DAEMON & RHAENYRA HOUSE OF THE DRAGON (2022-)
Alisa U Zemlji Chuda

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Lint Roller? I Barely Know Her
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DAEMON & RHAENYRA HOUSE OF THE DRAGON (2022-)
Brave (2012), dir. Mark Andrews, Brenda Chapman
The Handmaid’s Tale: Spoilers & Long Rant
Full disclosure, I didn’t watch the series finale of The Handmaid’s Tale or the majority of the past several seasons. I have, however, I read the recaps and saw the comments from the writers and Elisabeth Moss on the final episode. I was once a major fan of this show. It brought me into fandom life and to Tumblr, eventually learning how to make proper gifs and for that I am thankful. It’s been a wonderful creative outlet for me and a fun distraction from the stress of every day life. After all these years, I didn’t think this show could still enrage me but it has. I’ve seen the reaction from fans who stuck with this show over the years and you’re not crazy - the show is badly written.
The interviews from the writing team and Elisabeth Moss post-finale are full of condescension. Their final message has been to reduce the audience to “silly girls” for appreciating the romance in this story. A romance they continuously fueled by promoting “Team Nick/Team Luke” nonsense via marketing (which was ridiculous and insulting by the way). I keep thinking about how they feel like Aunt Lydia trying to shame and dismiss anyone in the audience who cared about Nick’s character and the romance themes in this story as foolish girls. It’s insulting and gross.
I haven’t watched this show since early season three because I thought the writing was terrible and off the rails once they went off book. But I always kept up with Nick’s scenes because I thought Max gave a beautiful and nuanced portrayal of that character. More than anything I’m disturbed by how they’ve treated Max Minghella. I’ve seen the comments from some of the cast and the writers. They constantly bring up his looks as a driving motivator for the reason people cared about his character. To reduce his brilliant performance to nothing more than the audience thinking "he's hot" is unprofessional to the extreme. It’s rude and mean to both the actor and the fans. I keep thinking of the comment I saw where Max said he wondered if he was playing his character wrong this entire time when he read his character arc for the final season. When the narrative doesn’t make sense to the actor who portrayed him and put time and effort into the performance, there is no other explanation than that it was completely contrived. And no surprise, that is how it came off to the audience.
A major problem with this show (god there are so many I could write a fucking novel) has always been that the initial terror of living inside the regime of Gilead was real and horrifying in season one. It was impossible to get out or have the slightest bit of autonomy so the act of love was the ultimate form of resistance. They ruined all the horror felt in the first season by making it very easy for people to come and go from Gilead to the point of absurdity. They gave characters the most insane plot armor and wrote to “scenes” instead of storylines that made actual sense. June had the ultimate and most insane plot armor of them all, but there are many, many others. Look at someone like Janine. I love Madeline Brewer (as an aside, she really deserved an award for her brilliant performance in season one), but her plot armor was ridiculous. She was a Handmaid, sent to the colonies, a Jezebel, a Handmaid again…..I think!? I don’t even know what they all did with her but the fact she wasn’t dead at some point was laughable. And I don't mean that I wanted her dead, I wanted them to write a storyline that made sense for an insanely talented actress. The writers often treated these characters like dolls in a toy box inserting them in whatever way the felt like at the moment instead of telling a believable story.
Throughout the years the writing failed the majority, if not all, of the main cast members. They spent way too much time on guest character arcs that went nowhere instead of writing a believable progression for the full-time brilliant cast members they had. For example, I’m no Luke fan, but his character and even Moira had nothing to do once they made it to Canada. I genuinely felt bad for the actors who are very talented and were left for years with nothing of substance to do. They should have mapped out the main cast storylines in believable ways from the beginning instead of adding all these guest stars whose storylines often filled no purpose. The cast and source material have always been top notch it's a shame the writing failed them so spectacularly.
Other major issues throughout the series include not addressing race in the rise of Gilead (not to mention how may black women died because of June's stupidity), how they relished in torture porn (how many times did they show women being abused for the sake of shock value) and pushing a narrative of feminism that basically can be reduced to women are good no matter what atrocities the commit (I’m looking at you Serena) and all men are bad by virtue of being male. The fact that they had June become friends with and forgive Serena is disgusting and implausible. The first time this show really angered me was when they had Serena hold down June and rape her so that she could get her baby faster (a disgusting episode written by Yahlin Chang who was a co-showrunner this season). In the end these two women are suddenly fine and friendly because “women rock,” I guess.
The failures are many and the successes few. This show really did have a brilliant first season but they majorly lost the story as soon as they ran out of source material from Margaret Atwood. Long term fans deserved better. Margret Atwood’s source material deserved better. Max Minghella and Nick deserved better. So long Handmaid’s Tale. You were an epic disappointment and often insulting.
P.S. If you want to go watch a brilliant show about fascism please go watch Andor. I’ve said it before but even if you’ve never watched a Star Wars show or movie in your life, it’s incredible. It is brilliantly written, had an incredible cast and is perfectly executed. The story is wonderfully told, the characters feel realistic, their outcomes are often not predictable yet their ultimate conclusions feel true and deeply satisfying. If only The Handmaid’s Tale could have been written the same way.
" When Prince Daemon sent forth his call to arms, they rose up all along the rivers, knights and men-at-arms and humble peasants who yet remembered the Realm's Delight, so beloved of her father, and the way she smiled and charmed them as she made her progress through the Riverlands in her youth. Hundreds and then thousands buckled on their swordbelts and donned their mail, or grabbed a pitchfork or a hoe and a crude wooden shield, and began to make their way to Harrenhal to fight for Viserys's little girl." — George R.R. Martin; Fire & Blood.
When you said goodbue to mama at the stones, when she was carrying me, you said- that I was all that would ever be left of you. But you are so much more than that. I will carry you in my heart and soul always. You will always have me as well. Nothing is lost. Only changed.
OUTLANDER SEASON 7
I spent my life in foreign lands. So many men have tried to kill me, I don’t remember all their names. I have been sold like a broodmare. I’ve been chained and betrayed, raped and defiled. Do you know what kept me standing through all those years in exile? Faith. Not in any gods, not in myths and legends. In myself. In Daenerys Targaryen.
House of the Dragon + in memoriam: Lucerys Velaryon
HOUSE OF THE DRAGON “Driftmark” (2022) dir. Miguel Sapochnik.
HOUSE OF THE DRAGON #1.08 - “the lord of the tides”
HOUSE OF THE DRAGON 1.08 | The Lord of the Tides
His daughter was his life’s great joy, he often said.
RHAENYRA and VISERYS TARGARYEN HOUSE OF THE DRAGON (2022-)
Better Call Saul 6.13 “Saul Gone”
Kim and Jimmy in the first and last episode of every season
1x01- Uno || 6x13- Saul Gone
He is the man ever
FREAKY FRIDAY (2003) dir. Mark Waters