l e c i n é m a @dolaneuve-blog - Tumblr Blog

It Follows (2014) dir David Robert Mitchell

“Steve is unleashing himself from these guards’ grasp, from the constraints of his jacket, out of the jacket of the social system forced on him; out of the endless misfortunes. He starts running, with that smile — it is a way to say that there is a happy ending after all. Those characters in my movie are doomed; Steve might be better off dead than alive. But we know he is going to punch that glass! He will keep going.” - Xavier Dolan

#mommy

lesbianforhorror

Tell somebody who gives a shit.

#green room

talesfromthecrypts

You have no idea what I’m talking about, I’m sure. But don’t worry… you will someday.

American Beauty (1999) dir. Sam Mendes

#american beauty

greggaraki

You are probably going to be a very successful computer person. But you’re going to go through life thinking that girls don’t like you because you’re a nerd. And I want you to know, from the bottom of my heart, that that won’t be true. It’ll be because you’re an asshole.

The Social Network | 2010 | dir. David Fincher

#the social network

benafflecks

We’re not keeping you here, you’re just staying.

#green room

hirxeth

“You never know how your day is gonna turn out.”

Enemy (2013) dir. Dennis Villeneuve

#enemy

mydarktv

DR. STRANGELOVE // Aesthetics

#dr. strangelove or: how i learned to stop worrying and love the bomb

markgatiss

#rear window

twilightly-blog

“On September 3rd 1973, at 6:28pm and 32 seconds, a bluebottle fly capable of 14,670 wing beats a minute landed on Rue St Vincent, Montmartre. At the same moment, on a restaurant terrace nearby, the wind magically made two glasses dance unseen on a tablecloth. Meanwhile, in a 5th-floor flat, 28 Avenue Trudaine, Paris 9, returning from his best friend’s funeral, Eugène Colère erased his name from his address book. At the same moment, a sperm with one X chromosome, belonging to Raphaël Poulain, made a dash for an egg in his wife Amandine. Nine months later, Amélie Poulain was born.”

Aesthetic in Film: Amélie (2001) dir. Jean-Pierre Jeunet

#amélie

thedouble

Carol – Through windows and glass “In this film, we are always in the point of view of the more amorous character: the disempowered person. We shoot through windows and glass, to make you think of the act of looking and looking back, with people positioned on either side of the glass. When we think of our love affairs, our most memorable ones are those that put you on the side of the weaker and desiring subject.” - Todd Haynes

#carol