Holy shit that's so cool
Finally “do you love the colour of the sky” got compressed for our convenience
This is now my favorite photo
Monterey Bay Aquarium

if i look back, i am lost

Discoholic 🪩
let's talk about Bridgerton tea, my ask is open

pixel skylines
Aqua Utopia|海の底で記憶を紡ぐ
sheepfilms

Love Begins
I'd rather be in outer space 🛸

No title available
2025 on Tumblr: Trends That Defined the Year
RMH
Show & Tell

No title available
dirt enthusiast

Kiana Khansmith
Misplaced Lens Cap

JVL

Janaina Medeiros
AnasAbdin
seen from United States

seen from United States

seen from United States

seen from Australia
seen from United States
seen from Germany
seen from United States
seen from United States

seen from Malaysia
seen from Mexico

seen from United States
seen from Canada

seen from Türkiye

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Bangladesh
seen from United States
@dasupastar
Holy shit that's so cool
Finally “do you love the colour of the sky” got compressed for our convenience
This is now my favorite photo
“Bound” by Aynklo on INPRNT
NASA logo, 1980.
oilnymph by fritz kok
“Adorned” by Uzoma Nduka
“Triangle” by Paul Davey
Reminds me of this lol
This is part of why I'm back on Tumblr!
Me taking my likes on your selfies back after you unfollowed.
Bwambale Wesely
Infinite Possibilities.
Content Credit: @aboya.8
Things were getting weird, Aishy
The shirt is available HERE!!!
"Begin - End" logo design concept ☆☆☆
PM us if you need a creative logo! 💌
MWW Artwork of the Day (3/26/22) Njideka Akunyili Crosby (Nigerian/American, b. 1983) Dwell: Aso Ebi (2017) Acrylic, transfers, colored pencil, collage & commemorative fabric on paper, 243.8 x 315 cm. Hayward Gallery, London
In composing her works, Akunyili Crosby combines sources from different worlds, mixing family photographs from Nigeria with an interior of her own apartment. Each element is broken down into constituent parts (figures, furniture, background, surrounding spaces), transferred onto transparent films, and projected and retraced onto the final support. During this process she considers and finalizes crucial decisions about the details of the scene. She also makes deliberate and complex use of transfer prints, using a mineral-based solvent to transfer photocopied images from newspapers and product catalogues, magazines and books, onto the support. Akunyili Crosby layers these transfers, creating dense patterns that may move from a figure to parts of a piece of furniture, a background wall, a carpet, or an architectural element, creating an atmosphere of tension and instability.