I learn something new every day…
AnasAbdin
YOU ARE THE REASON

blake kathryn
hello vonnie
Keni

Andulka
let's talk about Bridgerton tea, my ask is open
$LAYYYTER
Today's Document
will byers stan first human second

⁂

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Cosmic Funnies
trying on a metaphor
TVSTRANGERTHINGS
almost home

Kiana Khansmith

❣ Chile in a Photography ❣

Discoholic 🪩
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seen from South Korea

seen from Türkiye

seen from Singapore

seen from South Korea
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seen from South Korea

seen from South Africa

seen from United States

seen from Malaysia

seen from Singapore

seen from South Korea
seen from United States
seen from United States

seen from United States

seen from Türkiye
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seen from United States
@slobbering
I learn something new every day…
“Lucy (Isabelle Adjani) with her kitten.”
Lobby card for Nosferatu the Vampyre (1979) dir. Werner Herzog
Me at least twice a week
"Nightmare at 20,000 Feet" is the fifth episode of the fifth season of the American television anthology series The Twilight Zone, based on the short story of the same name by Richard Matheson, first published in the short story anthology Alone by Night (1961). It originally aired on October 11, 1963, and is one of the most well-known and frequently referenced episodes of the series. The story follows a passenger on an airline flight, played by William Shatner, who notices a hideous creature trying to sabotage the aircraft during flight. <source>
“Death and The Maiden” by Pierre-Eugène-Emile Hébert (1828-1893)
“He loves me, he loves me not…”
~ Sally
The worms crawl in, The worms crawl out, Into your stomach, And out your mouth.
~ The Hearse Song
J. J. Grandville, Torn Between an Angel and a Devil, 19th century
Richard Schofield / Flickr
"Waltz (ghost and cat)" by Tetsuhiro Wakabayashi
Art by Zdzisław Beksiński.
Death and the Maiden - Camillo Verno (Italian 1870 - 1942) oil on canvas - 63 by 51 cm
With Death and the Maiden Camillo Verno presents the viewer with a classic vanitasor momento mori portrait. Painted circa 1895, the young woman, quite possibly the artist’s wife and model, is embraced from behind by a leering skeleton, clearly symbolic of the shortness and fragility of human life and the inevitability of death. Death and the Maiden was a common motif in Renaissance art and finds its roots in the Danse Macabre, an artistic genre of allegory of the Late Middle Ages on the universality of death. No matter one’s station in life, the Danse Macabre unites us all. The German artist Hans Baldung famously depicted the subject of Death and the Maiden several times in his career. The theme was revived in the arts during the Romantic era, and variants of the subject occur in well-known self- portraits by such contemporary artists of Verno as Hans Thoma and Arnold Böcklin. <Sotheby's>
I looked for you in my interiors only to find a bunch of decomposed flowers.
— Lourdes Vázquez, Bestiary: Selected Poems, 1986-1997, (2004)
“My shadow is the last thing twilight will make and the dark will say I am not what I seem.”
— Loueva Smith, from “If I Could Give You One Impossible Thing,” Consequences of a Moonless Night (Texas Review Press, 2015)
(Artwork by Darren Hopes)
Time takes it all whether you want it to or not, time takes it all. Time bares it away, and in the end there is only darkness. Sometimes we find others in that darkness, and sometimes we lose them there again.
-- Stephen King
“Onward noble steed”
A Memento Mori Skeleton, France, 1566
Limestone 55 ½ in. (141 cm) high