Anteater King. Isabel De Obaldia. Glass.

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Anteater King. Isabel De Obaldia. Glass.
Minnie Adkins, Black Bear
Natalia Kleszczewska (Polish, 1999) - Black Beauty 1877 (2024)
Tom Forrestall, Eye And Thorns, 1999
Smiling Crocodiles. Isabel De Obaldia. Glass.
Béa Henri
Fireplace by Robert Winthrop Chanler at Gertrude Vanderbilt Whitney's studio in New York City, 1918.
Sobek - inlay - dark blue glass - 2.4 cm x 3.2 cm - 380 BCE (Late Period-Greco-Roman)
Erosion by Tamsin van Essen. Who knew parasitic invasion could be so beautiful?
van Essen on her project:
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
bell mare - david crawford
[ Artfight 2025 ] [15]
Blade-Beaked Beast
for CorruptedFox
Ross Mantle
Bhavya Ramesh Jewelry on Instagram
A colossal Aztec serpent’s head made from volcanic rock. Late Postclassic (1325-1521 AD), now on display at the National Museum of Anthropology in Mexico City.
Panax quinquefolius - ginseng