Holy shit that's so cool
Finally “do you love the colour of the sky” got compressed for our convenience
This is now my favorite photo
occasionally subtle

bliss lane
Sweet Seals For You, Always

Game Changer & Make Some Noise

Kiana Khansmith
ojovivo
Not today Justin
hello vonnie
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gracie abrams

No title available
No title available
The Bowery Presents

#extradirty
"I'm Dorothy Gale from Kansas"
Xuebing Du

Andulka
Monterey Bay Aquarium

izzy's playlists!

ellievsbear

seen from Malaysia

seen from Malaysia
seen from United Kingdom
seen from Laos

seen from France

seen from Brazil

seen from Türkiye

seen from Malaysia
seen from Saudi Arabia
seen from Italy
seen from Canada
seen from United Kingdom
seen from El Salvador
seen from Germany
seen from United Kingdom

seen from Italy

seen from Malaysia
seen from Vietnam

seen from Malaysia
seen from United States
@dasupastar
Holy shit that's so cool
Finally “do you love the colour of the sky” got compressed for our convenience
This is now my favorite photo
“Bound” by Aynklo on INPRNT
NASA logo, 1980.
oilnymph by fritz kok
“Adorned” by Uzoma Nduka
“Triangle” by Paul Davey
Reminds me of this lol
This is part of why I'm back on Tumblr!
Me taking my likes on your selfies back after you unfollowed.
Bwambale Wesely
Infinite Possibilities.
Content Credit: @aboya.8
Things were getting weird, Aishy
The shirt is available HERE!!!
"Begin - End" logo design concept ☆☆☆
PM us if you need a creative logo! 💌
MWW Artwork of the Day (3/26/22) Njideka Akunyili Crosby (Nigerian/American, b. 1983) Dwell: Aso Ebi (2017) Acrylic, transfers, colored pencil, collage & commemorative fabric on paper, 243.8 x 315 cm. Hayward Gallery, London
In composing her works, Akunyili Crosby combines sources from different worlds, mixing family photographs from Nigeria with an interior of her own apartment. Each element is broken down into constituent parts (figures, furniture, background, surrounding spaces), transferred onto transparent films, and projected and retraced onto the final support. During this process she considers and finalizes crucial decisions about the details of the scene. She also makes deliberate and complex use of transfer prints, using a mineral-based solvent to transfer photocopied images from newspapers and product catalogues, magazines and books, onto the support. Akunyili Crosby layers these transfers, creating dense patterns that may move from a figure to parts of a piece of furniture, a background wall, a carpet, or an architectural element, creating an atmosphere of tension and instability.