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Love Begins
Cosmic Funnies
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Sweet Seals For You, Always

pixel skylines

#extradirty

shark vs the universe

Origami Around
Noah Kahan
The Stonewall Inn
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
Show & Tell

Discoholic 🪩
RMH
𓃗
trying on a metaphor
Monterey Bay Aquarium
icyghini twinkie

seen from Singapore
seen from Germany

seen from Malaysia

seen from Brazil
seen from Colombia

seen from Russia
seen from Ukraine
seen from France
seen from Saudi Arabia
seen from Thailand
seen from France

seen from China

seen from Nepal
seen from Iraq
seen from Brazil

seen from Algeria

seen from Argentina
seen from United States
seen from United States
seen from United States
@divorcepositivity
Fruit vendor in Tbilisi waiting for customers. 2005, Martin Roemers.
A Galapagos sea lion (Zalophus wollebaeki) in Galapagos, Ecuador
by divindk
Miles Davis in his NYC apartment, 1986.
Photo by Shigeru Uchiyama.
This is a literal sexual harassment training video we had to complete
Valentine Hugo (French, 1887-1968) Lithographs, 1947
For everyone asking about the backstory;
This is an art installation made by an italian visual artist called Lucas Mainini. It’s called The Zac Efron Teenage Massacre.
Robert Crumb, portrait of Aline Kominski-Crumb, 1973
Vladislav Tvardovski
“Death and the Maiden”
anonymous, Continental School
oil on canvas, 1900
"Dance of the Dead"
Ice Age 1995 | Illus. Randy Gallegos
Wedding photo scanned from Skin Two Issue 18, 1995
Buy mags from me
Puppets are firmly anchored in my mental morphology and so I keep going back to them in my work as if to create something which signifies certainty for me in relation to the world around me. I create my golems to protect me from the pogroms of reality. Secondly, I studied at the puppetry faculty at the Prague School of Dramatic Arts; thirdly, Bohemia still retains a strong tradition of puppetry from the time of the National Revival when travelling puppet theatres were the only theatres performing in Czech. And fourthly, I believe that puppets best symbolise the character of man in a contemporary, manipulated world. All these aspects create the nucleus of my obsession with puppet theatre.
-- Jan Svankmajer to Peter Hames
Colorful Fashions from Paris (1926)