .

do whatever you need to do ,  hurry .

i can’t breathe ,  i can’t -

please ,  please  -  let me in ,  there’s someone -

i’m gonna give you one last chance .

you have to believe me ,  i didn’t do this !

run ,  and don’t look back .

this is real ,  i’m real .  look at me .

take this .  it’ll keep you safe .

follow my instructions very closely .

put your hands where i can see them .

you can’t just let me die !

i think  …  i think i need a doctor .

we need to get out of here ,  come on .

no ,  this isn’t it .  we’re getting you out of this .

you panicking is not going to help us right now .

𝐀𝐂𝐓𝐈𝐎𝐍𝐒 :

[ GETAWAY ]  sender acts as a getaway driver for receiver .

[ MEDIC ]  sender arrives on receiver’s doorstep ,  badly bleeding .

[ HIDE ]  sender and receiver hide from a threat together .

[ HUSH ]  sender clasps a hand over receiver’s mouth to silence them .

[ DRAG ]  sender physically hauls receiver to safety .

[ RIGHTS ]  sender calls receiver from a police precinct .

[ REALITY ]  sender helps receiver through an episode of derealization .

[ SHELTER ]  sender and receiver must find shelter from a storm  .

[ ARMED ]  sender brandishes a  [ gun / knife ]  at receiver .

[ CRASH ]  sender and receiver survive a  [ car / bike ]  crash together .

[ SEARCH ]  sender barges into the hospital demanding to see receiver .

[ BACKUP ]   sender calls receiver panicking after committing a crime .

[ CORNERED ]  sender menacingly backs receiver into a corner .

[ UNEXPECTED ]  receiver comes home to find sender already inside .

[ BREATHE ]  sender helps receiver get through a panic attack .

[ BADGE ]  sender and receiver flee from the cops together .

[ STRANDED ]  sender and receiver become stranded in the woods .

[ EMBRACE ]  sender kisses receiver thinking it’ll be the last time .

[ STRANGER ]  sender can’t remember who receiver is after an injury .

[ TOKEN ]  sender gives receiver a lucky charm before they go into battle .

[ CHOICE ]  receiver has to choose between sparing their own life or the sender’s .

[coyotie]

misereternal​    [   spencer hastings.   ]

@coyotie​ said ;  ❝do not apologize for doing what needed to be done.❞

          “ DOES SOMETHING NEEDING TO BE DONE    justify doing something bad? ”  define bad, spencer. do you mean something you’ve been told is bad? something you’ve internalized or something illegal.   “ is there really any justification? ”

❛  Depends on your definition of good and bad, I guess.  ❜         Sometimes things are not always so black and white. Both good and evil can co-exist within a person without tipping them one way or the other. Malia blinks, turning her head to look toward Spencer.       ❛  Do you want there to be justification?  ❜

[coyotie]

volatilehearted​    [   stiles stilinski.   ]

“That’s so rude, I haven’t ever been dramatic once in my entire life,” Stiles says, blandly, as if that will somehow take the edge off the fact that he is being actively dramatic right now. As he frequently is.

Instead, he lets Malia take his hand, watching the black crawl up her veins with a slightly unfocused gaze. It always felt good when one of the werewolves did this for him, but something about the way Malia did it seemed to creep up close to something beyond feeling simply good.

Probably better if he doesn’t dwell on that too much, though.

“Yeah. A little. A little better. Why did we have to go running again? We could have like…done anything. That didn’t involve running.”

Nature doesn’t call to him the same way it calls to her.       When the wind dances through the trees or the sun catches spiderwebs drawn from branch to branch, it feels like home to her. Running through the preserve always made her feel more in touch with the coyote within. She still misses it, even now. Being wild, being free. These are all things she doesn’t know how to find the right words for without making him feel guilty for hunting her down and bringing her back in the first place.  So instead she simply looks at him with a quirked brow.  “Don’t worry, I won’t make you run back. But maybe we can just sit here for a little while longer? It’s nice to be out in the fresh air.”      She hasn’t realised she is still holding his hand, too used to the comfort of his skin on her own.

[coyotie]

she’s exhausted but she’s looking cute

[misereternal]

somewhere in the haze got a sense i’d been betrayed  —  your finger on my hairpin triggers.   post-canon spencer hastings, oc and crossover friendly, exploring themes of: addiction, relapse, and recovery; survival; self discovery; and learning to be honest. written by fox, 25+. minors dni.      promo.

[cour4geous]

i  get  it.  it’s  nice  up  here.  you  can  just  shut  down  all  the  systems,  turn  out  all  the  lights,  and  just  close  your  eyes  and  tune  out  everyone.  there’s  nobody  up  here  that  can  hurt  you.  it’s  safe.

#STRANDAED   ―   independent,  private,  selective  &  low  activity  mixed  media  multimuse,  crossover  &  multiship  friendly.  navigated  by  west.  (  x  )

[shelleyhennigsource]

SHELLEY HENNIG as MALIA TATE Teen Wolf: The Movie Promo

[coyotie]

i  became  nothing  in  the  solitude.                mt   from   tw.    strongly   canon   divergent.      by   chrissie.

[misereternal]

somewhere in the haze got a sense i’d been betrayed  —  your finger on my hairpin triggers.   post-canon spencer hastings, oc and crossover friendly, exploring themes of: addiction, relapse, and recovery; survival; self discovery; and learning to be honest. written by fox, 25+. minors dni.      promo.

[coyotie]

@sunsfade​  sent:    ❝ don’t tell anyone, but, i spiked the eggnog. ❞

This revelation is met with a snort.     Half amusement, half disbelief. It would only take a quick scan of the room around them to note there wouldn’t be many people here who would object to the so-called prank. Flushed faces and drunken eyes are pictured all around them. A quirked brow and Malia’s turning her attention back to Ishtar. Deadpan.     ❛  I think it’s going to be okay.  ❜