pamper by www.fairybisous.polyvore.com
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NASA
Sweet Seals For You, Always
tumblr dot com

pixel skylines

izzy's playlists!
The Bowery Presents

Jar Jar Binks Fan Club
KIROKAZE
🪼
hello vonnie

Product Placement

#extradirty

Love Begins
untitled

oozey mess

❣ Chile in a Photography ❣
sheepfilms
"I'm Dorothy Gale from Kansas"
Today's Document
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@dreamsoflivinglavish
pamper by www.fairybisous.polyvore.com
MONEYVIBES 🤑🤑🤑🤑
You will make money tomorrow Your pussy is BOMB You are a bad ass lady Haters be gone
LOL
MONEYVIBES 🤑🤑🤑🤑
always living my best life..
You can be anything. Representation Matters
Or a god.
or a superhero
or a gunslinger
or a gunslinger and a queen
or a princess and a warrior and a scientist
WE CAN NEVER HAVE ENOUGH BLACK POSITIVITY ON THIS SITE
✊🏿✊🏿✊🏿✊🏿✊🏿✊🏿✊🏿✊🏿✊🏿✊🏿✊🏿✊🏿
Or a genius hacker
!!!!!
Rush Hour 2 (2001)
Let's talk about my sister's in these fabulous dresses! - your fave Nigerian Queens!
#TheUnderGod
Titus Kaphar
For his current exhibition at Jack Shainman Gallery, Kaphar presents a painting show titled “Drawing the Blinds,” along with an extension of his 2011 Jerome Project titled “Asphalt and Chalk.” The former maintain’s Kaphar’s practice of bringing history into the present, and traditional artwork into the contemporary conversation.
Many of the works allude to the historical absence of African Americans and women from the verbal and visual canons. In “Behind the Myth of Benevolence” a portrait of a silver-haired man is peeled back like a fallen drape, revealing behind it a nude depiction of a black woman, gazing at the viewer. In “Stripes,” a similarly stuffy portrait of a white man is cut into strips, many of which are nailed to the surrounding wall, exposing the wooden frame beneath. The image is both mischievous and violent, a ghostly hoax and a work of sadism.
God, this is beautiful 🙌
This is just…ugggh I LOVE artist! They will always blow my mind I HATE how artist aren’t respected like scientists, lawyers, doctors. Like look at what they can do!