To disprove the stable object - To set forth in search, or perhaps toward the conquest, of a new realm of continuous variation. To anticipate? To what end? DJane Ki thwarts every attempt and every scenario of anticipation.
To fall enamored with systematic shifting? By all means! If you so desire, yet know this: the lines shall shatter—it is furiously time to displace them: STRANGE MEASURING NUMBERS.
Verifying the theory is effortless: "Birth of Numbers." To halt the probable (expected) question of "measurement," or even to try... I, we, renounce.
The pulsations surface ("Four Operations"), a brilliant introduction from which one struggles to break free, a state of perfect levitation—with prudence and prowess, DJane Ki takes the high road, a marvel of tactical illusion. You have been warned: "Dizziness of infinity" is a veritable latency—a hired gun for a dark romance—a sustained tension—you are (effectively) left with the offered choice, if any choice remains.
We affirm it with delight: "The Triumph Of Equations" definitively settles the score with the code-mongering vampire and that pot-bellied monster who, nevertheless, finally heralds the deconstructed advent—a sine qua non condition—it is understood.
It is to be feared that "Misleading numbers" will fade from memory, just as it is certain that one cannot bypass "Mythical numbers": floating certainties, assumed. "Is zero a number": DJane Ki has not forgotten this straying question mark, which unravels and demonstrates quite simply that it is nothing other than its own convergence.
Rare and absolute, "Digital Era" deserves naught but the strange desire to disprove stable objects.Â
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