One Nice Bug Per Day

#extradirty
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izzy's playlists!
let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON

ellievsbear
noise dept.

★
cherry valley forever
RMH
Noah Kahan
The Bowery Presents
🩵 avery cochrane 🩵

Product Placement

gracie abrams
taylor price
Sweet Seals For You, Always

PR's Tumblrdome
d e v o n
seen from Russia
seen from Germany
seen from France
seen from United States
seen from United States
seen from United States
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seen from United States
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seen from United States
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seen from United States
seen from Brazil

seen from Kazakhstan

seen from Brazil

seen from United States
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seen from United States
@drinkmepure
Plants 🌱
happy.eternal
THE CRUCIBLE x KELLY AKASHI
Arthur Miller, The Crucible (1953)
Kelly Akashi, sculptures, Bound (2017) + Feel Me (2017)
“Me desculpe por essa confusão, nem eu estou me entendendo esses anos.”
— Quase realidade.
“A gente não pode ser feliz o tempo todo, mas pode ser um pouquinho todo dia.”
— Recontador.
Drunk Skeletons (2012) - Vlad Gradobyk, aka AC44
“Não temos que ser comuns.”
— Shawn Mendes.
“The classic-sitcom approach offered exciting opportunities for humor and levity, but filmmakers were very serious about getting the genre right. Director Matt Shakman says, ‘It was really important to us from the get-go that we weren’t parodying sitcoms. We studied tone and style from era to era. We wanted to make sure the actors were really fluent in all of these different styles.’ Cast and crew studied classic sitcoms from the 1950s through the 2000s. ‘We wanted to make sure that what we were creating was absolutely faithful to the original touchstone shows,’ says Shakman.”
WANDAVISION (2021)
‘The Captive’, attributed to William Etty (1787-1849). British painter. oil on canvas
Emotion, Nobuhiko Ōbayashi (1966)