Tom Daley by Dylan Perlot
Sweet Seals For You, Always
hello vonnie
let's talk about Bridgerton tea, my ask is open
icyghini twinkie

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Jar Jar Binks Fan Club
Stranger Things
The Bowery Presents
Claire Keane

Discoholic 🪩
untitled
The Stonewall Inn
noise dept.

❣ Chile in a Photography ❣
Monterey Bay Aquarium
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Show & Tell

shark vs the universe
"I'm Dorothy Gale from Kansas"
art blog(derogatory)
seen from Philippines

seen from Singapore

seen from Malaysia
seen from Bolivia
seen from South Korea

seen from Türkiye

seen from France

seen from Türkiye
seen from United States

seen from Türkiye

seen from Chile
seen from Colombia

seen from South Africa
seen from Spain
seen from Chile
seen from Italy
seen from Senegal

seen from Malaysia
seen from Germany

seen from Germany
@damiendo
Tom Daley by Dylan Perlot
Clin d'œil
Mel Roberts: Yosemite (1970s)
Actor Michael Cimino
Finn Bennett for Behind the Blinds Magazine HS01 WE WERE SUN SF26
once and future 👑
Monter ou descendre...
Dorothea Lange (1936)
Louis Partridge
Enola Holmes 3 sur Netflix
Beau modèle...
BRANDON FLYNN photographed by Matthew Priestley for Behind the Blinds (2026)
Ashby Gentry fotografado por Emilynn Rose para Boys By Girls.
oceancentury, rev
Ruslan Danilchenko
March Stinchcombe
Vederli in Concorso con La Bola Negra (che già dal titolo promette un’oscurità magnetica) insieme a Pedro è un passaggio di testimone che mette i brividi.
Mettere insieme Penélope Cruz (la musa di Pedro), Lola Dueñas, l'astro nascente Guitarricadelafuente e addirittura Glenn Close è domandarlo sto testimone.
La cosa diventa "queer e interessante" a livelli esponenziali per tre motivi fondamentali:
Si ispirino a un'opera incompiuta di Federico García Lorca e alla pièce La piedra oscura (che parla dell'ultimo amore di Lorca, Rafael Rodríguez Rapún). Recuperare la memoria storica queer della Spagna attraverso il filtro pop e visionario de Los Javis è un’operazione geniale.
Harris Dickinson