When a scientist’s “pet project” goes horribly wrong… it’s humankind’s turn to beg!
A trailer for a movie made entirely with stock footage from Dissolve.

@theartofmadeline

#extradirty

pixel skylines
dirt enthusiast
hello vonnie
he wasn't even looking at me and he found me
AnasAbdin

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Sweet Seals For You, Always
cherry valley forever

Origami Around
Claire Keane
almost home
No title available

❣ Chile in a Photography ❣

Product Placement
Keni
I'd rather be in outer space 🛸
PUT YOUR BEARD IN MY MOUTH
$LAYYYTER

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@dissolvefootage
When a scientist’s “pet project” goes horribly wrong… it’s humankind’s turn to beg!
A trailer for a movie made entirely with stock footage from Dissolve.
Inspiring story, incredible photography, beautiful video.
Massimo Vignelli reads from letters sent by those inspired by his work. His son put out a call for the letters when his father’s health deteriorated. It’s very sweet.
These are gorgeous.
Lovely Life is a showreel of the dreamy footage from Polina Rabtseva, our newest Exclusive contributor. Find out more about how Polina: http://bit.ly/meetpolina
Insight from filmmakers on filmmaking and style.
The Devil’s Toy Redux: An NFB and ARTE interactive project created by Deux Huit Huit reinterprets Claude Jutra’s classic skateboarding film through the eyes of 14 international contemporary directors.
If Wes Anderson had directed the opening credits for Forrest Gump.
Wicked spring 2014 showreel from Hello, Savants.
The Most Northern Place — a starkly gorgeous web doc about Thule, Greenland.
We loves us the meta-videos. This one is particularly excellent. How to Make a Sick Mountain Bike Edit, from North Shore Mountain Biking.
Milton Glaser chats with Steve Heller.
This Is a Generic Brand Video, based on Kendra Eash’s piece of the same name, originally published in McSweeney’s. Made entirely with stock footage, obviously.
This short film captures a young girl’s love for her brother, who has cerebral palsy. Beautiful story, beautifully shot.
A video series about people who make radio. Created by Andrew Norton and presented by Transom.org
Steve Zissou: Don’t point that gun at him, he’s an unpaid intern.
True Detective’s cinematographer, Adam Arkapaw, on how he got nine of the series’ most striking shots.