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HOUSE OF THE DRAGON S1E06, The Princess and the Queen
laughing so hard at daemon's "i will speak of my brother as i wish.....you will not." if that ain't the most sibling line ever
Writing advice from my uni teachers:
If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.
Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
Don’t overuse metaphors, or they lose their potency. Limit yourself.
Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
Last night, we said goodbye to a real one (and the only regular Black female series regular on Game of Thrones). I have so many feelings, most of them rage and disgust, but at least Black Twitter is right there with me. Pour one out for Missandei of Naath. May the dragon queen burn that whole shit to the ground in her honor!
I don’t even watch Game Of Thrones, but I’m still re-blogging this anyway
They had absolutely no reason to kill her other than they wanted a black person to die and they still needed Greyworm so she was their only option
and Daenerys has never shown signs of being Mad, she’s been angry, she’s been upset, she’s been venegeful….but the way they’re writing this just plays into the idea that women can’t be emotional and also rational? Like ooooh look this little girls upset again! She can’t control herself! Her justifiable anger = she’s crazy!!!!
lyanna mormont died doing what she loved most: making men look weak
In case some of you out there forgot.
In the depth of braime’s fight scene
The moment of Brienne and Jaime fighting together wasn’t just visually cool, it also represented the two parts of Ice – Ned Stark’s sword – coming together to defend his family and his home and the fact that they are both oath keepers honoring their vow to lady Cat.
Death Has Many Faces
I want to emphasize something here that I think might get overlooked. Every death on Game of Thrones last night had meaning, because the people who died chose that meaning.
Take the Dothraki. Wild and unrestrained, supreme warriors. Not for them to retreat into the castle and wait for their enemy. Their swords alight with fire, they rode directly into the heart of darkness. One by one the swords went out, but they kept riding directly into the Night Lands.
Take Lord Commander Eddison Tollett. How did he die? Turning to help his brother.
Take the Unsullied. When the retreat was sounded and men fled behind the walls. They did not. They took a step back. As the dead ate at their ranks, they took a step back, covering the retreat. The Unsullied know no fear.
Take Lyanna Mormont. From the moment we first saw her, she challenged bigger men who tried to look down on her. Who tried to dismiss her.
Take Beric Dondarrion. He died fighting for Life. He found the reason he was brought back at last.
Take Jorah Mormont. He died for the woman he loved. To serve his Khaleesi was all he ever wanted.
Take Theon Greyjoy. His entire story was about identity. Who was Theon? “Theon. You’re a good man. Thank you.” This wasn’t just Bran Stark. This was the Three-Eyed Raven, the memory of the world.
Take Melisandre. Her work was done; her faith rewarded. It was time to rest.
Every death had meaning; every death was a completion of an arc, not because of plot armor, but because of choices. No one died to show the ‘futility of war.’ No one was Anya or Quicksilver – killed to prove that the director was smugly smarter than the rest of us.
We see meaningless death every day. Isn’t it powerful to show us meaningful death? Isn’t it why we have fiction?
For those saying Sansa was useless in this episode…
“If you judge a fish by its ability to climb a tree, it will live its whole life believing that it is stupid.”
I know that this is a very over-used quote, but it remains incredibly relevant to Sansa’s presence in this episode. Sansa’s strength does not lie in battle or war. Just as Jon’s strength does not lie in politics, and Dany’s strength does not lie in diplomacy.
And Sansa does not ever claim to be well-versed in battle or war. In fact, she makes it extremely clear in this episode that she is aware of her lack of experience in this area, and that she will not pretend that it is one of her strengths. She is more self-aware than most of the other characters on the show. So, if both her fans and Sansa herself have acknowledged this, then why do people still hold her to that standard? (Hint: It’s misogyny.)
Where other characters may thrive in physical fights, both Sansa and Tyrion are thinkers. They are political strategists. And Sansa is one of, if not THE best political navigator in the entire show. She’s survived all this time with her wits alone. (And let me remind you that she’s survived Cersei, Littlefinger, Joffrey, and Ramsay.) “The Long Night” is not meant to showcase Sansa’s strengths. It is meant to showcase her humanity and her courage in the face of her weaknesses.
These next few episodes are what people should really be paying attention to in terms of Sansa’s character arc. This next war is not one of pure violence and force like the war with the Night King was. This will be a war of strategy, justice, and intellect.
Sansa is perceptive where Jon is naive. She is empathetic where Dany is ruthless. She is diplomatic where Arya is blunt. Her strengths are not the same as the other characters, and they shouldn’t be. That’s called diverse representation. If you want every female character to be the same, then you’re looking for a story with cookie-cutter writing, which means Game of Thrones is probably the wrong show for you.
Don’t underestimate Sansa. Her strengths are about to be undeniably exhibited.
melisandre, grasping at straws: ONE OF YOU FUCKERS HAS TO BE THE PRINCE THAT WAS PROMISED
What happened to Rhaegar in summer hall that made him so sad??
Since I answered my earlier ask about Jenny’s Song, I must admit I cannot get the prince off of my mind! Let me try to scrape my incoherent thoughts together.
Rhaegar Targaryen was born at Summerhall during the Tragedy at Summerhall.
Because of this association with it since birth, he developed something of a morbid fascination with the ruins. As Ser Barristan describes:
“There was a melancholy to Prince Rhaegar, a sense of doom. He was born in grief, my queen, and that shadow hung over him all his days.
And yet Summerhall was the place the prince loved best. He would go there from time to time, with only his harp for company. Even the knights of the Kingsguard did not attend him there. He liked to sleep in the ruined hall, beneath the moon and stars, and whenever he came back he would bring a song. When you heard him play his high harp with the silver strings and sing of twilights and tears and the death of kings, you could not but feel that he was singing of himself and those he loved.”
Among the casualties lost in the tragedy were King Aegon V and his heir Prince Duncan (songs about the death of kings). Prince Duncan’s love was Jenny of Oldstones (Jenny’s Song).
Jenny, a wild girl with the flowers in her hair. Sound familiar?
To Barristan Selmy, these songs sounded as though he were singing about his own, personal losses. Songs so beautiful and sad they reduced people to tears:
The dragon prince sang a song so sad it made the wolf maid sniffle, but when her pup brother teased her for crying she poured wine over his head.
So, let’s imagine for a moment what Rhaegar must’ve been doing at Summerhall alone with his harp.
“High in the halls of the kings who are goneJenny would dance with her ghostsThe ones she had lostAnd the ones she had foundAnd the ones who had loved her the most
The ones who’d been gone for so very longShe couldn’t remember their namesThey spun her around on the damp old stonesSpun away all her sorrow and painAnd she never wanted to leaveNever wanted to leave”
It sounds as if Jenny, in this instance, is Rhaegar, himself… Going to Summerhall time and again to dance with his ghosts - mourning the loss of loved ones he hadn’t yet lost - and one he had yet to meet (Lyanna).
In the books, we learn about Jenny’s song in Arya’s chapter. A curious old dwarf woman, The Ghost of High Heart, gives prophecies in exchange for a song:
“Oh, aye. My Jenny’s song. Is there another?”
And so he sang, and the dwarf woman closed her eyes and rocked slowly back and forth, murmuring the words and crying.
Did you catch that? Her Jenny.
A very old woman whose appearance is awful similar to that of the children of the forest - a three-foot tall woman with red eyes who seems to possess some measure of greensight… A woman who tells us that she “gorged on grief at Summerhall”.
Jenny was friends with a woods witch whom she considered one of the children of the forest. The dwarf woman, whom Jenny brought to court, prophesied that the prince that was promised would be born from the line of Prince Aerys and Princess Rhaella Targaryen.
It is no coincidence that the Ghost of High Heart shares such a resemblance with the same woods witch that came to court with Jenny.
It is no coincidence that Prince Rhaegar was obsessed with the prophecy of the Prince that was Promised… who he believed to be his own son.
This might even be why Rhaegar has two sons bearing the same name.
Perhaps he received a prophecy that the prince that was promised would be named Aegon. And so, Rhaegar named his first son Aegon, only to realize upon meeting Lyanna what the song of ice and fire truly meant.
It is my belief that the Ghost of High Heart was someone that Rhaegar either met at Summerhall (perhaps she was there to dance with her own ghosts?), or perhaps he sought her out on his own. Either way, he sang Jenny’s song in exchange for more information on this prophecy.
“They danced through the day and into the nightThrough the snow that swept through the hallFrom winter to summer and winter againTil the walls did crumble and fall”
These lyrics seem to suggest that Rhaegar was aware of winter coming, of the Wall falling. He knew what was coming.
And it has been my belief for years now, that Rhaegar is a martyr. That not only did he know his fate, but that he had to die. Not only him, but his entire family, his children, his wives… almost everyone he knew and loved had to perish.
Imagine that. Imagine what that must feel like. The fate of the world vs. the lives of you and all of your loved ones - save for a son you’d never get to meet.
“There was a melancholy to Prince Rhaegar, a sense of doom. He was born in grief, my queen, and that shadow hung over him all his days.”
Despite many who would claim that Rhaegar loved prophecy above all, and that Lyanna meant nothing to him, we have canonical quotes from both book and show that prove Rhaegar loved Lyanna:
“Prince Rhaegar loved his Lady Lyanna, and thousands died for it.”
“Rhaegar didn’t kidnap my aunt, or rape her. He loved her. And she loved him.”
Rhaegar had just fallen in love, dying with Lyanna’s name on his lips. He probably wasn't ready to go.
“And she never wanted to leaveNever wanted to leave”
“I’ve always agreed with William Faulkner—he said that the human heart in conflict with itself is the only thing worth writing about. I’ve always taken that as my guiding principle, and the rest is just set dressing.”—George RR Martin
Jenny’s Song
Let’s talk about the history of Jenny, the symbolic importance of her character and the actual song itself and what it could mean.
Who is Jenny of Oldstones exactly?
Jenny of Oldstones, by Rae Lavergne
Jenny was the wife of Prince Duncan Targaryen, the first born son of King Aegon V (also known as Egg) and heir to the Iron Throne.
Duncan Targaryen, by Karla Ortiz
Duncan was originally betrothed to an unknown Baratheon daughter, but while in the Riverlands he fell in love with a “strange, lovely and mysterious” woman, aka Jenny of Oldstones.
Despite already being engaged and the fact that there was a severe class difference and protest from his family, the small council and others, the two nonetheless got married. Or I guess more accurately stayed married.
King Aegon V tried to break up the marriage, but to no avail. Duncan, in the end, was given a choice – be the heir to the throne or stay married to Jenny of Oldstones. He chose the latter and became known as the Prince of Dragonflies.
Now this story is important for several reasons.
For one thing, the choice these two made impacted the existence of current characters and their own family lines. So, let’s get into the literal and historical implications of Jenny and her Prince of Dragonflies.
Keep reading
Game of Thrones | Season 8 Episode 2 | Game Revealed (HBO)
He went and cleaned himself up and got dressed in his Fancy Northerner Clothes to go give Arya the bow staff he made her then brings up how last time they were together she wanted him to come to Winterfell and he was there now (insinuting he was ready and wanted to be her family) that boy fully intended to declare his love for her but she interrupted by topping him. Legend.