Will Connell (self-taught American portrait and industrial photographer, 1898-1961) - Electrical Transmission Towers c. 1935.
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blake kathryn

Kiana Khansmith
Today's Document
trying on a metaphor

titsay

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taylor price
RMH

pixel skylines
Alisa U Zemlji Chuda
Claire Keane
Xuebing Du
Three Goblin Art
Aqua Utopia|海の底で記憶を紡ぐ

❣ Chile in a Photography ❣
KIROKAZE

PR's Tumblrdome
occasionally subtle

if i look back, i am lost

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@dontbcruel
Will Connell (self-taught American portrait and industrial photographer, 1898-1961) - Electrical Transmission Towers c. 1935.
Mycoporn: A retired Lycoperdon perlatum, Gemmed Puffball. After maturing, this specimen ejects spores from a central chute.
(Olympic National Park, Washington, November 3, 2011)
roof-streets of Masuleh, Iran
Yellowman - Who Can Make The Dance Ram
Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw.
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote.
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
slime mould
Flemish, Head of Medusa, first half of the seventeenth century, oil on panel, 49 × 74 cm. Florence, Galleria degli Uffizi. (Photo: Alinari/Art Resource, NY.)
Tatlin’s drawing for his Monument to the Third International
The spiral of history embodied.
- wishing bottle
- all at once
Kelly Louise Judd
Ink and watercolor on paper