[email protected]

[dianehillebrand]

Body, 2020

Drifter #1 from ‘H as in Harvest of a quiet Eye‘

for ‘Glossary of undisciplined Design’ symposium @ Galerie für zeitgenössische Kunst, Leipzig

With your quiet eye you look at what is not in focus, but in your field of vision, while absorbing something. It enriches moments of concentration, through the brief digression of your gaze. A few small thoughts about things or people pass through your head, only to return with a fresh eye to what you are actually doing.

What you take in these moments is subtly influenced by the ‚Harvest of a quiet Eye‘: It will always self-consciously manifest the conscious incompleteness and uncertain truth of your work.

Fotos Alexandra Ivanciu, Jana Hoffmann, Cécile Kobel

[dianehillebrand]

Ground, 2020 + Body, 2020 (Installationshots)

Drifters #1 #2 from ‘H as in Harvest of a quiet Eye‘

for ‘Glossary of undisciplined Design’ symposium @ Galerie für zeitgenössische Kunst, Leipzig

With your quiet eye you look at what is not in focus, but in your field of vision, while absorbing something. It enriches moments of concentration, through the brief digression of your gaze. A few small thoughts about things or people pass through your head, only to return with a fresh eye to what you are actually doing.

What you take in these moments is subtly influenced by the ‚Harvest of a quiet Eye‘: It will always self-consciously manifest the conscious incompleteness and uncertain truth of your work.

Fotos Alexandra Ivanciu, Jana Hoffmann, Cécile Kobel

[dianehillebrand]

Ground, 2020

Drifter #2 from ‘H as in Harvest of a quiet Eye‘

for ‘Glossary of undisciplined Design’ symposium @ Galerie für zeitgenössische Kunst, Leipzig

With your quiet eye you look at what is not in focus, but in your field of vision, while absorbing something. It enriches moments of concentration, through the brief digression of your gaze. A few small thoughts about things or people pass through your head, only to return with a fresh eye to what you are actually doing.

What you take in these moments is subtly influenced by the ‚Harvest of a quiet Eye‘: It will always self-consciously manifest the conscious incompleteness and uncertain truth of your work.

Fotos Alexandra Ivanciu, Jana Hoffmann, Cécile Kobel

[dianehillebrand]

Window, 2020

Drifter #3 from ‘H as in Harvest of a quiet Eye‘

for ‘Glossary of undisciplined Design’ symposium @ Galerie für zeitgenössische Kunst, Leipzig

With your quiet eye you look at what is not in focus, but in your field of vision, while absorbing something. It enriches moments of concentration, through the brief digression of your gaze. A few small thoughts about things or people pass through your head, only to return with a fresh eye to what you are actually doing.

What you take in these moments is subtly influenced by the ‚Harvest of a quiet Eye‘: It will always self-consciously manifest the conscious incompleteness and uncertain truth of your work.

Fotos Alexandra Ivanciu, Jana Hoffmann, Cécile Kobel

[dianehillebrand]

Wad, 2020

Drifter #4 from ‘H as in Harvest of a quiet Eye‘

for ‘Glossary of undisciplined Design’ symposium @ Galerie für zeitgenössische Kunst, Leipzig

With your quiet eye you look at what is not in focus, but in your field of vision, while absorbing something. It enriches moments of concentration, through the brief digression of your gaze. A few small thoughts about things or people pass through your head, only to return with a fresh eye to what you are actually doing.

What you take in these moments is subtly influenced by the ‚Harvest of a quiet Eye‘: It will always self-consciously manifest the conscious incompleteness and uncertain truth of your work.

Fotos Alexandra Ivanciu

[dianehillebrand]

Plant, 2020

Drifter #5 from ‘H as in Harvest of a quiet Eye‘

for ‘Glossary of undisciplined Design’ symposium @ Galerie für zeitgenössische Kunst, Leipzig

With your quiet eye you look at what is not in focus, but in your field of vision, while absorbing something. It enriches moments of concentration, through the brief digression of your gaze. A few small thoughts about things or people pass through your head, only to return with a fresh eye to what you are actually doing.

What you take in these moments is subtly influenced by the ‚Harvest of a quiet Eye‘: It will always self-consciously manifest the conscious incompleteness and uncertain truth of your work.

Fotos Jana Hoffmann, Cécile Kobel

[dianehillebrand]

Catcher, 2020

Drifter #6 from ‘H as in Harvest of a quiet Eye‘

for ‘Glossary of undisciplined Design’ symposium @ Galerie für zeitgenössische Kunst, Leipzig

With your quiet eye you look at what is not in focus, but in your field of vision, while absorbing something. It enriches moments of concentration, through the brief digression of your gaze. A few small thoughts about things or people pass through your head, only to return with a fresh eye to what you are actually doing.

What you take in these moments is subtly influenced by the ‚Harvest of a quiet Eye‘: It will always self-consciously manifest the conscious incompleteness and uncertain truth of your work.

Fotos Alexandra Ivanciu, Jana Hoffmann, Cécile Kobel

[dianehillebrand]

Chaos, 2020

Drifter #7 from ‘H as in Harvest of a quiet Eye‘

for ‘Glossary of undisciplined Design’ symposium @ Galerie für zeitgenössische Kunst, Leipzig

With your quiet eye you look at what is not in focus, but in your field of vision, while absorbing something. It enriches moments of concentration, through the brief digression of your gaze. A few small thoughts about things or people pass through your head, only to return with a fresh eye to what you are actually doing.

What you take in these moments is subtly influenced by the ‚Harvest of a quiet Eye‘: It will always self-consciously manifest the conscious incompleteness and uncertain truth of your work.

Fotos Alexandra Ivanciu

[dianehillebrand]

A for About Turn

Conference Scenography

Glossary of Undisciplined Design

20.–23.02.20 @ Galerie für zeitgenössische Kunst, Leipzig

In order to create a non-frontal, casual/comfortable space that could cope with the demands of the undisciplined lectures and performances, we tried various arrangements. What’s important to us in the viewing direction of each seated person is a good view of one of one projection screen and the lecturers, as well as seeing a part of the rest of the audience.

In the final setting the audience is divided into 4 ranks, each facing a different direction. There are 3 podium islands reduced to the minimum of pedestals. The people in the room are able to always reposition themselves in relation to the different undisciplined lectures.

Fotos Alexandra Ivanciu

[dianehillebrand]

A for About Turn

Conference Scenography

Glossary of Undisciplined Design

20.–23.02.20 @ Galerie für zeitgenössische Kunst, Leipzig

In order to create a non-frontal, casual/comfortable space that could cope with the demands of the undisciplined lectures and performances, we tried various arrangements. What’s important to us in the viewing direction of each seated person is a good view of one of one projection screen and the lecturers, as well as seeing a part of the rest of the audience.

In the final setting the audience is divided into 4 ranks, each facing a different direction. There are 3 podium islands reduced to the minimum of pedestals. The people in the room are able to always reposition themselves in relation to the different undisciplined lectures.

Fotos Alexandra Ivanciu

[dianehillebrand]

parts from the document of

Ergonomic Propositions for the Museum Space

Lecture Performance, February 2020

@ Museum Angewandte Kunst, Frankfurt am Main within OpenCreek Hotel

If you’re interested in the full version feel free to email me!

[dianehillebrand]

Metabolic Chairs, Close Ups

Second Hand Director’s Chairs with Protheses/Add-Ons: Table, Pockets, Light, Mini Beamer, Hook.

To be used as flexible seating in the exhibition space.

2019

for Metabolic Museum–University

with Christina Scheib, Janina Capelle & Teresa Häußler

[dianehillebrand]

Ergonomic Propositions for the Museum Space

Lecture Performance February 2020

@ Museum Angewandte Kunst, Frankfurt am Main within OpenCreek Hotel

Images: closeups Stockholm II stand + Stockholm II Chairs + sources by Jelly Luise,  installation shot by Ahmed Mohammed Ahmed

[dianehillebrand]

Ergonomic Propositions for the Museum Space

Lecture Performance February 2020

@ Museum Angewandte Kunst, Frankfurt am Main within OpenCreek Hotel

Images: Wolfgang Günzel © Museum Angewandte Kunst

[dianehillebrand]

Concept, Curation, Scenography

Metabolic Museum University

in collaboration with Dr. Clémentine Deliss, Cécile Kobel, Janina Capelle, Christina Scheib, Teresa Häußler, Lizzy Ellbrück, Francesca Audretsch

@ 33rd Ljubljana Biennial of Graphic Arts & various Museums in Ljubljana

[dianehillebrand]

Metabolic Museum–University @ 33rd Ljubljana Biennial of Graphic Arts

Opening

25.07.2019 @ MGLC, Tivoli Park, Ljubljana

Presentation by Clémentine Deliss, Nevenka Sivavec and the faculty of the MM–U

images by Urška Boljkovac, Archive: MGLC

[dianehillebrand]

Metabolic Museum–University

LUNGDAY focuses on gesture as an exploratory act that lies at the intersection of bodily movement, rulebased actions and signification.

26.07.2019 @ MGLC, Tivoli Park, Ljubljana

directed by Philipp Staab with Diane Hillebrand

Stimuli by Neža Knez, Mateja Bucar

images by Urška Boljkovac, Archive: MGLC

poster by Cécile Kobel