“But there was no voice throughout the vast, illimitable desert.” Portrait illustration by Harry Clarke, for Edgar Allan Poe’s book, Tales of Mystery and Imagination.
Lint Roller? I Barely Know Her

@theartofmadeline
I'd rather be in outer space 🛸

Product Placement
Cosimo Galluzzi
taylor price

oozey mess
TVSTRANGERTHINGS
DEAR READER
cherry valley forever
Game of Thrones Daily

shark vs the universe
YOU ARE THE REASON
2025 on Tumblr: Trends That Defined the Year
Aqua Utopia|海の底で記憶を紡ぐ

titsay
Peter Solarz
Sweet Seals For You, Always

❣ Chile in a Photography ❣
Monterey Bay Aquarium

seen from Denmark

seen from Poland

seen from Malaysia

seen from United Kingdom
seen from United Kingdom
seen from United States

seen from United States
seen from Brazil
seen from United States
seen from Estonia

seen from Australia
seen from United States

seen from United States

seen from United States
seen from Türkiye

seen from Singapore
seen from Malaysia
seen from Brazil
seen from Germany

seen from Singapore
@dlk26589
“But there was no voice throughout the vast, illimitable desert.” Portrait illustration by Harry Clarke, for Edgar Allan Poe’s book, Tales of Mystery and Imagination.
“That girl, as you call her, is my wife.” Color process illustration by Gordon Browne, for Robert Louis Stevenson’s novel, The Pavilion on the Links, published in 1913.
“The jackal . . . opened his bundle of betel leaves, put some into his mouth, and began chewing them.” Color process illustration by Warwick Goble, for the children’s book, Folk-Tales of Bengal, published by Macmillan and Company in 1912.
From my window. Wood engraving by Joseph Swain, based on the artwork of Frederick Sandys, for the periodical, Once a Week, volume 5, published in 1861.
Geldberg’s daughters. Metal engraving by Jules Roze, based on the artwork of Pierre Edouard Frere, for the book, Le Fils du Diable, written by Paul Feval in 1852.
The Parasol. Portrait illustration by Paul Helleu for the book, Paul Helleu, Peintre et Graveur, written by Robert Montesquiou and published in 1913.
“The startled swarm came streaming out
In temper hot and baneful,
And drove the foe in awful rout,
With volleys sharp and painful.”
Color process illustration by Peter Newell, for his children’s book, The Hole Book, published about 1908 by Harper & Brothers.
“Illuminating . . . the dusky mirror.” Color process illustration by Hugh Thomson for a 1920 edition of Nathaniel Hawthorne’s novel, The Scarlet Letter.
Indian No. 6. Color lithograph by Francis Bedford, for the book, The Grammar of Ornament, written by Owen Jones. Published in 1868.
“The maid-of-honor blooming fair:
The page has caught her hand in his:
Her lips are sever’d, as to speak:
His own are pouted to a kiss:
The blush is fix’d upon her cheek.”
Wood engraving by an unknown artist for Lord Alfred Tennyson’s book, The Day Dream, published in 1886 by E. P. Dutton & Co.
Satisfaction. Lithograph by Jean Georges Frey, based on the artwork of Jean Gigoux, for the periodicalL’Artiste, published about 1833.
The Black-Crested Chickadee. Color lithograph by George Gorgas White, for John Cassin’s book, Illustrations of the Birds of California, Texas, Oregon, British and Russian America, published in 1862.
Helias, the Knight of the Swan. Wood engraving by an unknown artist for the book, Germania’s Sagenborn, published in 1889.
“She went to the cobbler’s,
To buy him some shoes,
But when she came back
He was reading the news.”
Wood engraving by the Dalziel Brothers, based on the artwork of an unknown artist. From Mother Goose’s Nursery Rhymes, published in 1877 by George Rutledge & Sons, London.
Primula Auricula. Metal engraving by Victor, based on the artwork of Pierre-Joseph Redoute, for the book, Choix des Plus Belles Fleurs et des Plus Beaux Fruits, published about 1830.
“When buds are breaking and birds singing merrily, dance with me.” Portrait illustration by Dugald Steward Walker for his book, Dream Boats and Other Stories, published in 1920.
Opening illustration for the story, Adventures in Skitzland, contained in the book, The Chicken Market and Other Fairy Tales, written by Henry Morley. The illustration is a wood engraving by the Dalziel brothers, based on the artwork of Charles Henry Bennett.