We exist because we are wanted.
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@dailyanimatedpoc
We exist because we are wanted.
Favourite films → The Hunchback of Notre Dame (1996) dir. Gary Trousdale & Kirk Wise (insp.)
“Will today be the day? Are you ready to fly? You sure? Why, if I picked a day to fly, oh this would be it. The festival of fools. It will be fun with jugglers and music and dancing!”
YouNeek Studios has secured investment to develop an animation series based on a world of superhero and fantasy stories inspired by African history and mythology.
Iyanu: Child of Wonder, will feature a teenaged, Black female lead whose story and world are inspired by Yoruba history, culture and folklore.
I believe our people can come together again. But someone needs to take the first step.
RAYA AND THE LAST DRAGON (2021) → dir. Don Hall, Carlos López Estrada
Raya and the Last Dragon (2021) dir. Carlos López Estrada, Don Hall
Oh… I’m sorry. You think I should be more like you? Like some wild child!?
KATARA in S3E07 - The Runaway
Avatar: The Last Airbender Sozin’s Comet, Part 2: The Old Masters
GET TO KNOW ME: [1/5] FAVORITE MOVIES ★ LILO & STITCH (2002) dir. Chris Sanders and Dean DeBlois
Our family’s little now, and we don’t have many toys… But if you want, you could be a part of it. You could be our baby, and we’d raise you to be good.
Over the Moon (2020)
GET TO KNOW ME: [1/5] FAVORITE FRIENDSHIPS ★ SOKKA, SUKI, ZUKO
Hey, uh, fellas. I think your girlfriend’s taking care of it.
Lilo & Stitch (2002) dir. Chris Sanders, Dean DeBlois
The Road to El Dorado (2000)
CARMEN SANDIEGO | SEASON 4 OUTFITS
Moses, hear what I say. I have been a slave all my life. And God has never answered my prayers until now. God saved you from the river, He saved you in all your wanderings, and even now, He saves you from the wrath of Pharaoh. God will not abandon you. So don’t you abandon us.
THE PRINCE OF EGYPT (1998)
Because DreamWorks was concerned about theological accuracy, Jeffrey Katzenberg (former Disney chairman) decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help his film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)
Luca: The Inspiration Behind Pixar’s Mythical Coming-Of-Age Adventure – Exclusive Image