Culture/Nature: Somewhere adrift between synthesis and imbroglio
These were the readings for the fourth week of Key Concepts in Human Geography:
Anderson, K. (2014). Mind over matter? On decentring the human in Human Geography. Cultural Geographies, 21(1), 3â18.
Glacken, C. J. (1999). Reflections on the history of western attitudes to nature. In A. Buttimer & L. Wallin (Eds.), Nature and Identity in Cross-Cultural Perspective. Dordrecht: Kluwer Academic Publishers. pp. 1â17.
Le Billon, P. (2001). The political ecology of war: natural resources and armed conflicts. Political Geography, 20(5), 561â584.
Smith, N. (2008). The Production of Nature. In H. Bauder & S. E. Mauro (Eds.), Critical Geographies: A Collection of Readings. Kelowna: Praxis (e)Press. pp. 368â401.
My response takes up where last weekâs reseponse finished.
Like the binary of Man/Woman that I discussed last week with reference to Gillian Rose (1993), the Culture/Nature binary can be understood as a structure which shapes wys we think about the world. Indeed Rose sees the two as closely linked, with Man being analogical to Culture, and Woman, Nature, or that which is to be desired and/or overcome. More so than many other structuring mechanisms, the Culture/Nature (or Society/Nature[1]) binary has been of considerable interest to human geography. Perhaps this is, as Whatmore (2002, 2) has suggested, because the discipline as a whole stakes its identity on the interface between these two realms. Through their approach to Culture/Nature different philosophies reveal a lot about how they understand the disciplineâs key concepts. In this reflection I will offer a standard postmodern problematisation of binary thinking, explore Marxist approaches to its resolution through the dialectic, and finish with a discussion of how Actor-Network Theory (ANT) tips the whole mess on its head. I will endeavour to reflect on how these in turn might formulate a spatial politics.
Modernist thought is in many ways grounded in the demarcation of mind from body. This supposition carries the logic of Modernity. First, it supports the ontotheological assumption that humans are distinct from and therefore above the constraints of the environments which they inhabit. It further engenders an extension of the binary into other domains of life. Culture is separated from Nature, Technology from Society, Man from Woman, Colonist from Native, Capitalist from Worker, and so on. Finally, this serves the epistemological role of allowing observations made about the world to be generalised beyond their immediate spatial and temporal frame. The dyadic logic of binary thinking underpins European Imperialism, the project of the Enlightenment and much of the grand narratives of Western thought: liberalism, traditional Marxism, (social) Darwinism, logical positivism, psychoanalysis, phenomenology, structuralism, etc. In short, the Cartesian extraction of Man from Nature is a god-trick which finds its apotheosis in the mid-twentieth century image of the astronaut floating above the earth, swathed only in (his) technology (Haraway 1991, 151). Postmodern approaches which do away with the demarcation of mind and body typically refocus their attention on situated knowledges; that is, particular and local instances of phenomena.
In an acknowledgement to this critiqueâand to the growing realisation that continuous capital accumulation was effecting ecological crisisâMarxist geography in the 1980s set about incorporating nature into its schema. While many authors participated in the greening of Marxism, this weekâs reading by Neil Smith (2008), a chapter from his 1984 book Uneven Development: Nature, Capital, and the Production of Space, was an early and notable contribution. For Smith, the dualism between Culture and Nature arises in both scientific and poetic conceptions of the world. These are, he argues, bourgeois constructs which help to perpetuate the interests of capitalism (Phillips 2008, 72). By contrast, Smith addresses the relationship between society and nature through a close reading of the works of Karl Marx. Smith dissolves this binary through a socio-natural synthesis conceived in both abstract and concrete terms (Smith 2008, Phillips 2008). In the abstract, production in general is a natural and universal phenomenon. External nature, or first nature, is appropriated to productive processes and by them transformed. Through production for exchange, the use values of first nature are transformed into the exchange values of second nature. The natural world is henceforth produced by social processes and in turn acts to reproduce social reality. More concretely, capitalist production engenders a wageâlabour relation wherein workers, alienated from the means of production, are exploited by capitalists for the extraction of surplus value. Once more, the political economy is structured by, and in turn acts to reproduce, second nature. With the concept of second nature, Smith dissolves the Culture/Nature binary and allows both human and non-human actors to affect capitalist production. This is a dialectical approach to overcoming Culture/Nature in which capitalism constructs space and is to be found in its every scale.
By referring to a first and second nature, Smith is insisting on the distinction between nature in the abstract and nature in the material; between the ideal, pristine nature of use values, and the real, socially produced nature of exchange values (Smith 2008, 391). Swyngedouw (1996) sees this as paradoxical. While he agrees that second nature is a syncretic socio-natural whole, insisting on nature as socially produced implies that nature is ostensibly conceived through social relations. Consequently, ânature itself belongs to the âpureâ domain of the natural and physical world and becomes just âtaintedâ and âtransformedâ by the socialâ (Swyngedouw 1996, 96). Put another way, Society and Nature bring to their synthesis a different ontological weighting. For ANT, this ontological unevenness is problematic. Rather than see second nature as socially produced, ANT understands the world to be made up of entitiesâhuman, nonhuman or hybrids thereofâwhose agency produces the effects which are subsequently interpreted as being social or natural. Society and nature are caught up in an indistinguishable imbroglio. Latour (2005, 13) locates the split between these two modes of thought to an argument instrumental to the formation of the social sciences. While Ămile Durkheim understood the social as an all-encompassing entity which acts to ensure regional and national stability, Gabriel Tarde argued that the concretisation of society is a result of the relations between things. As such, âevery thing is a society and⌠all things are societiesâ (Tarde, cited in Latour 2005, 14). Historically, this argument was won by Durkheim, a contingency which determined the focus of sociological enquiry thereafter. Latour and many others working with ANT believe this was a mistake. Instead they implore researchers to trace the connections between things. Cartesian binaries are dissolved, â[rendering] the social world as flat as possible in order to ensure that the establishment of any new link is clearly visibleâ (Latour 2005, 16). Thus it is through relations between actants (agentive human and/or nonhuman actors) in networks, that society (or culture) emerge. This is not necessarily a local or global phenomenon. Rather, scale is specific to the actor-network under examination.
Given the substantial theoretical and methodological differences between ANT and Durkheimian social science, many within the former simply ignore the latter. Andersonâs contribution to the literature (2014) is to encourage cultural geographers using ANT to engage with the humanismâor human exceptionalismâinherent in the sub-discipline and to treat it as a subtle but historically situated âmix of ideas, practices and technologiesâ (Anderson 2014, 3).
While efforts have been made to bring Marxism and ANT together (Swyngedouw 1996, Castree 2002), their conflict is far from resolved (and is perhaps unresolvable). At the moment Iâm leaning more towards the ANT side of the fence simply because even weaker versions of Marxism seem to demand a priori stress on social forces. While Iâve not bought wholly into ANT, it seems more logical to adopt its anti-foundationalism, and then incorporate concepts from Marxism, than attempt to do things the other way around. When it comes to understanding geography, I am also rather fond of ANTâs approach to the problem of scale: it seems to be a good fit to the multidimensional regimes of governance which operate through software.
Notes
Strictly speaking, I do not wish to conflate Culture with Society, however from the perspective of the philosophical separation of humanity from the natural world, they serve the same purpose.
References
Anderson, K. (2014). Mind over matter? On decentring the human in Human Geography. Cultural Geographies, 21(1), 3â18.
Castree, N. (2002). False Antitheses? Marxism, Nature and Actor-Networks. Antipode, 34(1), 111â146.
Haraway, D. J. (1991). Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge.
Latour, B. (2005). Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press.
Phillips, M. (2008). Uneven Development (1984): Neil Smith. In P. Hubbard, R. Kitchin, & G. Valentine (Eds.), Key Texts in Human Geography. Los Angeles: Sage Publications. pp. 71â81.
Rose, G. (1993). Feminism and Geography: The Limits of Geographical Knowledge. Cambridge: Polity Press.
Smith, N. (2008). The Production of Nature. In H. Bauder & S. E. Mauro (Eds.), Critical Geographies: A Collection of Readings. Kelowna: Praxis (e)Press. pp. 368â401.
Swyngedouw, E. (1996). The City As a Hybrid: On Nature, Society and Cyborg Urbanization. Capitalism Nature Socialism, 7(2), 65â80.
Whatmore, S. (2002). Hybrid Geographies: Natures, Cultures, Spaces. London: Sage Publications.






