William-Adolphe Bouguereau, Dante and Virgil in Hell (1850)
One Nice Bug Per Day

#extradirty
No title available

izzy's playlists!
let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON

ellievsbear
noise dept.

★
cherry valley forever
RMH
Noah Kahan
The Bowery Presents
🩵 avery cochrane 🩵

Product Placement

gracie abrams
taylor price
Sweet Seals For You, Always

PR's Tumblrdome
d e v o n

seen from United States
seen from Lithuania
seen from France
seen from Germany

seen from France
seen from France
seen from United States
seen from United States
seen from United States
seen from Sweden
seen from United States

seen from Japan
seen from United States
seen from India

seen from Italy
seen from Nepal
seen from United States
seen from United States

seen from United States
seen from United States
@dial-m-for
William-Adolphe Bouguereau, Dante and Virgil in Hell (1850)
memory reconsolidation
I’m not here
This isn’t happening
Japanese star map. Tenmon Bun’ya no zu map showing divisions of the heavens and regions they govern, 1677.
The Master and Margarita by Mikhail Bulgakov
Christiane F by Ilse Ruppert
“Mary Magdalene in the Cave”, 1868
Hugues Merle
“Once more and for the last time, the moon flashed above and broke into pieces, and then everything went black.”
— Mikhail Bulgakov, from The Master and Margarita (Grove Press, 1967)
Judith Beheading Holofernes - Carvaggio
Modesty, 1749-52, by Antonio Corradini (1688-1752)
The Defendant, Alameda County Courthouse, California, 1957.
@Dorothea Lange
Bonedog.
Coming home is terrible whether the dogs lick your face or not,
whether you have a wife,
or just a wife-shaped loneliness waiting for you.
You think of the vermin clinging to the grass stalks,
long hours on the road,
roadside assistance and ice creams,
and the peculiar shapes of certain clouds and silences with longing,
because you did not want to return.
coming home is…
just awful.
And the home-style silence and clouds contribute to nothing but the general malaise.
Clouds, such as they are, are in fact suspect and made from a different material from those you left behind.
You yourself were cut from a different cloudy cloth,
returned,
remaindered,
ill-met by moonlight,
unhappy to be back,
slack in all the wrong spots.
Seamy suit of clothes, dishrag-ratty, worn.
You return home, moon-landed, foreign.
The earth’s gravitation pull, an effort now redoubled,
dragging your shoelaces loose and your shoulders,
etching deeper the stanza of worry on your forehead.
You return home deepened, a parched well linked to tomorrow by a frail stand of... anyway.
You sigh into the onslaught of identical days, one might as well, at a time.
Well anyway, you’re back.
The sun goes up and down like a tired whore,
the weather immobile like a broken limb while you just keep getting older.
Nothing moves, but the shifting tides of salt in your body.
Your vision blears, you carry your weather with you; the big, blue whale; your skeletal darkness.
You come back with x-ray vision,
your eyes have become a hunger.
You come home with your mutant gifts to a house of bone.
Everything you see now…
all of it…
bone.
“I, too, can create desolation” — Mary Shelley, Frankenstein; or, The Modern Prometheus
“I, too, create corpses” — Sylvia Plath, from ‘Three Women’
and do you love from compulsion or obligation?
Fritz Henle “New York - Empire State Building from my window at the “Americana” c. 1960
indulgent in self-sabotage and ordinary sorrows