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@desolaten
we are far too slow to outrun it now, but not too far gone to care
‘ — kasuf ,
@desolaten said: ‘ i am infected with disbelief and blasphemy. i’ll never have a holy land.
“ everyone’s blasphemy is different, agnes. “
after all, ramza’s god is not the one they were apparently meant for. like all things in this world created by allah, they are muslim, and yet something else holds a claim to them.
“ it’s not an infection. it’s not… wrong. we can’t be told what to believe, we have to find it. and i don’t think, whatever these things are, that they’re gods. “
so many followers have turned their obsession and feeding into a religion. it’s something the dark and the desolation have in common; something of a church.
something of a prophet.
“ would you even want the holy land they’ve promised? it doesn’t seem like anything would grow there. “
there is something so specific in the wrongness of being created for a singular destructive purpose. life made solely to bring death, a start of an ending, birth of an apocalypse: even now, the cult’s voices swim in her ears, all she has ever known. holy agnes, you are no saint. sweet terror that she is, and yet she doubts : it spreads through her body, and she thinks that ramza must be wrong, that her sudden uncertainty could only ever be a disease for how thoroughly it has claimed her.
at least in this — the sharing of a purpose, altogether the same whether on behalf of a warmthless light or a neverending dark — she has found some understanding.
‘ a volcano’s soil after an eruption is some of the most fertile on earth, ’ agnes says, soft and detached enough it’s hardly even a response to what ramza’s said. shakes her head. she is not delusional enough to believe there will be greenery in the desolation’s scorched earth: perhaps, once, she was so naive as to picture the burnt-ash of it all as beautiful, but she is no longer so young.
still. she says these things not truly believing them, because if she cannot even pretend to believe, what is the point of her? ‘ if not gods, what could they be? yours is the one that styles itself a church, after all. ’ agnes is slowly coming around to the idea that there is nothing sacred nor holy in destruction. what does that make her?
the way this bit so concisely and painfully conveys agnes’ fascination with/yearning for humanity and the absolute chasm of distance between her and regular people... the way she probably heard one black coffee with room for milk on tv or from the person in front of her in line the first time she visited the cafe and adopted it as a sort of inside joke with herself, a pretending, and she thought she was doing fantastically at pretending to be a person with her little routine, and more than anything she liked it, she liked acting like she was a normal person and inventing little stories for herself of what she’d be doing if she was just like everyone else at the cafe or what the other customers’ lives might be like
a.gnes montague 🤝 e.van lukas turning their backs on their deity in favor of genuine human connection even though that went against everything they’d been taught, while knowing that connection would only last a brief moment & knowing they would die for the transgression
‘ — bookburnt ,
Gerard’s sitting a little too close to the fire, tattooed knees pulled up to his ragged chest. There is warmth here, he imagines, actual warmth in the old messiah’s new light, but he cannot feel it. He can’t feel much of anything. And yet he’s more solid today then he’s been since - well, since he belonged in this world, he thinks. Solid enough to drape an old duvet over his shoulders as he sits by the fireside, as laughable an idea as it is. A corpse in a comforter. There’s no body heat for the blanket to hold, but he pulls it closer to himself anyways.
He wishes he hadn’t said anything as soon as he hears her response. He hadn’t meant, even for a moment, to put the weight of the ruined world on Agnes’s shoulders. They have both had enough of that already, he thinks.
“I know,” he says quietly. And: “I’m sorry.”
He hums tunelessly as he watches the fire, turning over Agnes’s words. No more room for destiny or fate. In theory, he could get down with that. In practice, it feels like drowning. He does not know who he is when he does not have anything he has to do.
But part of Hilltop Road - part of belonging - is not just somewhere to be, it is something to do. An obligation of choice. He doesn’t have her power; he can’t keep this place safe the way she does. But he can act as shepherd; he can do his best to make sure that those who would like to be found are not lost. It isn’t much, but at least it’s something to distract him from the exhaustion.
He wants to say: you’ve done well. He wants to say: this place you’ve built is a miracle. He wants to say: you are better than anyone could ask you to be. He says:
“Me neither.” His left foot is in the fire now; he sighs and shifts so that he’s fully outside the fireplace again. Whatever he is made of these days, it doesn’t seem to take to fire any more than it takes to warmth. Small blessings, he thinks, only that doesn’t sound right. He sighs again, and tries saying something again. “Thank you.”
agnes has never really been able to feel the warmth of a fire in front of her, the same way an ice cube cannot feel the chill of a winters’ day: it’s already in her, and can only echo back and forth, not add to itself. still, she gazes into the flame. still she feels that this is warm, good, whole, home, freedom, all words that have never belonged to her. it isn’t the flame that comes with burntskin candlewax or cult-built pyres. it is her own invention, her soul laid bare in a fireplace, smoke spreading into the burning sky.
for all she doesn’t have the answers, she thinks maybe, selfishly, that this could be a place where being answerless is alright. the not-knowing is safe here. she’s protecting it from the world outside these walls.
the cult of the lightless flame had put the weight of the apocalypse on her shoulders: and it would be wonderful, they said, and it would be glorious, they said, and she was the only one who could bring it about, they said, the only one who could do it right. she hadn’t. she hadn’t wanted to. now there is weight on her in another way: an oath sworn only to herself to make something meant only for destruction into warmth, to take the fire from her chest and reshape it between her unburnt hands, fold it and twist it and break it until it is something good.
she is torch, beacon, messiah after-all, but she won’t think of herself in those terms. she’s just agnes here.
softly: ‘ you don’t need to apologize or thank me. ’ both feel wrong as they hit her ears. she’s heard thank-yous from people she’s shepherded into this home, gloved hands still scarcely touching skin despite the extra layer between the two, always rushed and quiet enough not to draw the attention of the other beings that lurk about. there are very few apologies in her history, and she squints at this one as if she cannot make out the meaning of the words.
( the cult would apologize to her sometimes, if they’d gained her wrath, as if appeasing an angry god: take these candles, take these offerings, do not hurt us, o great flamebringer. always the way one would apologize to a higher power, never the way one would speak to another person. they’d never looked at her that way. it’d made her want to burn them, once, though she saves that rage for monsters that threaten her sanctuary nowadays. monsters like her, perhaps. just with different goals. )
‘ i just ... want to help, i suppose. ’ she has abandoned her sharp edges and only uses her danger to protect. the world has changed, and she has changed with it. ‘ if there’s anything more i can do, tell me. please. ’
— lyric starters : mitski’s bury me at makeout creek.
‘ it’s beautiful out today. ’
‘ i’ve been anywhere and it’s not what i want. i wanna be still with you. ’
‘ you’re the breeze in my austin nights. ’
‘ there’s a party and we’re all going and we’re all growing up. ’
‘ we’ve tried hungry and we’ve tried full and nothing seems enough. ’
‘ i want a love that falls as fast as a body from a balcony. ’
‘ i don’t know what i’m waiting for. ’
‘ i am not gonna be what my daddy wants me to be. ’
‘ wild women don’t get the blues. ’
‘ lately i’ve been crying like a tall child. ’
‘ please, hurry, leave me. ’
‘ i can’t breathe. please don’t say you love me. ’
‘ one word from you and i would jump off of this ledge, baby. ’
‘ i was so young when i behaved twenty - five. ’
‘ i don’t wanna go home yet. let me walk to the top of the big night sky. ’
‘ i don’t know what to do without you. i don’t know where to put my hands. ’
‘ i don’t need the world to see that i’ve been the best i can be, but i don’t think i could stand to be where you don’t see me. ’
‘ i don’t smoke except for when i’m missing you. ’
‘ if you need to be mean, be mean to me. ’
‘ just don’t leave me alone wondering where you are. ’
‘ i am stronger than you give me credit for. ’
‘ take me out, baby. makes no difference where we’ll be. ’
‘ i’m starting to learn i may never be free. ’
‘ fuck you and your money. i’m tired of your money. ’
‘ you know i wore this dress for you. these killer heels, for you. ’
‘ i will take good care of you. ’
‘ i will see your body bare and still i will live here. ’
‘ stay with me. hold my hand. there’s no need to be brave. ’
‘ we’re not out of the tunnel yet. i bet you, though, there’s an end. ’
‘ i am relieved that i’d left my room tidy. they’ll think of me kindly when they come for my things. ’
‘ carefully, i was going to live. ’
‘ you’d learned from movies how love ought to be. ’
‘ did you know the liberty bell is a replica silently housed in its original walls? ’
‘ i always wanted to die clean and pretty. ’
ME ONE: I went back to the burned house
ME TWO: Day of the week: immaterial. Time of year: immaterial.
ME TWO: Who was there: me and another girl, also me (you) [gesturing to ME TWO]
— Emily Berry, Tragedy for One Voice
kenneth rexroth, runaway / artwork by fugazi studios / craigslist personals / miguel hernandez, hunger is the most important thing
i think agnes’ relationships to ppl in her cult are by default a bit strange & strained bc of the position theyve put her in as a god / someone to be worshipped rather than someone on their level. she never really enjoyed the attention — even when she was younger and wholeheartedly believed in the desolation, she was quick to anger and hated having people fawn over her. once she’s older and her faith begins to waver this gets even worse. she never signed up to be their god, and she can never tell any of them about her doubts, can never really be any level of honest with them, because they need her to always be perfect. they always see her as being above them, and all she’s ever wanted is to feel ordinary.
psychexch:
THERE ARE LITTLE RITUALS, THE NICETIES THAT HOLD EVERYTHING TOGETHER. society doesn’t have rules. it has rituals instead, a replacement for rules. like this: the lighter, the cigarette, the passing of both, the click of it. sam likes to think of things in terms of parameters, in arguments, in handshakes. he just knows that there are things they do regardless of the sense they make or whether or not they fit into anything. they are comforts. they make things function. moreover, the system as a whole hates to engage in them, but sometimes it’s necessary.
the followers of the lightless flame would know something of rituals. their existence is communal, a shared worship of the flame, of the loss of what could be. that’s something he can’t understand. they have been lonely (and are they not lucky, in some ways, that they were not touched by the lonely first? or maybe they were, but it wasn’t enough for a full grasp, a full taking of, and instead they ended up here) for their whole life. they have been fundamentally accompanied by each other and no one else, in times both good and bad.
of course, agnes is different. to them, agnes is everything, and maybe that’s where they get along. they, too, encompass a piece of their entity so vital that they cannot be separated from it. they are both what they are because of their entities; they are bound to them, entirely so. is it a good existence? not by most standards. he thinks they didn’t get a bad end of the deal. after all, what has changed? not much. nothing really worth noting. if anything, certain things have improved. they are a result of an unnatural thing, of the machinations of the last archivist, but that means they have to adapt. and maybe that was why they were chosen, why that door appeared in the server room.
there was already discomfort with the self. they might as well have had one foot in the door from the very beginning.
❝ i’ll give you that. you didn’t start as a mortal. as someone who did, i don’t think you’re fucking missing out on much. ❞ a wryness, a little bit of humor. perhaps an avatar shouldn’t sound quite as amused with the idea of mortality. doesn’t everything hinge on that? doesn’t the survival of the entities depend on mortality? there’s an irony there, after all. no ritual can happen without the work on the ground.
a pause at her question. he shifts his weight from one foot to the other, considering. ❝ … interesting question. i mean, i made a choice. we did. unlike you, it’s not like we were born looking like a reflection caught in a funhouse mirror. ❞ we. i. what’s the difference, in the end? he can switch between them as he pleases at this point. the overlap between them all is more than it was before, a messy venn diagram of he/i/us. ❝ which i think changes the concept of destiny, at least from our end. if we chose something, i don’t think we can deny it forever. you, though… no such luck. it’s been like this for you from day one. so i guess it’s difficult to conceive of something outside of it, then. ❞
for a long moment, he simply inhales hard on the cigarette. nothing to poison now, he thinks. organs still exist but they don’t matter. he is bound to a place, and that place is in him, is him.
❝ there’s a good test. what would you do? let’s say the desolation fucking evaporated tomorrow and somehow didn’t take you with it. what would you do then, agnes? ❞
agnes has not met many others touched by the god-fears this way, outside of her own cult, but she thinks the commonality between most of them is the choice: whether the powers push people into desperation enough to accept a terrible fate or whether they walk into the fire with glee, they’d made a decision. sam had chosen the twisting deceit; jude and diego and arthur had doused themselves in flame and been born anew; gertrude, though she clings stubbornly to humanity, had taken the position of archvist for her own of her free will, though agnes is still unsure how much free will counts for in a world with the mother of puppets pulling strings on them all.
agnes’ mother, though she’d never known the woman, had made a choice. had believed in the cause of the lightless flame so burntheartedly that she had made a birthing pyre and turned to smoke. agnes had not been given a choice in what she was. born in one ritual and destined to die in another, with little room to question anything in the space between.
she thinks, perhaps, that makes her closer to humanity than any other avatar, in a way: for humans did not choose to be what they are, either, did they?
‘ i don’t know. ’ it is impossible to conceptualize a life without the flame. she can look through glass at humanity and yearn for something more than destruction and death and wax-dripping fingers, but she cannot reach out and touch without scorching. isn’t touch the most human thing there is? she’s read about touch-starvation, about children who grew up in the wild without a caring human hand. she’s too far distant to really imagine any of it.
she didn’t start as a mortal, after all. when she closes her eyes and tries to picture a world without the desolation making her oh-so-hungry, her vision is blank. dark. it’s hard sometimes to even remember that she is a person outside of the cult — not simply a messiah, not simply the candlewick upon which their destruction will be lit, but a self in her own right.
‘ i don’t think i would have chosen this, if i could ... but i don’t know who i’d be if i had begun as human, either. maybe something would have made me desperate enough. maybe, in contrast to being cold, the flame would have been welcome. ’ she doesn’t know. a spark of frustration, of anger, at herself and her circumstance and the unchangeability of it all, lights up her ribcage, tinges her voice.
‘ if it all disappeared, i can’t imagine it not taking me with it. ’ who would he be if his doorways all locked him outside? a part of you gone. her hands are tugging on her jacket, her scarf, her dress, anxiety flickering and leaving faint scorch marks in its wake. she’s silent a moment, and then: sure and steady, ‘ i’d hold somebody’s hand. if the desolation disappeared tomorrow and i was left behind, i would want to touch somebody. just once. does that pass your test? ’
All nature is a fire we burn in and are renewed, one skin shed and then another.
Margaret Atwood, from After Heraclitus (via wishbzne)
What is the title?
Portrait of a Lady on Fire (2019) dir. Céline Sciamma
‘ — psychexch ,
@desolaten sent: my destiny is calling. i stare into my fate.
( DON’T WE ALL, IN ONE WAY OR ANOTHER?
i can empathize, i think. i can approximate empathy. i can imagine what empathy might feel like. i can pretend to know the shape of it. i can draw the lines of the comparison in my head. i look into mirrors, and i don’t see myself. i am me who is not myself who is less than a person and also more. i’m not elliot alderson. i never was. i hated to look at myself in the bathroom mirror. i could never bear looking at myself, seeing myself so clearly in it. now i don’t have to deal with that anymore. now, when i glance at myself in the halls of the distortion, i am no longer there.
it’s freeing to be nothing. it’s comforting. we feel safer than we ever did before. we have a safe space, finally, and the space is us. isn’t that exactly what we wanted from the very start? a place to be? a place that was entirely our own? a place that was safe, with doors that locked and walls that met at slightly distended angles and was and always will be an ever-growing organism? )
under the night sky, some items of importance to someone burn. a photograph. a child’s doll for a child now dead. a pair of heavy workman’s boots from a man who will never be able to work again. the loss. the loss. the loss. i stare into my fate, says agnes of the lightless flame, and sam nods to himself. yes. he thinks so. that’s how it works. she will one day be a bonfire. he may or may not be there to see it. perhaps he will be somewhere else. perhaps he will make the time to be there distantly, to watch the conflagration. he does not pretend that he can look that far into what might or might not happen.
sam watches sparks fly up. destiny is of very little concern to him. some avatars have more of a destiny than others. his has been inherently compromised by what gertrude robinson did to the distortion, but it also brought him to this point of existence. should he be grateful or not? perhaps. perhaps not. it’s not much of a concern now. he does, in that distant way he feels many things, feel a little bit of pity for those who have precisely one end point that they can discern. an inescapable thing coming down the line.
for him, the line is mangled and broken and it goes everywhere and it never ends. it is the distortion itself. it is him. he is the broken line, and all he does is intervene with the easy and natural pattern of things and makes them unknowable. that is what he is and what he does and all he can see.
❝ i think i can hear it too, ❞ he says. then a pause. ❝ not mine. yours. i think i’d prefer having an end i can see. i’ve always preferred that. ❞ of course he would. endings are a comfort to him, the idea that things can stop and not continue. that there is a definitive something at the end of it. he likes the concept. when he imagines it it’s soaked in a warm yellowing light, like sodium lamplight, warmth spilling everywhere. reality, he thinks, is fluorescent lighting, bright and almost painful in its starkness. ❝ i’m sorry, ❞ sam adds after a long moment of silence. he watches the doll’s hair curl up and blacken underneath the heat. ❝ are you afraid of it? or are you looking for it? ❞
at times, bonfire-smoke seems to be a mirror : she can look into it and see all that she is / was / will be within its impossible mass. she’s always liked the record of things. smoke in the sky; soot on her clothes; runny wax on her fingers. agnes is made from loss, but she likes the things that loss leaves behind.
what will be left behind after her destiny is completed? it had taken her decades to ask the question: would she still be there to see it? or would her burning-up, ushering-in of a new and painfully bright age, leave her in the midpoint between pre- and post-apocalypse, mere ash on the ground? there’s a time the thought wouldn’t have bothered her. a few years ago, maybe. burning up, she would have thought with such unquestioning faith, is the most glorious thing she could ever do, a fate to be proud of. she would leave the world the same way she’d entered it: one with the lightless flame and unscreaming in the heat of it all.
agnes reaches out and touches the fire in front of her, breathes in the smoke and tastes the despair on her tongue of lives ruined in these artifacts. it doesn’t wash away the flavor of her own doubt. she doesn’t burn. not yet.
‘ is it possible for both to be true? ’ she doesn’t look at him, brow furrowed as the flame reflects back upon her. the words seem true enough in her mind, but aloud they are a falsehood: lies are his domain, not hers, and they’re wrong in her mouth. fire is only ever what it is. destruction is simple, in the end. she’s never been a good liar, and so she knows: she’s more afraid than she is searching, now.
‘ i should be looking for it. i should ... i did want it, at one point. not so long ago. ’ she had thought about a scorched earth and been filled with the most joy she’d ever felt; jude and arthur and diego and the rest of them who’s names she has forgotten or perhaps had never known at all would look at her with such holy light in their gazes and she had been glad for it, felt like they were doing something right. ‘ it doesn’t matter, though. fate is fate. my ... wavering will not change it. ’
but she will be an unworthy sacrifice, now. she knows it. unready to voice it, perhaps, but it’s a marrow-deep sort of knowledge: a trembling faith will not bring about the scorched earth, the holy burning of it all. a small part of her is glad for that; she’s always had a fondness for people, the sort you can only cultivate at a distance, watching through glass, and the thought of every one of them turned to dust on a burnt-orange ground fills her with a shaking dread. but most of her — most of her is terrified by such purposelessness.
Leila Sales, This Song Will Save Your Life
‘ — alleyspat ,
𝘿𝙊 𝙔𝙊𝙐 𝙃𝘼𝙑𝙀 𝙁𝘼𝙄𝙏𝙃 ? knox’s gaze narrowed, but his glare seemed to go right through her as he rocked back on his heels. do you have faith ? maybe at some point he had, when he was younger and everything seemed still new. first it had been faith in a promise, then it had been faith in the hunt when all else had died but now what ? knox gave an involuntary shake of his head — no, it he had faith at all, it wasn’t in anything good.
❛ no — ❜ knox spoke with no tone of emotion in his voice, despite the beast he harbored in his chest. standing near her felt, in flashes, like standing too close to a boiler in winter — but he wasn’t sure if this was coming from her or the gnashing of the hunt. if he weren’t a man, as he felt now a wolf with teeth bared, he might have paced but for now arms only crossed tightly across his chest ; as if to strap it down.
❛ faith is blind and most who cling to it are blindly ignorant. i get it, ignorance is bliss. but — ❜ he tapped his chin thoughtfully, before grey gaze found her’s once more. he didn’t know much, but knox knew enough. ❛ anyway, what do you put your faith in ? ❜
the question isn’t funny in a way he’ll understand, so she doesn’t bother laughing yet, and her curled-up lips could be mistaken for innocent enough at a glance. it’s so simple. her faith is in fear, in the terror that will overtake an ashen world. her faith is in something she has been told since birth that she will bring about — a glorious end and she the spark, the match, the martyr that sets it all off. her faith is in what those surrounding her tell her it should be.
perhaps that counts her among the blindly ignorant. better to be blind than to crumble an entire purpose for being, she thinks. she has no cause without faith. it is not some hollow god, some unnameable presence, some feel-good benevolence she puts her faith in, but something tangible enough to burn. she hears it in the crackle-singe of a bonfire. agnes is unto a god to the lightless flame, worshipped and worshipping, something holy, unquestionable even by herself — what does she put her faith in?
‘ myself, mostly, ’ she says, and there’s the laugh, soft like distant church bells. it won’t be amusing to him, but she can’t help it. such a mundane answer if you don’t know where to look. my faith is in the destruction of loved things, in candlesmoke and screams that cling to it, in the world i will be used to bring about. why question that? ‘ it seems terrible, not to have faith in anything. ’ perhaps it makes sense that she would not be able to understand, she raised so concretely in belief and nothing else, figurehead of her own church, martyr of their doom, keeper of something beautiful, but it makes her sad in an unspeakable way to imagine, even for the briefest of moments, losing that fire. ‘ how do you do it? ’ isn’t it cold?
Michelle Blade (American, b. 1981, Los Angeles, CA, USA) - Day 29 of 366 Days Of The Apocalypse, 2012, Paintings: Acrylic Ink
gertrude is the only person agnes could touch without burning them!!! even jude she had to be very careful with - because jude could reform, jude was made of wax, jude wouldn’t really burn, but agnes didn’t want to hurt her even so! agnes has never hugged anyone! agnes wears long sleeves and gloves as much as she can even though it makes her feel like she’s burning up because she doesn’t want to accidentally brush someone skin-to-skin and injure them! aaaaaaaaa!