i dont "go on walks," i dont "use character sheets" and i dont "plot before writing," i raw dog it, and if it doesnt flow, I FUCKING CRY.
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@devoureve
i dont "go on walks," i dont "use character sheets" and i dont "plot before writing," i raw dog it, and if it doesnt flow, I FUCKING CRY.
heavy on the “how’re you doing today”
Prayer/Oracion by Francisco X. Alarcón tr. Francisco Aragón
Anaïs Nin, The Diary of Anais Nin Vol. II: 1934-1939
a love letter to grief❦
L. V., another page torn from the epilogue
Flat Soda
1,825.
I knew you. And by “i knew you” i mean i fucking
suffered
violently vehemently fucking suffered
by your god damned hands.
not violence because im carving myself into you
(felt like i could have died cutting you out of me)
violence because i am fucking hemorrhaging
violence because i bent so far back my spine can’t see straight anymore
violence because i walked out with a limb missing
violence because it felt like fucking
war
But.
It wasn’t.
it was another
One thousand eight hundred and twenty five
days.
i guess some things just feel like the same thing.
like how our intertwined lives of five years unwound like yarn. and five years later.
Some things feel like the same thing.
& so, it just was, & it just is.
& i know that life works out the way that it does because
it has to
(at least that’s what i have to tell myself)
Or else. or else, or else.
-K. Eve
L. V., excerpts from the afterword
L. V., writing as you sleep
Fyodor Dostoevsky, from a letter featured in Letters of Fyodor Michailovitch Dostoevsky to his Family & Friends
it’s fucking wild because one day you’re like i guess i’m not dying tragically young and you go to the store and you buy dental floss, ingredients for soup, and a bath mat
it’s this sentiment in practice, in day to day.
Tired, Langston Hughes