about âonly yesterdayâ
only yesterday (studio ghibli, 1991 originally)
**spoilers and many rambly thoughts and feels ahead**
I finally watched it yesterday. I have to say, so far, itâs been - out of all of studio ghibli films that Iâve seen - the most to affect me. I have yet to stop thinking about it. (Young Taeko stood in my head, I guess.)
Maybe it affected me because, unlike Miyazakiâs films, this one hurt.Â
The concept or premise is perfect: a 27-year-old who experiences these vivid memories of her 5th grade self. I was immediately able to relate to this, as Iâm sure many others have been able to. I think about my child and younger self. often. Taeko was even more empathetic as you got to know her. Sheâs in her mid/ late twenties, modes, lost, emotional, people regard her as somewhat âdifferent,â etc. Amidst the beautiful farm (the organic farm aspect was such a charm, and so mighty relevant!) (and to think this was released in â91!!!), it was a pleasure to see Taeko so unabashedly herself.Â
Young Taeko, on the other hand, was a delight. As much as I like and relate to older Taeko, I wouldâve been ecstatic if the film was merely about her younger self. (But I know it wouldâve been impossible, because the young/older self juxtaposition is what the movie is all about. I digress.) However, although young Taeko was a delight (like I said), these past memories were what moved the movie, in a way, and what gave it tension. Thus, a lot of these memories Taeko had were sad. Most of them, Taeko was squashed and disappointed by her family.Â
Throughout the movie, I was infuriated with her immediate family. Her father being totally stoic, and the fact that if something didnât fit within his mold, it simply couldnât be allowed. Her motherâs passivity and the fact that she thought her own child was different and weird, which was therefore very BAD. Her sistersâ brattiness and thoughts in re: to Taeko (they felt the same was as their mom). Hence the movie also dealt with the themes of fitting in and societal pressures and the like.Â
One such pressure older Taeko had was to get married. She was 27 and unmarried, and no one let her forget it. A great aspect of this Taeko was that she almost always laughed at this mention. She didnât mind being unmarried. With this segue, I want to talk about Toshio, her supposed love interest. Â
During their interactions, I never felt a romantic nature, I saw two pals. (Mainly because I figured the movie wasnât about *that*, I suppose. Or so I thought??) I thought he was a fine enough a friend. They could clearly have interesting conversations, mostly due to Taekoâs inquisitiveness, though. To be honest, Toshio never seemed like he was completely accepting of Taekoâs emotions and reflections. That last bit when sheâs telling him about the classmate she had, which everybody hated, and heâs saying how he probably treated her wrong because he had a crush on her....... I was like, WTF??? She told him something that was affecting her and felt seriously about, and he seemed so uncaring and nonchalant, and hence, told her this BS story to appease her.Â
So, while she may have felt like she could have comfortable conversations with him, I donât necessarily think he was a good choice for a love interest or husband. And in the end, we truly donât know what happened for a certain, HOWEVER, there most be a REASON why Takahata included the scene where sheâs being told by her acquaintances that theyâd love for her to stay in the farm and marry Toshio. It is definitely great that at the end she mightâve ended her chrysalis stage, but dud she return to the farm to live as a farmer (thus finding happiness and what she was âmeantâ to do)? Or to marry Toshio? Or both? I feel like itâs probably both, right? Thatâs what everyone seems to think. Her finding happiness and purpose is definitely something to celebrate, but I think it removes a little bit of the greatness of the story, if Taeko, whoâs established as being herself and different, turns out settling down and doing what was expected of her. One thing I loved about her, like I said, was that she was âdifferent.â She was different and that is OKAY! Out of everyone in the farm, Naoko seemed to me, the most empathetic to her Taekoâs stories.Â
Another frustrating aspect was older Taeko being constantly apologetic about her personality and her reflections. Still, at the end, sheâs saying how sheâs sorry about her talk about her 5th grade self and how she promises she wonât bring her back again. I just wanted to be like, GURL ITâS ALRIGHT JUST OWN IT ALREADY.Â
so basically Iâd say that I adored:
older Taeko still being âdifferentâ
the themes of being lost and in transition stages
making Toshio her âlove interest,â even if it was an aspect that wasnât focused on
giving her a âlove interestâ at all
the probability and inevitability of Taeko settling down
making her older self apologetic about her being
Hence there was A LOT to love about this film! It may not sound like it, but I truly loved it. It is special and it is truly a rare cinematic experience. In my little head, Taeko returned to the farm, because she realized it was a place where she was truly happy and could be herself, and didnât go back for Toshio (:-/), and grew to accept her differences and quirks.Â
To be honest, I want to see it again already. And can somebody give Young Taeko a call? She needs to know that I want to be her BFF!Â