dadánosignificanada.

Arte, Revolución, Feminismo y otras cosas infernales."La libertad no se concede, uno tiene que tomársela." -Meret Oppenheim

[nobrashfestivity]

Nobuhiko Obayashi, Hausu, 1977

[nobrashfestivity]

It’s hot

[jeanharlowshair]

Screenland Magazine, September 1929

[diana-andraste]

Lee Miller, Man Ray, 1930

[diana-andraste]

Summer Days, Jan Saudek, 1965-66

[lobbycards]

Gentlemen Prefer Blondes, US lobby card #3. 1953

[naldibutnice]

Last Days of May by Nell Brinkley, 1920

[littlehorrorshop]

Glorifying the American Girl (1929)

[littlehorrorshop]

Clara Bow in Get Your Man (1927)

[grrl-beetle]

Chloe Sevigny

[sentientflameandroid-deactivate]

Anna May Wong, 1925

[gloomiiest]

Risqué postcards by Léo Fontan, 1917.

[1five1two]

'Firebird'. Leon Bakst. 1915.

[gameraboy]

“ ‘Safety first’ is the motto of Miss Mary Jayne of Keith’s circuit. Mary Jayne, seated in rocking chair with pistol strapped to her knee, claiming exemption from concealed weapon regulation by saying her thirty-two isn’t a concealed weapon in these days of knee-length skirts.” National Photo Company Collection, February 14, 1922. The Keith Circuit was a chain of vaudeville theaters that eventually transitioned to motion pictures. (via Shorpy Historical Photo Archive :: Loaded Legs: 1922)

[wh0-is-lily]

A Woman lighting a cigarette near a cafe window Gordon Parks, Paris, 1964

[remainsoflilies]

A seated woman in fur smoking, February 4, 1949. Photographed by James Watson.

[nevver]

Bust a move, Ronit Porat (because)

[gacougnol]

William Eggleston

Untitled

1971