how it feels to be online these days
i don't do bad sauce passes
I'd rather be in outer space šø
we're not kids anymore.

ē„ę„ / Permanent Vacation

pixel skylines
art blog(derogatory)
No title available
AnasAbdin

tannertan36
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
$LAYYYTER
Cosmic Funnies

Product Placement

#extradirty
Show & Tell
"I'm Dorothy Gale from Kansas"

Kiana Khansmith

Janaina Medeiros
No title available
NASA
seen from United States
seen from United States
seen from Malaysia

seen from Singapore
seen from Netherlands
seen from Netherlands
seen from Australia

seen from Singapore
seen from United States
seen from United States

seen from United States
seen from United States

seen from India
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seen from United States

seen from United States

seen from United States
seen from Vietnam
seen from United States

seen from United States
@dragonairily
how it feels to be online these days
hi i'm live now on vgen for commissions!! i'll draw stuff for you... pspsps
i'll draw
anything sfw (short of furries/anthro/mecha!!)
ship art!
fanart!
your lovely ocs!
currently taking surprise me halfbody and icon comms!! will close when slots are full
star treatment š²šš¬
+ alt text & no mask & no text versions + colour variants for my own enjoyment
thank you all so much for enjoying this piece :)) šš
star treatment š²šš¬
god's favourite gambler š²
+ base / alt colour versions because i love gradient maps
Thich Nhat Hanh
backlog of art and doodles for d&d. presenting the world's most stressed little t-girl divination wizard and her gang of fools. it's all a bunch of homework and hexes
your honour i am not immune to ēøę£
going to slowly work through reposting my backlog on here. it's oc art all the way down
oc in the fourth picture on the right belongs to @Yuresl on twitter
seven of swords
some recent oc headshots to test out a new style/workflow process + new chalk brush im in love with
old art bc i just miss them a lot!! timeskip is great and all but [cocks gun] furudate show me the forbidden 3rd year crows and their maturation and growth and friendship. furudate show me the captain yamaguchi content i am no longer asking-
Me reading your tarot cards: "Okay, I have drawn the Empress, the Queen of Discs, the, uh.... jack of diamonds, blue eyes white dragon, a couple of Swamp lands, and Pikachu."
I place the Knave of Swords face down in defense mode and end my turn
is it just me or we all kinda stubid
itās just you iām smart as fuck and my meats huge
More of this!!
Horror Noire: Blacks in American Horror Films from the 1890s to Present (2011)
āFrom King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890ās to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself.
Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genreās racialized imagery, as well as the narratives that make up popular cultureās commentary on race.
Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian āNollywoodā Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.ā
by Robin R. Means Coleman
Get it Ā now here Ā
Robin R. Means Coleman is Associate Professor in the Department of Communication Studies and in the Center for AfroAmerican and African Studies at the University of Michigan. Her previous books include African Americans and the Black Situation Comedy: Situating Racial Humor and the edited collection Say It Loud! African Americans, Media and Identity, both published by Routledge, and most recently the co-edited volumeFight the Power! The Spike Lee Reader.
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