The Knight and the Zoomer—they retire from battle, and they settle down in a small village. With each passing day, their love grows stronger.

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@dregstars
The Knight and the Zoomer—they retire from battle, and they settle down in a small village. With each passing day, their love grows stronger.
I'm so pissed off at the way the Duffers are talking about Jane's ending like she wasn't her own person and instead just a magical being from childhood that the rest of the party needs to get over.
Am I the only one who found it weird, off-putting, and unnecessary when Hopper was talking El down from suicide (self-sacrifice, same thing) and used the fact that she might have a kid of her own one day as a reason for her to stay alive? El is a teenage girl who has not once expressed any desire to become a mother in the future. She is traumatized and has never had any agency in her life. She is also, I must repeat, a teenage girl. Why are we using becoming a mother as motivation to talk down a teenager from suicide? Why are we acting like this is something El wants and has always wanted? Why do male writers always reduce female characters’ bodies to their ability to make babies? Women and girls’ lives are not valuable because of their ability to have children—we are inherently valuable no matter what our bodies may or may not be capable of, whether or not we want kids at all. Our lives have worth because they are ours.
rhaenyra targaryen didn’t want to break the realm. but the realm wanted so badly to break her that it mistook her survival for violence.
r.a.b 👻
OH MY GOSH THE PURE TALENT
James being a people pleaser, constantly bending over backwards for his friends and then being seen by Regulus, who tells him that it’s okay to have bad days , that he doesn’t always have to be “on”, that he can just be is so special to me.
the found family trope hits harder when you realise they were all just kids who had to build safety out of each other’s broken pieces.
the marauders fandom will write odes to reckless boys, doomed friendships, and the boys who loved boys. their stories are mythologised in every fic and headcanon.
but the girls who loved girls are whispers in the margins.
dorcas and marlene. mary and lily. narcissa and alice. before the tragedy. all the laughter that might have been theirs is footnoted, footnotes that fade.
we memorialise the chaos of boys, but the soft rebellions of girls are always a quiet loss.