Kameelah Janan Rasheed, Borges, Musa, and Khidir, 2019. Archival Inkjet Print.
i don't do bad sauce passes
One Nice Bug Per Day
Monterey Bay Aquarium
hello vonnie
🪼

⁂
sheepfilms

祝日 / Permanent Vacation

blake kathryn

if i look back, i am lost
Today's Document
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
d e v o n

No title available
Peter Solarz
Xuebing Du

izzy's playlists!
occasionally subtle

★
seen from United States
seen from Israel
seen from Denmark

seen from Canada
seen from Brazil

seen from Malaysia
seen from Venezuela

seen from United Kingdom
seen from Malaysia
seen from United States

seen from United States
seen from United States
seen from South Africa
seen from Malaysia

seen from Germany

seen from Canada

seen from Malaysia

seen from Germany
seen from United States
seen from United States
@deterritorialization
Kameelah Janan Rasheed, Borges, Musa, and Khidir, 2019. Archival Inkjet Print.
Takesada Matsutani (Japanese, b.1937)
Nagare II - 1978
Intuit Cartogrpahy, portable maps made out of driftwood. From Kalaallit Nunaat (Greenland).
+
#fbf Cosmological Documents | Graphic Translation of the Oneida Creation Story | Completed while the Artist-In-Residence at the National Museum of the American Indian. #drawing #watercolor #cosmology #architecture #indigenousdesign #cornelius #nmai #residency #archisketcher #arch_more #arch_grap #thearchiologist #critday #soarch #showitbetter #next_top_architects https://www.instagram.com/p/BrqnfppBKKg/?utm_source=ig_tumblr_share&igshid=112b7v5bxt9ph
Gustavo Torner, Praescriptura CV, 1993 [Museo Nacional Centro de Arte Reina Sofía, Madrid]
Mark Fearn - Urban Disposition No.6
Robert Mangold
Alvar Aalto. Architecture D'Aujourd'Hui 93 December 1960: 13
via
Craig Ellwood, Weekend House, San Luis Obispo, California, 1964-1968
Converging Paths
Illustration for the chapter, “The special attributes of waves.” From Galileo to the nuclear age. 1946.
Iran 🌏
From VSCO
Увула Russia and Ukraine Summer Tour Poster 2018
Xanti Schawinsky, Spectodrama: ‘Play, Life, Illusion,’ 1924-37
“The flow experience that results from the use of skills leads to growth; passive entertainment leads nowhere. Collectively we are wasting each year the equivalent of millions of years of human consciousness. The energy that could be used to focus on complex goals, to provide for enjoyable growth, is squandered on patterns of stimulation that only mimic reality. Mass leisure, mass culture, and even high culture when only attended to passively and for extrinsic reasons—such as the wish to flaunt one’s status—are parasites of the mind. They absorb psychic energy without providing substantive strength in return. They leave us more exhausted, more disheartened than we were before.”
— Mihaly Csikszentmihalyi, Flow