Meta-review of The Book of Mormon
Back in May I got the chance to see The Book of Mormon at the Princess of Wales Theatre in Toronto. When I first heard about the show, I felt almost as if this was entertainment created specifically for me, since I am a big fan of South Park and musicals, as well as a student of religion. When I finally got a chance to see the show, it did not disappoint. It's crude and hilarious, it's well-written and well-executed, it's touching and uplifting; it lives up to the hype. I thought about writing a full review, but since the show is so well-structured and all the humour arises so organically from the plot and characters, I think it's best not to give anything away (and I warn you, if you click on any of the links in this text, they'll probably include some spoilers). I'll just tell you to go see it when you get a chance. It will surely be on Broadway and on tour for years and years (it's coming to Ottawa next summer), and it's definitely worth the money. What I would like to talk about, instead, is the range of reactions the show has elicited in the culture of theatre and entertainment.
Some people might ask, "What range of reactions? Everyone loves the show." Okay, yes. The show has received mostly rave reviews, every performance for over two years has been sold out, and the cast, crew, and creators won 9 Tony Awards. What I am more interested in are the reasons why people liked or didn't like the show, specifically in regards to what people thought the show was trying to say about religion. For instance, the few negative reviews I could find seemed to share the opinion that the show was not edgy enough. Quentin Letts' review in the Daily Mail, while full of theatre-snobbish criticisms, is particularly clear about this point when Letts calls the show's creators "cowards" for not making a musical about "militant Islam." Richard Ouzounian in the Toronto Star complains that the satire "was truly toothless," without specifying who he was hoping would get bitten. These reviewers were looking for a show that attacked religion, or at least distinguished "good" religion from "bad" religion before going after the bad guys, and when they didn't see that in The Book of Mormon, they decided it was a bad show.
The same approach can be seen in many of the positive responses to the show as well. They may not agree with each other on what religion is or how we should talk about it, but a big part of why they like the show is because they see in it an affirmation of their prior notions about religion. Penn Jillette, the famous atheist magician, repeatedly calls The Book of Mormon "the best thing [he has] ever seen," and the main reason he gives for that title is that the show follows one of his favourite slogans: "hate religion, don't hate people." Unlike Letts, Jillette thought the show did contain a vicious attack on religion, but not on the people who form or follow religions, and that is why Jillette loved the show. Kurt Loder of Reason.com sees a slightly different message about religion in the show: he understands it as a take-down of "brand-name religion" while acknowledging how the supposedly good forms of religion "can be a force for good in the world, bringing comfort and hope to millions, and impelling them toward a higher moral plane." Andrew Sullivan and Maureen Dowd see the show as an outright "celebration of religious faith," teaching us that "the real purpose of religion is to give us a higher purpose and a sense of compassion in the universe," and that "religion is both insane and necessary at the same time."
I may be mistaken, but I don't remember the word "religion" coming up very many times in the show, if it was ever mentioned at all. The ideas that Mormonism is compared to and conflated with in the show are rarely ideas that are normally understood as "religious" or "religions." So for me, the most striking aspect of these reviews is how many of them assume that the show has a message about "religion" in general. I can only assume that because the reviewers take for granted that Mormonism is a religion, then they also take for granted that the show must be about religion more broadly. The famously glowing review from Ben Brantley in the New York Times is one of the few reviews that resists this type of analysis, preferring to talk about "all the forms of mythology and ritual," with a focus on "the religion of the musical." One of the reasons I liked the show so much is because I think the things we classify as religious are not necessarily different from the things we classify as secular, and I found support for that idea within the show. Perhaps we can learn more about religion from the reviews of The Book of Mormon than we can from the show itself. That is, religion is not a thing out there in the world, but people see it where they have already decided it is, and as they have already decided it is.