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Aqua Utopia｜海の底で記憶を紡ぐ
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noise dept.
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AnasAbdin
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Today's Document
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Monterey Bay Aquarium
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@disposableimage
i’ve been revisiting some older audio projects. this one, titled Interview Yourself (2015) involved participants answering Qs on tape and taking a selfie. listen to the edited piece here:
https://soundcloud.com/jennifer-stewart-11/interview-yourself
(via GIPHY)
Carousel 017: innocence
a couple of weeks ago I asked my friends to watch a carousel projection and then write 1 word to describe it. here are the words. as you can see, some common threads emerged 🖤 thanks to everyone who participated!
🖤
layered
lake daze
Norway Bay, 2019
bicycle boy
in honour of a friend’s birthday tmrw, some photos of a lovely brunch with these pals back in November 🖤️
💭 consciousness 💭
New work up on the website! This project was completed on my residency at the Ou Gallery in March of this year.
i am beginning to scan the negatives from my awesome journey to bc. here are my pals, from two weeks ago today. (3rd pic 📷 @_briannasmart_ )
I’m happy to participate in the latest issue of Hulltramar #666 dossier le temporaire. The issue is about former art space Le Temporaire. I’ve contributed two inserts of images from that space, including this silver print from a Scattered Clouds show, 2011. come get your copy tonight at the Vernissage : Temporaire de 2009 à 2017, Galerie UQO
Overhead, the two moons worked together to bathe the world in a strange light.
- Haruki Murakami, 1Q84
very pleased with how my image turned out in issue 1 of OPAL (the Ottawa Photography and Art Label).
Biggest fear, 2018
here is one of my failed attempts to expose half of a frame at a time, flipping the camera in between. the successful shot is featured in OPAL magazine issue #1. come to the launch and get a copy for yourself!
https://www.facebook.com/events/734345596912327/
my piece is called “Biggest Fear”, 2018.
tbt, summer 2012. I went to halifax for a solo vacaytion. took this picture of these strangers on a hill.
later on, I became intrigued by the image. and related it to how society elevates “the couple”. it became inspiration for my project to marry my art.
this image is still relevant to my practice today.
ready for fall ...