For Caffeine Challenge 22 (X)! Pretty roughā¦def going to rewrite/rework!
Aphrodite returns to Olympus two centuries late. She comes from the ground and walks and walks and walks, the wind biting at her skin as she climbs higher and higher. The air grows thinner, the temperature drops, and steam begins to hiss all around her. Mortals would have died at this point, would have had to to avoid the pain, but Aphrodite knows enough about pain not to fear it. Her human clothes melt under the poison gasses, leaving her in her toga and her gold and her divinity.
She crests the final ridge and takes in the home of the gods.
Olympus is white marble and cool granite, sparkling in the sun. At the top there is Zeusā home and meeting hall, another fantastic house beneath his and on and on. At the base of their little village are the lowly gods, the ones without station or the ones with the misfortune to be born to anyone but Zeus.
She isnāt recognized as she walks past these smaller homes and neither is she recognized as they begin to grow larger and grander, gold replacing cobblestone and the air beginning to shine with power.
She walks all the way up Mt. Olympus and passes many of the other gods, none who so much as glance at her. Sheās learned many things in the human lands, many valuable things, and she relishes the anonymity.
It wonāt last long.
āāāāāāāāāāāāāāāāāā-
They marry her to Hephaestus because she is beautiful. She rises from the ocean as too much woman and not enough child and it begins. The stares. The wanting. The power that they heap at her feet just so that sheāll glance in their direction.
So they marry her to Hephaestus, the ugly god who was once cast from Olympus by his own mother for his deformities. They marry her to him to placate his wrath and to stop the war her face could cause.
They do not marry him to her.
āMine,ā he tells her. He says the same to his tools, she thinks, and watches as he ruins them against swords and armor and lightning bolts.
Aphrodite is still young then, still beautiful, still naive enough to put on the girdle that her new husband gifts her with. It accentuates her breasts and makes her feelā¦decorated for all that it is armor.
She is not a tool. She is not something to be used.
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