secret illustrations for publishing X) and Vitrum :"D *because I noticed her again in my dream :"3 i also noticed funny ink scribbles on her pauldron X")
Keni

pixel skylines
$LAYYYTER
Alisa U Zemlji Chuda
Monterey Bay Aquarium
Not today Justin
trying on a metaphor
Sade Olutola
KIROKAZE
styofa doing anything

Love Begins
noise dept.
NASA
Misplaced Lens Cap
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Mike Driver
art blog(derogatory)

Janaina Medeiros
will byers stan first human second

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@deliakrohmer
secret illustrations for publishing X) and Vitrum :"D *because I noticed her again in my dream :"3 i also noticed funny ink scribbles on her pauldron X")
quick doodles just for fun 🐉🌱
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doodles with oc Vitrum and a little glass creature
I was thinking about giving my monster character a tail! I didn't want a wolf- or cattail or a tail from a hooved animal like a bull or deer, so I chose something otter-like, because Juka already is quite the chimera of several animals and even plants. I'm still not quite sure if I will keep the tail, but I kinda love how it changes his silhouette a bit.
Help! I have been trying really hard to improve my drawing skills, practicing almost everyday. I have been watching tutorials and studying anatomy but I can't get my characters to look natural.. They look extremely stiff and blocky... Any advice?? Oh! I almost forgot, I LOVE YOUR ART SO MUCH!!!
GESTURES. GESTURES. GESTURES!
Studying anatomy is fantastic. Whatever you do, don’t stop! I’m going to suggest gestures but that is by no means a suggestion to swap. Just start implementing gestures as well.
Okay. So. Look at this.
This is a still from Glean Keane animating Tarzan - and it exactly nails what a gesture is. Just a few simple lines that are full of movement and you can tell exactly what the heck is going on. All with a few simple lines.
Learning anatomy is great - but learning how to implement it is another thing. If I focus too much on nailing anatomy - the drawing starts to feel stiff, exactly as you’ve stated.
Gestures are all about forgetting what you think you know about muscles and structure and instead drawing what movement in a body FEELS like. That might sound cooky but that’s kind of how I approach it in my head. It’s all about those lines of movement and contrast and CURVES.
I think loosening up and forgetting about how technically correct a drawing is and instead embracing something rough and full of movement, and looking at how the lines in the human body contrast themselves will do you wonders. Keep learning anatomy, but look at how we move and look the weird shapes we can make with our bodies. Look at the way we slouch and stand tall. The way we dance, the way we run. Sit in a coffee shop and try to draw the heart of someone’s pose in like 30 seconds.
Observe MOVEMENT AND RHYTHM AND MY GOD THE HUMAN BODY IS POETRY *GESTICULATES WILDLY*
Even just grabbing a photograph from the net and looking at it objectively - how would this pose break down into a few simple lines? It’s so damn simple to look at something this way. You can endlessly improve your knowledge of anatomy and your technical abilities - but I think so many of us (myself included) stumble at the simplest foundations.
My last suggestion is a wonderful book (videos are floating around on youtube as well) from Mike Mattesi in which he talks about Force. It’s fascinating stuff! I love this example of a simple gesture being built up on.
I hope at least some of that was useful! Just start small okay. Think about learning the chords before you try and master Stairway to Heaven.
Some great advice for all artists!
yknow theres a lot of pressure to be successful, particularly on artsy kids whose professions are seen as useless unless theyre famous, but life is fucking hard and sometimes things dont turn out
but i think thats not bad. my dad has wanted to be a musician forever, and hes rly pretty good. but then he joined the military to get away from an abusive family, and then he got married, and then he got divorced, and a lot of horrible shit HAPPENED. he has ptsd and severe anxiety and he could never really get back on the horse. and he never made it as a musician, and now hes 53
but i grew up in a house full of instruments, and he can play all of them, and some of my earliest memories are of him playing guitar on the front porch and me thinking there wasnt a better musician in the world. so. even if you dont get to the stars, exactly, what you do isnt worthless. its not a waste of time if life is difficult and you cant make it, or if you arent famous, or if your work doesn’t influence thousands of people. it will influence someone
there are a million ways to be happy and a million ways to be a successful artist. we create what we do to enhance the human experience and relate to each other and improve ourselves. theres something to be said for just doing that,,,for the sake of doing it, yknow
This is the most comforting, warm and important piece of text I have ever read, and it is so true. No life is wasted that is spent sharing and loving.
You are seen.
His name is Juka, and he was once human. Now lives in the woods, alone. He does not like intruders.
Has a sweet spot for toffee, but cannot get it.
A young and reckless hunter.
Beware
Something lurks in the forest of Darkmoor. Lifestock and pets are consumed at night, and the people of the village are terrified. The Creature, it is out there, and its hunger is great and vicious.
Don't go into the forest.
Mr. Gar from the cartoon OK KO, commissioned by my friends!
I think he is one of my favourite characters of the show :D
Snob
LIZARDWARRIOR
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Social anxiety disorder at its finest