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@dandelionsdyke
frands
it turns out i really enjoy making educational posts about the comics making process and ways of thinking. here's another one featuring characters from my graphic novel in a very anachronistic art museum.
Eden Kalif, Good Cats
summer
1. make a syllabus for yourself - books, media, places, recipes
2. complete 40% of it
3. eat every fruit u can
Non-standard healing crystals you can use to protect your aura.
i see it so i See it I see Thart with me EyeBals
when i see it i Look at it Put my eyes on it with My sightballs I look with my look balls and see It so in front of me
i see it with my eyedbarls
Anika Hochstenbach (Dutch, 2000) - Verstrengelde Benen (Entangled Legs) (2023)
Motorcycle Psychosis - Simon Angel
With Rachel Sweeney
Photography, 2026
soundscape of young green martian playing with pvc pipes
I love this video so much it brings me so much joy every time it crosses my dash again
illustration:大橋正 tadashi oohashi 1966 *歩ayumu→正tadashi 20240602修正
#大橋正 #illustration #tadashi oohashi #イラスト
i <3 tiles
My mentor: I wanna do a wall garden, because it doesnt take up too much space
Me, already vibrating from the dopamine and adrenaline: Let's talk about espaliers
okay, so espaliers are beyond sexy, they are so unbelievably productive
The basics are just... pruning growing trees so they are more 2 dimensional, usually placed against walls. It takes a few years to form/ raise, but they are much easier to maintain than free growing trees in the long run.
(source)
Not only is it more accessible, easier to harvest fruit, but the design has a double purpose; the walls hold and release heat that can keep warm-weathered plants alive during Northen winters!
We are being told to eat local and seasonal food, either because other crops have been tranported over long distances, or because they are g
There are people who use this method to grow avocado, fig, etc trees outdoors without electricity in -20C weather.
A similar technique to espalier can be used to grow furniture without killing the tree!
— Sunrise, by Louise Glück
I keep thinking about that attempt I made to characterize people I get along with, a few days ago. There’s a specific thing there but I’m just not sure how to phrase it.
It’s like a sort of … feeling that the world is bigger than you, and very complicated, and filled with things you’d never expect. It’s not exactly “skepticism,” and not exactly “humility.” It’s compatible with having a high view of oneself or one’s intellect, though not with certain versions of those things. It’s compatible with strong and numerous opinions, too, though not with certain ways of having strong and numerous opinions.
It’s having your most instinctive response to the world be “this is billions of distinct things; this is jeweled chaos; this is a buzzing, blooming confusion.” And then you make models and concepts to try to make some sense of it. Sometimes you become quite attached to them. Sometimes maybe too attached. But if you become too attached it’s not because you think your concepts are reality. It’s because you feel you’ll be so terribly lost without them.
When I try to think of the opposite of this temperament I think of those sorts of political or culture bloggers who are never surprised by anything, who always respond to every news story with “oh, look, more of the thing I know about, doing the things I know it does.” It’s not that these people are too political, or too certain. It’s that their politics and certainty doesn’t feel like a lifeboat they’re clinging to in a vast roiling ocean. They give off the impression of not seeing the ocean.
And lots of things follow from this. You have to find ways of living with this ever-present sense – sometimes dulled, but never gone – that reality is too large, grotesquely large, that you’ll never find your way in it. So you learn to revel in it a bit, to become an eclectic, an amateur, collecting and admiring little bits of jeweled chaos. You collect #quotes. You learn to laugh when you see something you don’t understand, so that you don’t instead despair.
You feel wary about systems, you feel wary about things that are top-down and a priori. You like data. But not in the sense of “the data is in”; not in the sense that we have measured, so now we know, and now no one can ever question again. But you are always worrying that you are missing the forest for the trees, because there are so many trees, too many, too many. You distrust the single event, the dramatic example, because you know that reality has room for everything, because you have enough such specimens pinned and mounted in your collection to prove any claim or its negation. You want the species, not the specimen – but you feel deep down that that has to be hubris, because all you see are specimens, and the great whirling confusion laughs at your taxonomies.
You come to observation, to experimentation, to something like science, even to something like positivism, not out of a zeal for the general but because you know the particular will wash over you and crush you. When the concepts are stripped away everything is laughter and awe and horror and you bring the concepts back, not to perfect life, but simply to bear it. And you tend to your collection.