Carlos Reyes
saltwaterfarm
Waldo, Maine, 2020
Today's Document

Jar Jar Binks Fan Club
The Bowery Presents
Aqua Utopia|海の底で記憶を紡ぐ
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
🩵 avery cochrane 🩵
Noah Kahan
No title available

blake kathryn
I'd rather be in outer space 🛸

pixel skylines
2025 on Tumblr: Trends That Defined the Year

No title available
NASA
Sweet Seals For You, Always
trying on a metaphor
Show & Tell
Sade Olutola
Lint Roller? I Barely Know Her
seen from Iraq
seen from United States
seen from Brazil

seen from Saudi Arabia

seen from Saudi Arabia
seen from Oman
seen from Colombia
seen from Spain
seen from Sweden
seen from Malaysia
seen from United States
seen from Malaysia
seen from United Arab Emirates
seen from Bangladesh
seen from Malaysia
seen from Spain

seen from United States

seen from United States
seen from Bangladesh
seen from United States
@czudej
Carlos Reyes
saltwaterfarm
Waldo, Maine, 2020
Carlos Reyes
saltwaterfarm
Waldo, Maine, 2020
Carlos Reyes
saltwaterfarm
Waldo, Maine, 2020
Carlos Reyes
saltwaterfarm
Waldo, Maine, 2020
Carlos Reyes
saltwaterfarm
Waldo, Maine
Moyra Davey Trinity Dogs, 2015 20 b&w digital C-prints, tape, labels, postage, ink each 12 x 12 inches (30.48 x 30.48 cm) overall- 48 x 60 inches (121.92 x 152.40 cm)
Moyra Davey, Copperheads No. 201–300, Eclipse, Portikus (1990–2017)
Rosemarie Trockel, Carsten Höller, Ein Haus für Schweine und Menschen / A House for Pigs and People, Documenta X, 1997.
Rosemarie Trockel, Carsten Höller, Ein Haus für Schweine und Menschen / A House for Pigs and People, Documenta X, 1997.
Rosemarie Trockel, Carsten Höller, Ein Haus für Schweine und Menschen / A House for Pigs and People, Documenta X, 1997.
Rosemarie Trockel, Carsten Höller, Ein Haus für Schweine und Menschen / A House for Pigs and People, Documenta X, 1997.
Rosemarie Trockel, Untitled, 1994
Carissa Rodriguez, Grey Eminence (detail) , 2013, Steel postcard rack, digitally printed postcards.
Carissa Rodriguez Standing “O", 2018 Oil on canvas 132.08 x 90.9 x 2.5 cm (52 x 35 3/4 x 1 in.)
Carlos Reyes, West Side Club, 2018, Salvaged sauna cedar from West Side Club, glass, birch, hardware Four components 95.5 x 21 x 6 in each, total dimensions variable
Eugenio Dittborn Three Trees Airmail Painting No. 179, 2008-2010 tincture, stitching, embroidery, text and photosilkscreen on 3 sections of duck fabric 82 5/8 x 82 5/8 in (210 x 210 cm)
in:
The Infinite Image With Ei Arakawa, Eugenio Dittborn, Sergej Jensen, Seth Price, R.H. Quaytman and Mesopotamian cylinder seal impressions Curated by Tobias Czudej July 03—August 12, 2018
Waldo, Maine
The Infinite Image With Ei Arakawa, Eugenio Dittborn, Sergej Jensen, Seth Price, R.H. Quaytman and Mesopotamian cylinder seal impressions Curated by Tobias Czudej
July 03—August 12, 2018
Waldo, Maine