$LAYYYTER

Origami Around
PUT YOUR BEARD IN MY MOUTH

@theartofmadeline
occasionally subtle

#extradirty
Sade Olutola
I'd rather be in outer space 🛸
official daine visual archive
Today's Document

oozey mess
YOU ARE THE REASON
RMH
Interview Vampire Daily
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PR's Tumblrdome
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Product Placement
h

roma★
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@delicious-decay
Representation matters! #Love it!
Parametric Semiology – The Design of Information Rich Environments - by Patrick Schumacher, 2013
All design is communication design. The built environment, with its complex matrix of territorial distinctions, is a giant, navigable, information-rich interface of communication. Each territory is a communication. It gives potential social actors information about the communicative interactions to be expected within its bounds. It communicates an invitation to participate in the framed social situation. Designed spaces are spatial communications that frame and order further communications. They place the participants into specific constellations that are pertinent with respect to the anticipated communication situations. Like any communication, a spatial communication can be accepted or rejected, i.e. – the space can be entered or exited. Entry implies accepting the communication as the premise for all further communication taking place within its boundaries. Crossing a territorial threshold makes a difference in terms of behavioural dispositions. Entry implies submission to the specific rules of conduct that the type of social situation inscribed within the territory prescribes. In this way, the designed-built environment orders social processes. This spells the unique, societal function of architecture: to order and frame communicative interaction (Patrik Schumacher, The Autopoiesis of Architecture, Volume 1: A New Framework for Architecture. London: John Wiley & Sons Ltd., 2010. See Part 5:The Societal Function of Architecture.)
Figure 1. Parametric Semiology: Semio-field, differentiation of public vs. private as parametric range.
Figure 2. Parametric Semiology: Semio-field, master-plan with program distribution.
Figure 3. Vienna University of Applied Arts, Masterclass Hadid, Parametric Semiology: Semio-field. Project authors: Magda Smolinska, Marius Cernica, and Monir Karimi.
Figure 4. Dialectic Fields: Shell morphology as semiological system of distinctions: smooth vs creased vs faceted.
Figure 5. Dialectic Fields: Cluster of creased shells with semiologically distinctive surface articulation.
© Patrick Schumacher, 2013
by cia rinne (+)
from the book »notes for soloists« (download this book for free)
CD Poolhouse | Marc Merckx
Barcelona Couch by Ludwig Mies Van der Rohe for Knoll
Do Not Go Gentle Into That Good Night
Essence
Be you. Whoever that is. Your purest truth. be a Blinding anomaly.
Nayyirah Waheed (via thatkindofwoman)
The Three Graces by Antonio Canova
i hope you guys can see the complexity of this piece. read once all the way through, then read it excluding the words in parentheses, and then read only the words in parentheses :) (this is what i do to avoid math) (it was so difficult and took me forever) (appreciate it please omg)
holy shit the parentheses
WHO IS M.K.??
me
Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Dramatic Tornadoes of Light Photographed
by Martin Kimbell
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Taking my glasses off…