DeviatedSacrum @deviatedsacrum - Tumblr Blog

m0rbid-things

gore0tica

Excision

branfraser

Harry Melling as Edgar Allan Poe in THE PALE BLUE EYE (2022) dir. Scott Cooper

deforest

Even a man who is pure at heart and says his prayers by night May become a wolf when the wolf bane blooms And the moon is full and bright. FRANKENSTEIN MEETS THE WOLF MAN (1943)

sloppjockey

pressure . gouache watercolor paintings

#sloppjockey #painting #watercolor

legalizememes

bruh

heathyr

everything about this… this statue, the choppy waves, the cliffs behind her, the echo, the drumming….. aesthetic

tuulikki

Lyrics in Faroese:

Trøllabundin eri eg eri eg Galdramaður festi meg festi meg Trøllabundin djúpt í míni sál í míni sál Í hjartanum logar brennandi bál brennandi bál

Trøllabundin eri eg eri eg Galdramaður festi meg festi meg Trøllabundin inn í hjartarót í hjartarót Eyga mítt festist har ið galdramaður stóð

English translation:

Spellbound am I, am I The wizard has enchanted me, enchanted me Spellbound deep in my soul, in my soul In my heart burns a smouldering fire, smouldering fire

Spellbound am I, am I The wizard has enchanted me, enchanted me Spellbound in my heart’s root, my heart’s root

deviatedsacrum

Absolutely love her, ironically when I listen to this I feel free

#Eivør Trøllabundin #magic #witchy #i will love her forever

classichorrorblog

American Psycho Directed by Mary Harron (2000)

mybeingthere

Mire Lee, Endless House: Holes and DripsThis project was a part of Venice Biennale 2022: The Milk of DreamsImages courtesy of La Biennale di Venezia and Antenna Space, ShanghaiMire Lee (b. 1988, Seoul, South Korea; lives and works between Seoul and Amsterdam, Netherlands).

https://www.tinakimgallery.com/artists/mire-lee…

devilsskettle

Mire Lee (b. 1988 in Seoul; lives and works between Amsterdam and Seoul)

"Carriers" marks the New York premiere of [Mire Lee's] eponymous body of work shown at Art Sonje, Korea in 2020, and the Schinkel Pavillon in 2021. The show's title expands upon Lee's ongoing conceptual theme of "carriers;" which reenact circulatory systems that sustain life. This methodology extends to reference Mire's own mother as the artist's life-giving organism, as well as the sculpture's circulatory pump system (commonly used in dialysis treatments and industrial manufacturing) as a metabolic generator — feeding pigmented glycerine through hoses encircling the installation. A telling reference for Lee is vore, a fetish involving the impossible urge to swallow the object of one's desire in a total annihilation of boundary between self and other. Rather than offer a clear aggressor or desiring party, "Carriers," both the work and as an exhibition, instead turns to uncompromising partiality, reminiscent of the familiar or bodily in its spurting cavities without committing to a single, identifiable form.