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@drivingintothewreck-blog
I guess I've been a little distracted and forgot about this blog. Whoops.
The Foxes Burrow Beneath our Ankles
Mercy! Mercy!
she is coming!
and oh,
how my skin is crawling
with thoughts of her:
“May we grow like moss
and love like the ticks…
nevermind,
I’m yearning again,
my dear,
don’t you know I’ve got feelings”
now is not the time
for such sodden,
slurred words,
for the water
has found us
and the flowers grow
where the leaves
once fell.
“They know you aren’t a him or a her but something in between not human to them. What an abomination. What a monster. Why can’t you be normal with your dress, your boyfriend and your virginity.”
6 Writing Tips From John Steinbeck
1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
Read more.[Image: AP]
Sylvia Plath reads “The Applicant”
February
It's been awhile since I've posted some of my own work.
-
-
You make lies sounds like they were meant to be said,
kind of how getting coffee at six in the morning
is a competition
no cream,three sugars
and room for me to be able to tell my life story.
You put me in a closest
where you were kept a boy
and spiders crawled in through your ears drums
whispering like old echos of the past
"I need you so much closer"
Clad in levi jeans and a broken zipper
your palms covered your face
when recalling how you felt my innocence
sinking into your bone marrow
reminding us that big hands don't resemble
what they used too.
I found places in the floor boards to hide
things I couldn't say and misplaced buttons
with phrases, varying from
"three cheers for better years"
and
"Keep your head up sport"
They always lacked in true sentiment
so I tucked them away hoping that a pure
token of affection would appear in my hands
so I could stick it right above my heart.
I was too scared to project my breaking
language so you never understood
that I needed more then sturdy arms wrapping
around my waist.
This made me into the equivalent of dirty wallpaper
left in a house that fell into the soil,
that nobody ever felt the need to resurrect
so I collect my broken buttons,
with sayings that don't mean anything
sticking them in my pockets hoping I can change
what already happened.
-
Daddy; By: Sylvia Plath
Daddy You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time--- Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off the beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine, Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been sacred of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You---- Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two--- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I'm through.
The world tells me I am its creature I am raked by eyes brushed by hands I want to crawl into her for refuge lay my head in the space between her breast and shoulder abnegating power for love as women have done or hiding from power in her love like a man I refuse these givens the splitting between love and action I am choosing not to suffer uselessly and not to use her I choose to love this time for once with all my intelligence.
-
A portion from the poem Splittings, by Adrienne Rich
He sits,
with fingers like crooked birch trees,
and eyes that seize to linger.
He presses his lips together,
like he's holding back screams.
Stretches his toes like he's trying to run,
but he doesn't.
He sits,
with his spine in the shape of a question mark,
his chest collapsing,
turning into a cave.
My Delight
Ears that couldn't hear
Eyes without a sight
A mouth that couldn't speak
Your teeth are my delight
Lungs that couldn't breathe
Hands that couldn't write
A heart that couldn'ty beat
Your spine is my delight
Knees that couldn't bend
Thighs that don't sit right
Feet that couldn't hold up
Your hips are my delight
I'm starting from the top
Go down and don't think twice
I'm leaving your bones on the floor
Tonight you're my delight
Tonight you're mine
You're my delight I'm feasting on your mind
And the arch in your back
But in the midst of all of this
You're snapping me in half
-
Submitted by: www.why-tech.tumblr.com
somewhere i have never travelled,gladly beyond by E. E. Cummings
somewhere i have never travelled,gladly beyond any experience,your eyes have their silence: in your most frail gesture are things which enclose me, or which i cannot touch because they are too near your slightest look easily will unclose me though i have closed myself as fingers, you open always petal by petal myself as Spring opens (touching skilfully,mysteriously)her first rose or if your wish be to close me, i and my life will shut very beautifully ,suddenly, as when the heart of this flower imagines the snow carefully everywhere descending; nothing which we are to perceive in this world equals the power of your intense fragility:whose texture compels me with the color of its countries, rendering death and forever with each breathing (i do not know what it is about you that closes and opens;only something in me understands the voice of your eyes is deeper than all roses) nobody,not even the rain,has such small hands
Autumn- By: Rainer Maria Rilke
The leaves are falling, falling as if from far up, as if orchards were dying high in space. Each leaf falls as if it were motioning "no." And tonight the heavy earth is falling away from all other stars in the loneliness. We're all falling. This hand here is falling. And look at the other one. It's in them all. And yet there is Someone, whose hands infinitely calm, holding up all this falling.
Final Notations Adrienne Rich it will not be simple, it will not be long it will take little time, it will take all your thought it will take all your heart, it will take all your breath it will be short, it will not be simple it will touch through your ribs, it will take all your heart it will not be long, it will occupy your thought as a city is occupied, as a bed is occupied it will take all your flesh, it will not be simple You are coming into us who cannot withstand you you are coming into us who never wanted to withstand you you are taking parts of us into places never planned you are going far away with pieces of our lives it will be short, it will take all your breath it will not be simple, it will become your will
Tuesday 9:00 AM
Denver Butson
A man standing at the bus stop reading the newspaper is on fire Flames are peeking out from beneath his collar and cuffs His shoes have begun to melt
The woman next to him wants to mention it to him that he is burning but she is drowning Water is everywhere in her mouth and ears in her eyes A stream of water runs steadily from her blouse
Another woman stands at the bus stop freezing to death She tries to stand near the man who is on fire to try to melt the icicles that have formed on her eyelashes and on her nostrils to stop her teeth long enough from chattering to say something to the woman who is drowning but the woman who is freezing to death has trouble moving with blocks of ice on her feet
It takes the three some time to board the bus what with the flames and water and ice But when they finally climb the stairs and take their seats the driver doesn't even notice that none of them has paid because he is tortured by visions and is wondering if the man who got off at the last stop was really being mauled to death by wild dogs.
Touch me
by A Thomas Hawkins
Touch me, it doesn't matter where and it doesnt matter how I need to know I'm still alive so someone touch me now Shake my hand and say hello or pat me on the back kiss me on the cheek that I may feel this sense I lack slap my face and pull my hair make me bleed I just don't care dig your nails into my skin so I can feed this need within I've been numb for such a time that even pain would be sublime so touch me, touch me now i don't care where, I don't care how