Just a little to the right. on Flickr.
we're not kids anymore.
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Kiana Khansmith

#extradirty
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Andulka
Mike Driver

roma★

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taylor price
Show & Tell

shark vs the universe
Monterey Bay Aquarium

PR's Tumblrdome

★

Origami Around
sheepfilms
Misplaced Lens Cap

Product Placement
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@doingdifferentthings
Just a little to the right. on Flickr.
Do different things: 52 Bars Project visits Mikkeller
It was a cold and windy night in San Francisco, but the inside of Mikkeller bar was warm and inviting. The food was delicious, the beers were varied (and delicious), and the service was friendly (but not delicious — because that would be weird). If you like beer, you’ll like Mikkeller. Things to try:
The Tempura Cauliflower was wonderful. Warm, hearty, and savory — it was the perfect meal for a brisk night.
The Nøgne Ø Margarina was a bright, citrusy IPA with a clean finish.
Try new gear: Fuji X100s
I love camera equipment. There’s something magical about how every camera imparts a unique aesthetic onto your photos. Not only is the character of the image different for every camera, but frequently the physical build of the camera can also affect the resulting photos. The way your hold it, the quickness with which you can (or cannot) adjust settings, and the impressiveness of the camera in the eyes of the subject all influence the final image. Something about the Fuji X100s drew me in the first time I saw it. It felt both compact and full-featured, nonchalant and well-designed — it felt like a camera that I would enjoy making pictures with. So, I rented one from BorrowLenses for a month and gave it a shot. Here’s my consensus.
When you first pick up the camera, it’s surprisingly light. It begs to be carried around everywhere, over a shoulder, ready to go at a moments notice. Then, you lift it up to your eye and start to play with it, at which point you realize that—despite its lightness—this is not a toy. The settings and levels of customization go on for days. Definitely read the manual first. You’ll save yourself about two weeks of missed opportunities while stumbling through settings.
There are a few features that made this camera stand out to me. The easy access exposure compensation wheel made it delightfully simple to dial in a particular feel. If you’re in a dark bar at night, you can find the wheel without even looking and with a few clicks you’re exposing at -1.5 for a perfectly dark scene. That brings me to a second favorite thing about the camera, the low light sensitivity is stunning. Some of my favorite photos with the camera were taken in very dim scenes. I will say though that the camera has a tendency to overexpose on average, especially at night, so be sure you’re overriding the automatic functions in low lighting. I also really enjoyed the built-in ND filter. Coming from a world of SLR’s this was a sigh of relief. I was able to shoot outside in bright lighting, and preserve an impressively shallow depth of field by just changing a setting, instead of digging through my bag for the right filter and screwing it on. The RAW files out of the camera also held up to lots of wrenching within Aperture, and produced some really pleasing results when paired with film emulation settings from VSCO.
Overall, I was certainly impressed with this camera. Now, having switched back to my Leica M6, I'm feeling encumbered by the weight and, more than anything, the inability to take two or three photos to compare and refine as I work towards just the right photo that I'm envisioning. The X100s fits into a shooting style that comes from both worlds of camera phones and film photography. I can throw it in full auto and get the camera phone shot, or I can meticulously tweak settings to get just what I'm imagining like I do when I’m shooting film - all in a form factor that's comfortable to shoot with and light enough to carry with me everywhere I go.
Make something: Travel documentaries
Hawaii Adventures from Ryan Leggett on Vimeo.
You don't have to set out with a big elaborate plan. Just pick up your camera, go somewhere interesting, and start filming. You don't even need a fancy camera, just grab whatever you can get your hands on; GoPro, iPhone, or your parent's old VHS camcorder. You'll be glad you did.
I didn't set out to make this movie, but after a week of adventures in Hawaii, I knew something was brewing. I brought my GoPro HD Hero 3 Black everywhere with me during the trip, picked out my favorite shots in FCP X, drew up some titles in Paper by 53, did some slight tweaking with plugins from CrumplePop and Red Giant, added some fitting music by Cayucas, and called it a day.
Get out there, bring your camera, and create something that makes you smile.
Make something: Organize things neatly
Get out your camera, rig it on something high up, make sure it's level, and spread out some items neatly. You'll spend the next few hours tidying up the items and making sure everything's aligned and balanced, but the final product will totally be worth it. You can even bundle up the whole photoshoot and make a little stop-motion movie out of it. This photo was taken for promotional use by Corey Egan Metalsmithing.
Tools used: VSCO and Litely effects, Canon 5D mkII, 50 f1.2L