grounding
I'd rather be in outer space 🛸
Sweet Seals For You, Always
dirt enthusiast
Stranger Things
Not today Justin

Discoholic 🪩

JVL
almost home
noise dept.
KIROKAZE
we're not kids anymore.

Andulka
let's talk about Bridgerton tea, my ask is open

Product Placement
Xuebing Du
Lint Roller? I Barely Know Her

⁂
Today's Document
Game of Thrones Daily
Peter Solarz

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@cunningwodewose
grounding
Herbert Cole (1867-1930) & Robert Anning Bell (1863-1933), “English Fairy Tales” by Ernest Rhys & Grace Little Rhys, 1913
Source
A Ukrainian Motanka doll; a cleansing protector of the household against evil spirits. This particular doll is styled after Maria Franz of Heilung, whose costume is based upon Sami folklore traditions, the Slavic Deer Mother goddess and the personification of Dawn, Zorya.
Purchased from: https://www.etsy.com/shop/IrenaCraft
Doll Tor Prehistoric Stone Circle and Cairn, Stanton Moor, Peak District
A rowanberry charm on red thread, said to ward off black magics. Hung as a garland above door, fireplace or along windowsill to protect the home. Worn as a necklace or bracelet during ritual for power and protection when working with spirits. Counted as a rosary while meditating to inspire creativity and offer new perspectives.
Elen of the Ways is now on the website, if anyone wishes to order altar cloths DM please 💚 https://www.nomeart.com/gallery/goddess-art/elen-of-the-ways/ #elenoftheways #goddess #pagan #goddessart #paganart #art #nomeart https://www.instagram.com/p/BuivbTSn0zf/?utm_source=ig_tumblr_share&igshid=1g28mumpmbnhd
Fantastic Cernunnos altar piece from Zagrava Workshop! There was a little wait, as Zagrava are based in Ukraine, but it was well worth it. Super pleased with how detailed the piece is. Check out their Etsy store:
Shop Wood carving - statues of pagan gods by ZagravaWorkshop located in Ternopil, Ukraine. Smooth shipping! Has a history of shipping on tim
'Constantine's Cave' Ancient Site, nr. Crail, Fife, Scotland
The Battle of Benfleet
Stone carvings depicting the Battle of Benfleet, by local artist Anthony Lysycia.
In 894 Edward the Elder, son of Alfred the Great, and Æthelred, Lord of the Mercians, besieged the fortified Viking camp at Benfleet. The Danish Vikings they fought were led by a ruthless warrior by the name of Hæsten, who for more than 20 years had raided extensively throughout Frankish lands, sailed deep into the Mediterranean in search of plunder and earned riches in battle for and against African caliphates. One of the most seasoned Danish commanders, Hæsten was, however, feeling his age and in 892 looked to settle across the English Channel.
Dividing his forces in two, some 300 or so ships under Hæsten's command landed in Kent. Alfred the Great mustered the Army of Wessex and placed them between the two Viking hosts, preventing them from uniting. An uneasy peace was brokered, whereby the Vikings would be allowed passage to the Danelaw of Essex (one of the five 'burghs' controlled by settled Danes), and in exchange Hæsten's sons would be baptised and the Viking commander would receive a sizeable payment from the beleaguered Alfred, who could not hope to fight both armies at once.
The bulk of Hæsten's forces withdrew to Benfleet and fortified their camp, but most continued to raid individually throughout Wessex. Alfred, however, was stalled in his response by further Viking incursions in Exeter and Devon. In his place, his son Edward and son-in-law Æthelred raised a militia of East Saxons, Londoners and the dregs of Alfred's Army and harried any Viking raiders they found back to Benfleet. There they fell upon Hæsten's camp, capturing gold, supplies, hostages and dozens upon dozens of Viking ships, which were either sailed up-river to London or burned.
Hæsten, as it turned out, was absent at the time, raiding elsewhere up the coast. The surviving Vikings limped deeper into the Danelaw, eventually reuniting with Hæsten at Shoebury. The defeat at Benfleet had been a costly one, and one from which Hæsten's host would not recover. For four more years he and his men caused trouble for Wessex, while struggling to find a foothold in Anglo-Saxon lands. Eventually, even their Danish allies in Northumbria and East Anglia sided with Alfred and Hæsten's host disbanded, the man himself disappearing from the pages of history in 896.
In Tengerism there is belief in great ancestor spirits. Beings that are the sülde, The emblem or the spirit of a people. Like the Totems of other cultures. Bukh Noyon, ‘prince Bull’, Ulaan Nars, 'red pine’, or Khökh Chono, 'Grey Wolf’ are said to be ancient and prehistoric. From them the Buryat tribes descent. But still new beings rise to become sülde a group of people. They are not always directly related to the people to whom they are sülde. They can be spiritual ancestors. A great scientist can be the sülde of a scientific field for example. Darwin would be a sülde of evolutionary biology, George Washington a sülde of the United States, and van Gog a sülde of painting and post-impressionism. 'We stand on the shoulders of giants.’
Gold rings from Anglo-Saxon England, 8th-10th century AD
from The British Museum
Animism.
Animism (from Latin anima, “breath, spirit, life”) is the worldview that non-human entities, such as animals, plants, and inanimate objects, possess a Spiritual Essence. In a future state this Soul or Spirit would exist as part of an Immaterial Soul. The Spirit, therefore, was thought to be Universal. Animism is used in the anthropology of religion as a term for the belief system of some indigenous tribal people, especially prior to the development of organized religion. Although each culture has its own different mythologies and rituals, “Animism” is said to describe the most common, foundational thread of indigenous peoples’ “Spiritual” or “Supernatural” perspectives. The Animistic perspective is so fundamental, mundane, everyday and taken-for-granted that most Animistic indigenous people do not even have a word in their languages that corresponds to it. Animism encompasses the belief that there is no separation between the Spiritual and Physical (or Material) World, and Souls or Spirits exist, not only in humans, but also in some other animals, plants, rocks, geographic features such as mountains or rivers, or other entities of the natural environment, including thunder, wind, and shadows. Animism thus rejects Cartesian Dualism. Animism may further attribute Souls to abstract concepts such as words, true names, or metaphors in Mythology.
An elmwood divination piece, with a full row of the 32 Anglo-Saxon futhorc runes. Feels very satisfying to hold and meditate with, and is currently serving well as a stand for my mistletoe wand:
"It is relatively unimportant whether such and such a spirit is the equivalent of such and such a mythical figure, or even an aspect of them. What is important is that such figures had a myth, and were seen in mythical terms, and that this was a critical aspect of the magic in which they played a part. Even late demonologists, who spent time pedantically tabulating names of whose spelling they were never quite sure, were aware of the need for a story.
Myth endows a spirit with a history, a family, a residence in the universe and precedents for tasks undertaken on behalf of a magician and their clients. Their likes and dislikes, and aspects of their story, also generally produce the basis for tables of correspondences. While these remain data in a table there is comparatively little magic in them. Endowed with a personality, the spirit becomes an active participant in the ritual, and in the creation of rituals.
Reference tables are no replacement for the mythical context of a spell, although with a little creativity they can partially substitute for the lack of one. That they can do this in fact demonstrates their reliance on such a context in the past, even if merely as a prototype. The loss of such a context is displayed in reliance on traditional rituals that are no longer understood, but cannot be adequately replaced.
The ghost in the machine lingers even when the magician has no reference points for the background of the ritual employed. A mythology supplies such reference points, giving vitality to the composition and performance of the ritual."
Geosophia I: The Argo of Magic, Jake Stratton-Kent
The Secret of the Golden Flower, written in the late 1,600's, translated by Richard Wilhelm with commentary from Carl Jung and published in English for the first time in this 1945 edition.
Yeah, I imagine that'd work lol. Using this next time some random bothers me in the street.
Nice addition to the bookshelf, courtesy of Scarlet Imprint.