Petricor @dante-spada - Tumblr Blog

““You want to know what this was really all about?” he asked with the bluntness of a man who, after public disgrace and a stretch in federal prison, had little left to protect. “The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I’m saying? We knew we couldn’t make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did.””

— John Erlichmann

cybervoidd

itsmarjudgelove

Nara Prefecture

seasonsofwinterberry

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doubtsandloves

Makoto Kagoshima

The best little ranch horse in the hunt field. Lovely Sawyer, the Palomino Quarter Horse.

#foxhunting #midlandfoxhounds #palomino #quarterhorses #calm and peaceful #horselover

andallshallbewell

tenniswood

nataliakoptseva

Jan van Os - Fruit and Flowers in a Terracotta Vase, detail

artistprovocateur

Jan van Os (Dutch,1744 — 1808)

blackswaneuroparedux

Stabat Mater dolorosa Iuxta crucem lacrimosa Dum pendebat Filius Cuius animam gementem Contristatam et dolentem Pertransivit gladius Quando corpus morietur, Fac, ut animae donetur Paradisi gloria. Amen A setting of the Stabat Mater text from Nebbiu, Corsica. This style of hymn singing from southern Corsica is sparsely ornamented, in contrast to the more typical elaborate ornamentation in most Corsican sacred music. It was recorded live in the refectory at Mont Saint-Michel, France.

Terza: Lauren Breunig Segunda: Lynn Rowan Contra: Will Rowan Bassu: Jeremy Carter-Gordon