This blog does not post spoilers until the following Monday.
Enjoy Campaign 3 everyone!!

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TVSTRANGERTHINGS

Kaledo Art
đȘŒ

pixel skylines
Today's Document

JVL

Discoholic đȘ©
$LAYYYTER

ç„æ„ / Permanent Vacation
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styofa doing anything

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Alisa U Zemlji Chuda
sheepfilms
Show & Tell
Keni
Acquired Stardust
Sade Olutola

Product Placement

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@criticalwriter
This blog does not post spoilers until the following Monday.
Enjoy Campaign 3 everyone!!
Photography by Robyn Von Swank for Variety
Watch "I Watched And Ranked EVERY James Bond Film | Film Video Essay" on YouTube
# that smile
Looking For Open Comissions
Looking for someone with open comissions willing to do 4 full bodies. Char refs for a book im working on.
There is also need for someone good at anthro/animals/monsters
And finally someone to do a book cover type piece with no people in it. It would be a landscape focused piece.
If you are or know anyone on here or twitter please alert me. I have saved and have proper funds to pay artists what they deserve for their work and time. I just have been having a hard time finding anyone who's comms are open.
Twitter is @askleetee
Tag me, link me, DM me, here or there. Thankyou!
Looking For Open Comissions
Looking for someone with open comissions willing to do 4 full bodies. Char refs for a book im working on.
There is also need for someone good at anthro/animals/monsters
And finally someone to do a book cover type piece with no people in it. It would be a landscape focused piece.
If you are or know anyone on here or twitter please alert me. I have saved and have proper funds to pay artists what they deserve for their work and time. I just have been having a hard time finding anyone who's comms are open.
Twitter is @askleetee
Tag me, link me, DM me, here or there. Thankyou!
Looking For Open Comissions
Looking for someone with open comissions willing to do 4 full bodies. Char refs for a book im working on.
There is also need for someone good at anthro/animals/monsters
And finally someone to do a book cover type piece with no people in it. It would be a landscape focused piece.
If you are or know anyone on here or twitter please alert me. I have saved and have proper funds to pay artists what they deserve for their work and time. I just have been having a hard time finding anyone who's comms are open.
Twitter is @askleetee
Tag me, link me, DM me, here or there. Thankyou!
yknow. thinking about the werthers threshold crest does that mean vox machina gave artagan discount off-brand dollar store caramel instead of the Good Shit
They stood under a door, took some orange playdough and shapped it into a caramel and handed it to him
COMMISSIONS OPEN AGAIN!
write me here or at [email protected] for infos!
Watch "Real Time | Penpal With Me" on YouTube
Syngorn Map Yo
Made one for my campaign in Tal'dorei and wanna share with anyone who may need one for their games. Enjoy!
HOVERING FROGS IS WHY I MAJORED IN PHYSICS
Time for a trip to the magic pet store: Here is a preview of what will be
Clockwork Dragonâs Guide to Arcane Familiars
Familiars have always been an exciting prospect for me, but 5eâs handling of them is⊠well, lackluster at best. To that end, I took it upon myself to retool the familiar system and provide a suitable myriad of options for people seeking to keep and train a tiny magical companion.This supplement is still in progress, and likely needs quite a bit of play testing. The final release will have a total of 100 familiars, but quite honestly, I am burnt out on familiars, and want to work on another project for while, so for now please enjoy 13 new Feats, and the first 50 familiars in this extended preview.
 As a major notice on this bit of brew: the guide to familiars is still a work in progress, and Iâm still in the process not only of adding new familiars, but also sourcing all of the artwork. I donât do any of my own art, and I always try to credit that artwork back to the original creator. The final published release of this document will contain citations and sourcing for all artwork, but as ths is only meant to be a WIP preview so you all know what I have been working on, much of that is still missing, and will be updated as I work through it.
Preview images above are low resolution, and does not contain all 50 familiars. For the latest high-resolution PDF, as well as a whole host of other work I have done, check out this handy dropbox link. And be sure to tell me what you think!
If you like what I do and want to support me or just generally help out, Check out my Patreon page, or throw some coin at me through Paypal.me. If you wanna just come say hi on my Discord, thatâs great too! Â
Widogastâs Nascent Nein-Sided Tower!
or, I canât believe that âCaleb makes the magnificent mansion and gives everyone beautiful rooms but treats himself like shitâ is canon.
Link to the song »HERE«.
Link to the narrative »HERE«.
Lmao did I seriously get called a bootlicker for holding the terrible oppressive opinion of âauthors deserve to be paid for their workâ? Youâre not a radical for distributing other peopleâs creative work for free youâre just a dick.
Fucking wild how many of these people seem to believe both that books are so vital that itâs necessary theyâre immediately available to everyone at no cost, and also that authors are bougie scum who contribute nothing to society, have nothing of worth to say, donât deserve to be paid or not have their job security undermined, and should find another job⊠and they see no contradiction in this. Absolutely amazing.
#this is honestly not an exaggeration I have seen all of this in the past hour #also loving the assumption across the board that all authors are white able-bodied financially stable and otherwise not marginalized #which is HILARIOUSLY inaccurate in the circles I run in #and by loving I mean I want to punch people
#âoh but if you buy books it goes to the publisher not the authorâ #yeah usually but if you buy books it tells the publisher itâs worth buying ANOTHER book from that author #it means their next advance might be higher #it means they CONTINUE TO HAVE A JOB
#yeah capitalism is bullshit and we all hate it but until we escape it we still all need incomes in order to eat
Also, as I have said a million kajillion times? People who work in publishing deserve to eat too. Not just authors. Although authors also deserve this! Publishing isnât the music industry. Editors spend many, many hours working on those books you like so that theyâre readable. (Sometimes you can tell when an author has got too famous and they clearly have stopped listening to their editors. You can see the quality of the books decline.) Illustrators drew that map of the bookâs fantasyland at the front; illustrators drew that double-page spread of a mediaeval town with the hundreds of people walking around. Photographers took the colour photos in the glossy insert. Permissions staff called around and cajoled that Scandinavian museum to secure the right to print that photo of that Viking ship. Typesetters and graphic designers made the interior readable, and made the eye catching cover. Heck, editors made sure that each paragraph of text was tagged correctly so that the book could be turned into an ebook, and checked it once it was done to make sure it hadnât all gone weird in the conversion. If itâs a nonfiction book, thereâs even a chance that the publisher sought out an author or author team to write the book, not the other way around â especially for textbooks.
There is an extraordinary amount of work that goes into publishing a book. Authors spend a horrific amount of time on each one, and so do staff at publishing houses. Almost none of us get paid particularly well. In my first job as an editor, I was alarmed to discover that I could get a 10k raise by quitting and going to work as a receptionist. Iâve been a receptionist before. It didnât require me to work overtime, or to have a university qualification. Iâve played Solitaire on the computer as a receptionist. Being an editor had me regularly stay late at the office.
The thing about âx book has sold so well! All the money should go to the authorâ is that it shows you donât understand how publishing works. Most books donât make very much for the publisher. Some donât cover the cost of production. The reason why publishers can keep producing books, and can publish interesting or risky books, is those rare success stories. In Australia, our local publisher Allen & Unwin had the distribution rights for Harry Potter, which they did not produce. But the money they got for distributing the series bankrolled books by Australian authors. It meant they could publish Garth Nixâs children books, a beautiful coffee table book on the Sydney Harbour Bridge, or the Phryne Fisher series.
Pirating books wonât hurt the few executives who make money at publishing. But it will hurt authors â most of whom donât make enough from writing to classify their work as anything other than a hobby â and it hurts people like me, who make authors works look good.
Pirating books shuts down small publishers, or otherwise they get bought out by the same big publishers you rail against. Ours is not an industry with a large safety net. We really, I donât know how to get this across to you, do not make much money. The reason why Hachette is large and makes a lot of money is because Hachette is an umbrella publisher that has something like sixty smaller publishers under it. I canât remember the exact number from when I worked there, and itâs likely changed since, anyway. If you donât want the five big publishers owning everything, you need to support the smaller publishers. Which means buying their books, or at the very least not pirating them.
Most people who work in publishing do it because we really love books. Weâre really not in it to make money. Which is good, because people who work in publishing are really poorly paid. I have met more than a few who leave after five or ten years, who go to work in the government, or at universities, or in marketing, because the poor pay and the stress has finally got to them.
And you know what? If capitalism ceased to exist tomorrow, Iâd be delighted to spend my days making books for no renumeration. I love books. I love editing! But thatâs not the world we live in, and I donât want to see my tiny industry basically cease to exist. Iâve already seen the number of jobs in publishing shrink and shrink in my country. Iâve seen publishers disappear and get swallowed up by others.
Authors and publishing staff are not the enemy. Why the fuck shouldnât they get paid for their fucking labour.
Hi! Itâs me, your friendly neighborhood professional copy editor!
I havenât been paid in three months thanks to corona. I donât get paid much when I do get paid. And if you pirate this biography of Charles de Gaulle that I am devoting my weekend to, I wonât get paid at all.
Books do not fly straight from the authorâs head to your hands.
If you can afford it, buy your books. (And if youâre in the U.S., buy them from Bookshop.org because fuck Amazon.)
If you canât afford to buy books, GO TO YOUR LIBRARY! THAT IS HOW YOU GET BOOKS FOR FREE! A librarian can help you get any book you want! And the library pays for the books! Publishers get money to pay their employees and you get the book for free! The library gets a boost in circulation numbers, which helps them convince the state government to please, please give them some of the tiny percentage of tax dollars that are still used to better the community.
You say you love books?
SUPPORT SMALL PUBLISHERS. SUPPORT SMALL BOOKSTORES. SUPPORT LIBRARIES.
I would trade my soul for Matt and Laura to actually perform this