
❣ Chile in a Photography ❣
Not today Justin
i don't do bad sauce passes
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I'd rather be in outer space 🛸
DEAR READER
noise dept.
dirt enthusiast

祝日 / Permanent Vacation

Kiana Khansmith
Stranger Things
we're not kids anymore.
Jules of Nature
taylor price
trying on a metaphor
Cosmic Funnies
Cosimo Galluzzi
Monterey Bay Aquarium

tannertan36
he wasn't even looking at me and he found me
seen from United States
seen from Malaysia

seen from Germany
seen from United States

seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from Iraq
seen from Australia
seen from United States
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from Australia
@drinkmepure
Plants 🌱
happy.eternal
THE CRUCIBLE x KELLY AKASHI
Arthur Miller, The Crucible (1953)
Kelly Akashi, sculptures, Bound (2017) + Feel Me (2017)
“Me desculpe por essa confusão, nem eu estou me entendendo esses anos.”
— Quase realidade.
“A gente não pode ser feliz o tempo todo, mas pode ser um pouquinho todo dia.”
— Recontador.
Drunk Skeletons (2012) - Vlad Gradobyk, aka AC44
“Não temos que ser comuns.”
— Shawn Mendes.
“The classic-sitcom approach offered exciting opportunities for humor and levity, but filmmakers were very serious about getting the genre right. Director Matt Shakman says, ‘It was really important to us from the get-go that we weren’t parodying sitcoms. We studied tone and style from era to era. We wanted to make sure the actors were really fluent in all of these different styles.’ Cast and crew studied classic sitcoms from the 1950s through the 2000s. ‘We wanted to make sure that what we were creating was absolutely faithful to the original touchstone shows,’ says Shakman.”
WANDAVISION (2021)
‘The Captive’, attributed to William Etty (1787-1849). British painter. oil on canvas
Emotion, Nobuhiko Ōbayashi (1966)