hello vonnie

祝日 / Permanent Vacation

if i look back, i am lost
YOU ARE THE REASON
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@dilzilandia
Look at this godforsaken mess that you made me, you showed me colors you know I can’t see with anyone else.
Don’t call me kid, don’t call me baby.
Look at this idiotic fool that you made me. You taught me a secret language I can’t speak with anyone else.
And you know damn well, for you I would ruin myself a million little times.
(vía https://open.spotify.com/track/6DrLROM5MG9bxWHeEG5elq?si=BTsTCV1tTA_5H41nzNUyZQ)
All Too Well // Call It What You Want
Credit: @juliehangart
Please go and watch the entire video https://www.youtube.com/watch?v=sb9_qGOa9Go
I feel like this is pretty important to realize: the cops are becoming exhausted, and there’s a limited supply of them. NYPD has every cop on duty working full days every day. We have an unlimited capacity to rotate in fresh fighters that they simply do not have. We can take shifts. They can’t.
This is also why we’re starting to see bare minimum concessions now. The powers that be have realized they’ve made a grave miscalculation. A week into it, and ideas that seemed utterly impossible even a month ago are on the table- LA is talking about a hundred and fifty million dollar budget cut for the LAPD, every cop directly involved in George Floyd’s murder has been arrested and Chauvin’s charge has been raised to second degree murder, parts of the Minneapolis city council is pushing to permanently disband the Minneapolis police department.
What could we win with two weeks? Three? An organized general strike that brings the entire economy to a crashing halt? It is difficult to feel hopeful in such brutal times, but there is profound hope to be had in the realization that a week of getting our asses kicked has advanced the mainstream narrative around police so much further than electoralism would’ve dared to dream in 100 years.
Dancing With Our Hands Tied (2017)
Tony Hoagland, from “Don’t Tell Anyone”
Don’t know what else to do
Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know what’s been going on.
Taylor
That’s it. That’s the tweet
Ésa es una de las razones por las que nunca quise casarme. Lo último que yo quería era seguridad infinita y ser el lugar desde el cual parte una flecha. Quería cambio y emoción y salir disparada en todas las direcciones yo misma, como las flechas de colores de un cohete un Cuatro de julio.
Sylvia Plath, “La campana de cristal”
#273737
For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and ‘earn’ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums.
Some fun facts about today’s news: I learned about Scooter Braun’s purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying I’ve received at his hands for years.
Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it. (See photo) Or when his client, Kanye West, organized a revenge porn music video which strips my body naked. Now Scooter has stripped me of my life’s work, that I wasn’t given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it.
This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept. And when that man says ‘Music has value’, he means its value is beholden to men who had no part in creating it.
When I left my masters in Scott’s hands, I made peace with the fact that eventually he would sell them. Never in my worst nightmares did I imagine the buyer would be Scooter. Any time Scott Borchetta has heard the words ‘Scooter Braun’ escape my lips, it was when I was either crying or trying not to. He knew what he was doing; they both did. Controlling a woman who didn’t want to be associated with them. In perpetuity. That means forever.
Thankfully, I am now signed to a label that believes I should own anything I create. Thankfully, I left my past in Scott’s hands and not my future. And hopefully, young artists or kids with musical dreams will read this and learn about how to better protect themselves in a negotiation. You deserve to own the art you make.
I will always be proud of my past work. But for a healthier option, Lover will be out August 23.
Sad and grossed out,
💔
Taylor