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[darkmylight]

ready for rebirth. please.

[ruuined]

“I don’t know what I’m saying. I guess what I mean is that sometimes I don’t know what or who we are. Days I feel like a human being, while other days I feel more like a sound. I touch the world not as myself but as an echo of who I was. Can you hear me yet? Can you read me?”

— Ocean Vuong, On Earth We’re Briefly Gorgeous: A Novel (via soracities)

[babyfoxcollectionthings]

[candiikismet]

I could cry looking at this

[filmap]

你那邊幾點 / What Time is it There? Tsai Ming-liang. 2001

Hotel Bonne Nouvelle 17 Rue Beauregard, 75002 Paris, France See in map

See in imdb

[folms]

The story of film: An odyssey - Tsai Ming Liang

[treethymes]

Japanese posters for Lee Kang-sheng’s The Missing 不見 (2003) and Tsai Ming-liang’s Goodbye, Dragon Inn 不散 (2003)

[womeneatinginmovies]

Yang Kuei-Mei in Vive L’Amour (Tsai Ming-liang, 1994)

[fotojournalismus]

[xeniabrando]

[watermelonsago]

I think human beings are still full of tenderness. They aren’t stones. But they need to be reminded that they are becoming stones. Crying is a way for people to rediscover their tenderness.

Tsai Ming Liang (via watermelonsago)

[cinema-enigmatic]

LOFT (Kiyoshi Kurosawa, 2005)

[ravnna]

“…but now she went among them like a ghost;”

— Virginia Woolf, from To the Lighthouse (via down-the-rabbith0le)

[darkmylight]

Bon Lin - Keichi Kobayashi, 2014.

[certainwoman]

The Hole (1998), dir. Ming-liang Tsai

[jueki]

Undo 1994 Directed by Shunji Iwai

[naturaekos]

“I’ve always been dark, with light somewhere in the distance.”

— City and Colour (via naturaekos)

[darkmylight]