Proshippers, Tcesters, TERFS, Nazis, Homophobes, etc etc. Basically the usual DNI criteria.
About
Hello! I am Duck! I write and read fanfictions a lot (more reading than writing, really) and decided to make this blog to look for any potential readers that might want to read my writings. I hop around fandoms a lot, so my interests change VERY drastically, but that doesn’t mean I’m not up to writing for some older fandoms I’m in!
One important thing to note is that I might not be online very much? Real life has a way of keeping me busy, rest assured that I am still active! I’m just not writing lmao
Current Fandom
Really into Sonic the Hedgehog rn,, not sure whether or not I’ll end up writing for the franchise tho.
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Use tone tags/indicators when sending something to me! You don’t have to use them all the time, only when necessary ofc. I just find them really useful to have, as some people have trouble with deciphering tones through text.
Don’t bring any political/controversial things into my ask box. I use this blog and my writing as a sort of safe space/escapism from that kind of thing.
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explaining the train of thought that got me to this would take way too much backstory but basically I had an idea and then I wrote it. I rewatched Scream recently so maybe that helps lol
cw: death (not of a canon character), mentions of blood and vomit
-----
The call comes in at a little after 2 AM, and he almost doesn’t answer because he’s busy.
But Leo almost never calls him, and it’s a singular enough occurrence that he picks up the phone and hits the button.
“Hello, you are conversing with Donatello,” he greets. “Make it quick, Nardo, I’m elbow deep in the tank’s engine.”
On the other end of the line, Leo is silent. Or, mostly silent; Donnie can hear him breathing, a little too loud, a little too fast.
Suddenly, he’s on high alert. He sits back from the tank, speaking more urgently into the phone, “Leo?”
There’s another second of breathing, and then, finally, in a voice that is too high and panicked to be his normal joking tone, he says, “Hey, remember when I sent you that meme about siblings who will beat the crap out of each other one minute and hide a body for each other the next, and I said, “us,” and you gave it a heart?”
Donnie blinks. Processes that string of words.
“I think I recall it,” he says.
“Well,” says Leo. “I need to know if that’s really us.”
Donnie stands up and keys in the command to swap battleshells to the jetpack.
“Stay where you are,” he says. “I’m on my way.”
-----
The body is male. Early twenties. About six two or six three. Caucasian. Wearing some ghoulish mask like the serial killer in a bad teen slasher.
Actually, now that Donnie thinks about it, there’s been stuff on the news lately. About a guy who likes to knife up co-eds. And Leo’s wearing his biggest, baggiest hoodie, and jeans, and in a dark alley like this it would be easy to mistake him for a normal, non-mutated human teen.
The puzzle pieces are all laid out for Donnie, but the picture it paints is pretty unbelievable.
Then again, he’s a mutant turtle who grew up in a sewer and recently fended off an alien invasion. His bar for believable is pretty low.
He takes in the body, slashed across the chest, ridiculous getup soaked in blood. Then he turns to look at Leo, curled around his knees against the wall. There’s blood all over him, too, but Donnie feels pretty confident that most of it is not his own. There’s a puddle of vomit nearby, and a dagger, and a katana, cast aside.
Leo raises his eyes to meet Donnie’s. “I didn’t know he was human.”
Donnie looks back at the body, and at the mask. Connects it to the dagger, which definitely isn’t Leo’s.
“Seems like he was a great guy,” Donnie says.
“He stabbed my arm.”
“I meant it sarcastically.”
Leo laughs, high and reedy. Then he leans over and vomits again.
Donnie can’t help but curl his snout at that one. He looks away and waits for Leo to finish.
There’s a spit, then a sniff, then Leo says, “He stabbed my arm and I turned around and saw the mask.”
Ah yes, that. It’s pink and has a serrated smile. Little rubbery bits of slime and ooze. These things got popular after the invasion - they aren’t anywhere near the real thing, but in a dark alley, under attack, alone, when Leo had…
The puzzle pieces are there. Donnie doesn’t really need an explanation to put it together.
Actually, scratch that: he does need an explanation for one thing.
“Why are you so upset about this?” He looks back at Leo. “You took out a serial killer. Or a wannabe serial killer. At the very least a stabber.”
“I didn’t mean to kill him,” says Leo immediately. A little pleading. “I didn’t think that would… I didn’t know he was human.”
“He attacked you.”
“I could have disarmed him. I could have trapped him and let the police deal with him.”
“He came up behind you in this creepy mask and stabbed your arm.”
“He didn’t stand a chance against me,” says Leo, and it’s not swaggering and not boastful, but horrified. “It was like tearing paper, Dee. It was so easy.”
Donnie leaves the body to kneel in front of his brother. He puts his hands on his shoulders, looking him straight in the eye to make sure he listens.
“He attacked you, Nardo. He wanted to kill you. He made the wrong choice. Not you.”
Leo looks down, at the blood on his hoodie, and Donnie squeezes his shoulders until they lock eyes again.
“He made the wrong choice,” Donnie repeats emphatically.
Leo sighs, like he’s giving in, and a rueful smile grows on his face. “Thanks, hermano. But I don’t think the EPF is gonna see it that way.”
Ah yes, the good old United States government, and their hilariously poorly titled Earth Protection Force. Since the invasion, their existence had become known to the EPF, and they’ve been in an unspoken truce ever since. A “live and let live” holding pattern.
Unfortunately, Donnie has to admit Leo is right on this one: that this man is likely and most probably a serial killer won’t matter to the EPF. Killing any human crosses a line they won’t tolerate.
And so, there is only one solution here. The one Leo proposed when he first called.
Donnie is going to help him hide a body.
…Which means he is going to have to touch it.
Leo frowns at him. “Uh, Dee, what’s the yarf-face for?”
“I just realized how gross this is going to be.”
Leo laughs again, more than a little hysterical, and lets his head fall against Donnie’s plastron, the giggles shaking his shoulders under Donnie’s hands.
“That wasn’t a joke,” Donnie insists. Leo just laughs even harder.
Donnie scowls, even as he pulls Leo closer. “That meme really is us. I want to beat the crap out of you right now.”
Leo howls with laughter. Except it sounds a little more like sobbing now. Donnie gathers him up and holds him until he’s better again.
-----
Across the Hudson, the sky is turning pink. Donnie stands with Leo, watching the water that the body disappeared under.
They’ve already scrubbed the alley clean of any blood traces - his and Leo’s. He also had his drones bring gloves with the cleaning supplies, so they didn’t leave any fingerprints. At least Leo had the sense not to touch anything. And it’s not like the government has their prints on file, anyway. Donnie’s checked.
There wasn’t anything they could really do to hide the massive laceration that led to the body’s death. Short of melting it in acid, but both of them had dismissed that idea as soon as Donnie raised it. Despite what Donnie thinks of himself, he isn’t actually a stone cold disposer of bodies. The idea of melting it was too gross to think about.
Besides, it doesn’t matter if the body gets found, as long as it doesn’t get traced back to them. And Donnie doesn’t see any reason it should.
He’s already hacked any security cameras near the scene and made sure Leo doesn’t show up on any of them. Leo’s a good enough ninja to avoid that sort of thing, anyway, not that Donnie will admit it out loud. The crabs and fish will take care of the flesh and the katana’s mark. Leo destroyed the weapon itself in a bright blue explosion of ninpo.
“It’s kind of a bummer,” says Leo after a minute, “that the murders will go unsolved.”
“No, they won’t.” Donnie pulls out a phone, holding it carefully with his gloves. “He helpfully took trophy photos.”
Leo’s eyes go wide. “Dude, did you fish around in his pockets?”
Donnie can’t help but curl his lips. “Ugh, don’t remind me. It was a very unpleasant experience and I don’t want to repeat it.”
“What are you going to do with it?”
“Find where he lived and leave it there.” Donnie shrugs. “His body will turn up, or he’ll get reported missing. The cops will find it and everything will be wrapped up in a neat little bow.”
“Huh. Guess that takes care of that.” A pause. Leo shuffles a bit next to him. “You’re… really calm about this.”
Is he? Since the moment he got that phone call, he entered Fix It mode. He hasn’t really thought of anything else since.
“I don’t know if I will be later,” he admits.
“I’ll be there, if you’re not.”
Donnie hums an acknowledgement. There’s a weight against his arm, Leo leaning into him.
The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.
Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.
Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.
So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?
I'm here to answer those questions as best I can, and in agonizing detail.
First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.
"What the hell is this?"
The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.
We'll get to the actual contents of that book in a bit.
"He can do that without getting in trouble with Sega?"
Believe it or not, yes, he can.
Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him, Archie, and Sega. He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.
All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.
Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.
"What about his old collaborators? Are they involved? Is he paying them?"
Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.
On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.
The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.
"What about those other Archie Sonic reprints he just announced?"
At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.
So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.
He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.
Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.
"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"
Yes and no.
The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.
Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!
In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.
After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.
And now that we're all on the same page about what we're looking at, let's actually talk about the book!
The cover
Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?
The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.
Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.
Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.
And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.
Changes to "Mobius: 25 Years Later"
Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.
There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.
The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.
Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.
My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.
The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.
Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.
Moving on!
New story #1: "The Storm"
If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.
This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.
The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.
The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.
The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.
When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.
But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.
Because it's eleven pages of characters standing around and talking while nothing fucking happens.
Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.
To be continued!!!
Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.
I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.
...Maybe more will happen in the next story?
New story #2: Shattered Tomorrows preview chapter
After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.
Yep! Straight into the dad stuff!
Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"
This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."
Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.
Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.
But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.
Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.
Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.
It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?
The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.
And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...
The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.
Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.
(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)
Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.
It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.
But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?
The vibe isn't great, is what I'm saying!
I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.
But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.
Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.
And that's pretty much it!
This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."
After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.
Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.
Bonus material: Data files
These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.
Lara-Su
The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.
This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.
Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.
There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.
Geoffrey
Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:
"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."
Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.
Remington
His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)
Lien-Da
She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:
Commander Taelor
We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.
Julie-Su
She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.
Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.
And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.
With my name on the list. Because I had to buy a copy to cover it for the blog.
My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.
Yep. He got me.
Is it at least a well put together book? Like, in terms of manufacturing quality?
Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.
The formatting and graphic design work, on the other hand...
(I didn't crumple those page corners, it came like that.)
For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.
I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.
The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.
It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?
Closing thoughts
Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.
I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!
Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?
Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.
Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.
Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.
But I still have to pity him.
As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.
This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.
I guess if I want people to take anything away from this review, it's this:
Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.
It’s nice to see you online again! You’re making me very curious about that show you’re interested in 😔
Also, happy pride month! 🏳️🌈
-🍑
EM!!! PEACHY!!!!! JUMPS UP AND DOWN IN JOY HELLO!!!!!
I've missed u man,, Happy pride month to you, too!!
And um... Well u see it's embarrassing to admit bcs when I say kids show I mean KIDS show. Like DISNEYXD kids show. I used to watch it when I was younger and recently got back into it, and the brainrot is crazy!!! I've debated making some kind of post about it, but... It's so niche I really doubt anyone would want it 😭😭
okay gang since a grand total of one ☝ of you is curious about the show (that person is em/peachy hello em/peachy if you are reading this!!) I will reveal what the show is!!
I watched this show when I was young, and I was NOT KIDDING when I meant DisneyXD kids show,,, My brain choses to be interested in goofiest of things...
Show is under the cut!! Btw if ur any of my irls seeing this LOOK AWAY DO NOT INTERACT LEAVE NOW!!! /J
ok are my irls gone. swag. u guys can look now
IDK IF ANYONE ELSE REMEMBERS THIS SHOW.... BUT THIS WAS MY JAM AS A KID!! A majority of the first season is uploaded on yt in a public playlist, and the easy access to it made the brainrot go CRAZY,,
My current favorite rn is Happy. Starting to see a pattern w my favorite blorbos... (silly guys)
I hope know u guys know what i meant when i said it sucks having the urge to write self insert stuff for every media i get into bcs i dont think there is a target audience for 'spin off show of the dwarves from snow white x reader' content 😭😭
It's pretty late where I am and I think that's why Im making the impulsive decision to make this post, but honestly.... I think I wouldve made this post either way.... I know myself too well I definitely wouldve taken any opportunity to yap abt this show even if its a tiny bit BAHSAH
📖 its me again 😈 do u mayhaps have any more ideas,,,
Sure do!~ here's a few more!
1: (Untitled) A Red Son x Reader LMK arranged marriage/rivals to lovers where Princess Iron fan and DBK are unconfident in their son's ability to do anything right- including finding a spouse worthy of carrying on their great family line. so, they pick one for him. you are the finest soldier in the demon bull corps; smart, strong, capable- you have never failed an assignment, and that's not about to change anytime soon. they assign you to their son's side so that you can grow closer under the guise of you being his aid in attempting to retrieve the monkey king's staff- killing two birds with one stone. Unfortunately, you aren't exactly Red Son's biggest fan, finding his haughty attitude beyond irritating. this wasn't fair to either of you, like hell you would let it go forward. Since Iron fan and DBK hadn't told their son what they were up to or straight-up forced him to tie the knot with you, you guessed that they wanted him to choose you of his own free will- something you are certain would never happen. Your plan was to put everything you had into getting that staff back and absolutly nothing into getting red son to like you. Of course youll have to fake some sort of repour when prying eyes are watching otherwise the jig is up and your bosses will find out your disobeying orders. But it should be fine, your confident that you can manage. You can beat up one measely deleviery boy. You can tollerate Red son for as long as you need to. You can get him to cooperate with the neritive without clueing him in. You wont lose.
2:(Untitled) A Micheal Afton x OC FNAF. Riley moves in with her grandparents after getting kicked out of her old school for getting into a bad fight with the principals daughter. she hates it. she liked her old school and her old friends just fine, most of all she liked her old house. but she doesn't have must of a choice in the matter, her mom cant drop everything to drive her two hours every morning with her hospital jobs hours, so moving in with her grand parents who live within walking distance of her new school is the next best thing. her first night in town, she goes boarding and accidentally knocks some guy off a bike. they don't make a great first impression on each other, but they'll have to learn to get along as long as they're classmates. the more time they spend together, the more they begrudgingly realize they have in common. this leads to a lot of rivalry, fighting and an unrealized awkward tension between them. also, they meet right before Even/CC dies so... yeah :) angst. :)
3:(The Right Path) a Laard Nar x Navigator Invader Zim fic where Nav saves the massive from sailing into the Florpus at the last second by going against the Tallest's command. everyone lived! however, the tallest we not too pleased with his disobedience. so, they had him thrown in a holding cell and scheduled for a Pak wipe. of course, having literally been born to pilot the massive, he knew the ship like the back of his hand. he escaped to a random planet on a stolen voot cruiser. on that planet he wanders, until he comes upon Resisty HQ by complete coincidence.
BONUS! 4: (All Hail Queen Bee!) a Miraculous Ladybug Re-write/Fix-it where Chloe gets to keep the bee miraculous and her character development because I'm bitter & petty. i... i could give a run down about it but there's just so much and yet not nearly enough to talk about. if i tried, id just end up ranting, it honestly needs its own post but i just wanted to let ya know it exists in my brain.
I didnt mean for this to be late but the urge to reply was STRONG WOO
this sounds so cool?? DBK and Iron Fan not trusting Red Son AT ALL, even to the point where they dont trust him to get married is SO FUCKING FUNNY- Red Son you have zero rizz
HOLY SHIT X OC CONTENT!! W MICHEAL AFTON!! Riley's character and story is so 👀 to me... Let me dissect this rq actually... Riley loses so many connections in her old life because of her actions would honestly suit her so well w Micheal... Not only that but her having a friend after so many changes is so sweet... Their meet cute being them knocking into each other on their bikes and forming a rivalry bcs of their similarities is SO FUNNY BCS ITS LITERALLY PEAK TEENAGE BULLSHITTERY ITS SO CUTE,, Idk much about Riley but I feel like her character compliments Mike's so well,, AND THEM MEETING BEFORE CC/EVAN DIES? DUDE.... THE HEARTBREAKING ANGST POTENTIAL...
Ohh I've watched Into the Florpus a few times!! Good for the Nav for having basic survival instincts, I always thought that he should've straight up left for an escape pod during the movie LMAOO- kudos to him for having common sense!! The Tallest trying to punish him, only to have it backfire because the Nav literally KNOWS how to NAVIGATE the ship and successfully escape genuinely sounds like something that could some out the show. Like, yeah that would happen wouldnt it /pos!! The set up for him meeting Lard Nar is so interesting,, Again, idk much about Invader Zim, but the character looks so cool!! The concept of an Irken who was sentenced to death simply because he wanted to live paired with the guy who LEADS a resistance AGAINST the Irkens, and could therefore understand/sympathize with Nav is so interesting!! This sounds like a fic that I would read despite having no knowledge on the fandom, and still 100% enjoy it!!
MIRACULAS LADYBUG JUMPSCARE?? I used to watch the early seasons of it when I was younger but didnt continue for... I actually dont remember... But I have seen some commentary videos on it and HOLY SHIT,,,, Chloe's character was done SO DIRTY I feel so sorry for her,,, Chloe u deserved better
Yahoo done!! Can I just say you lowkey come up with SUCH GOOD CONCEPTS like!! These?? These are SO DAMN GOOD, the set up and characters and possibilities are so interesting, and I could genuinely see these as full blown fics I would read, its awesome!! Ur super creative, I love seeing these ideas :DD
It’s nice to see you online again! You’re making me very curious about that show you’re interested in 😔
Also, happy pride month! 🏳️🌈
-🍑
EM!!! PEACHY!!!!! JUMPS UP AND DOWN IN JOY HELLO!!!!!
I've missed u man,, Happy pride month to you, too!!
And um... Well u see it's embarrassing to admit bcs when I say kids show I mean KIDS show. Like DISNEYXD kids show. I used to watch it when I was younger and recently got back into it, and the brainrot is crazy!!! I've debated making some kind of post about it, but... It's so niche I really doubt anyone would want it 😭😭
i fr put all of the fandoms ive written for in a wheel of names and it landed on ROTTMNT,, i have NOT been in that fandom for a while, zamn!!
Not sure if this counts, but I used to have this one crossover idea of Rise of the TMNT and Lego Monkie kid mixed in with a reader insert. My reasoning on why they crossed over was because they were both animated by the same company, and therefore took place in the same world (or at least, that was how it was in the story).
Reader was Macaque's student and inherited some of his shadowy powers, and somehow gets transported halfway across the world from China to New York City! It's there they would meet the Turtles and would agree to teach them how to better harness their mystic energy, in return for a place to stay while Reader figures out how to get back home.
Then they would gradually fall in love, yadda yadda... I remember Reader and Donnie having this sort of Rivals to Lovers dynamic, where Reader would insist that magic/mystical powers are superior while Donnie would insist that technology was superior. And because they both have a big ego, they'd butt heads a lot lmao.
I'm,,, not sure if this counts,,, Because I have technically written and published this?? But it's on another platform, and I never got past 2 chapters and the Turtles weren't even introduced yet, despite me having so many plot points planned out.
Erm... U know what this still counts. Bcs I say so 😁😁
Ty for the ask!! I have a lot more ideas in different fandoms if anyone else wants to join in!!
ooh~ this sounds so cool! and- you don't mind if I freak out real quick, do you?- RIVALS TO LOVERS X DONNIE YES YES YESYEYEYEYEYESSSSSSSSSSS!!!!! FUCK YEAH! this is so creative omg, I love this idea. I love it when we get meta and make it so that two (or more) universes take place in the same world, it's just everything. also, I think both shows' magic and tech systems mesh together really well. like, I could super see them being in the same world.
i hope u guys know that even tho I never posted anything abt the franchise, the Sonic brainrot got me in a chokehold for a LONG WHILE!! Fortunately, I am taking a temporary break from that blue rat (affectionate) to brainrot over a TV show.
Unfortunately, said TV show is a dead kids show that's been cancelled since 2016 and if I tell you guys what it is you'll all MAKE FUN OF ME!!!!!!!!
You hiss, eyes screwing shut as the pain on the back of your head flares.
Of all the things that would do you in, it was a rock. A damn pebble. Lovely.
The whole thing was just so horror movie cliche, you wouldn't be surprised if there was someone out there, groaning at your incompetence through a screen. You don't blame them; you would do the same if it were anyone else.
Unfortunately, it wasn't anyone else stuck in this situation, it was you. And as you hear the sounds of three pairs of footsteps approaching you, you knew you were done for.
You open your eyes to see three skeletons peering down at you, leering smiles adorning their faces. You don't even have to squint past the darkness of his hoodie to know that Dust has the same shit eating grin on his face like the other two, the smugness radiating off all of them in waves.
"Aw, giving up so soon?" Killer tilts his head with a coo. "Shame. I liked the chase."
Killer giggles, and the sound sparks mild irritation in you. Ass.
"Didn't think you'd be this much trouble," Horror rumbles with mirth in his eyes. "You did good, though. Haven't worked out that much in a while. But... Tripping? Really?"
The spark starts to burn. You didn't mean to trip, but you suppose the same could be said for billions of horror movie protagonists out there. But still; double asshole.
Fortunately, because you still have an ounce of self-control, you refrain yourself from talking. You'd rather bite back your tongue than have it cut off for sass.
Unfortunately, the moment Dust chuckles, the spark turns into a flame. One of the rare times he shows emotion, and he uses it to laugh at you. MEGA ASSHOLE.
You bristle, "Do you guys always take this long to kill your victims, or are you all just shit at your jobs?"
Killer does a mock gasp, "Whaaatt? You think we're here to kill you?"
He laughs and crouches down, empty eye sockets staring into yours. The spark is doused by a cold wave of fear, but a tiny part of it still flickers. You stare back.
"Why else would you chase me down?" You retort.
"Because... You're cute?" Killer grins.
You scoff, "That's not a real answer."
He pouts at that, and Horror uses this chance to crouch down to your other side. Your heart pounds at their proximity, feeling as if they were closing in on you.
"So we got a bit carried away with the chase," Horror admits, before his red eye light bores onto your face. "But we really aren't gonna kill you."
You pause at that, taking in his words with uncertainty.
"Then... What are you gonna do to me?"
Horror's smile grows wider. Dust takes a step forward, kneeling and leaning in. You can see his mismatched eyes and twisted grin.
"You're comin' with us."
Your heart drops. That sounds significantly worse than being killed.
What was that saying? Out of the frying pan and into the fire? Yeah. You feel like that's what's going on.
i fr put all of the fandoms ive written for in a wheel of names and it landed on ROTTMNT,, i have NOT been in that fandom for a while, zamn!!
Not sure if this counts, but I used to have this one crossover idea of Rise of the TMNT and Lego Monkie kid mixed in with a reader insert. My reasoning on why they crossed over was because they were both animated by the same company, and therefore took place in the same world (or at least, that was how it was in the story).
Reader was Macaque's student and inherited some of his shadowy powers, and somehow gets transported halfway across the world from China to New York City! It's there they would meet the Turtles and would agree to teach them how to better harness their mystic energy, in return for a place to stay while Reader figures out how to get back home.
Then they would gradually fall in love, yadda yadda... I remember Reader and Donnie having this sort of Rivals to Lovers dynamic, where Reader would insist that magic/mystical powers are superior while Donnie would insist that technology was superior. And because they both have a big ego, they'd butt heads a lot lmao.
I'm,,, not sure if this counts,,, Because I have technically written and published this?? But it's on another platform, and I never got past 2 chapters and the Turtles weren't even introduced yet, despite me having so many plot points planned out.
Erm... U know what this still counts. Bcs I say so 😁😁
Ty for the ask!! I have a lot more ideas in different fandoms if anyone else wants to join in!!
📙 alright buster lets see what kinda stories u got in that big brain of urs 🤨🤨/silly
ok, so it's mostly concepts but there are a lot of them so buckle up.
1: (Untitled) An x Reader fic for Sun and Moon DCA where the reader is a children's entertainer who is hired to come to the daycare to perform for the kids and ends up bonding with Sun and Moon over theatre and performance stuff.
2: (Last Band standing) an invader Zim song fic where Gaz wants to enter a battle of the bands' contest to win the latest GameSlave console. She coerces Zim to enter with her and Dib tags along as the band's manager to keep an eye on Zim but when things start getting weird backstage with competitors going missing and Gaz is under suspicion for it, they start looking for clues to find out what's really going on.
3: (Red Wire) A soulmate!AU for Murder Drones where every drone has a unique radio signal emitted by their cores. occasionally, another drone will have a signal on the same frequency allowing them to subconsciously pick up the other's signal, even from billions of miles away, making the two inexplicably drawn to each other, kind of like a homing beacon. N and V were once Soulmates in this way, but after all the absolute solver stuff happened and they were essentially reborn, their connection was severed, and ever since, N has been feeling a strange pull from deep in space. his new soulmate being Uzi.
I've got more stuff from even more fandoms but I don't wanna drown you in words. thanks for sending me the ask! I hope you like my ideas, especially since I do plan on actually writing them at some point once I've really fleshed them out in my head
wtf thats such a cute premise,,, i dont usually read fics in the fnaf fandom nowadays but if i ever saw this floating around id totally read it
I have a friend who used to be in the Invader Zim fandom and learned my knowledge abt it thru them via osmosis and,, Yeah I feel like Gaz would do that HASDHHA this is a super interesting mystery tho!! very intruiging!!
AWWW ive never watched Murder Drones BUT THIS IS SO CUTE?? This is such a clever way to do soulmates for robots,, (I am now just realizing how much fandoms on this list i have techinically watched I am so sorry HDFHDF trust me when i say i still enjoy these ideas they r very cool to me)
I WOULD ABSOLOUTELY LOVE TO HEAR ANY MORE IDEAS THESE SOUND AWESOME
Hey, here's a fun new game. Put "📓" or some other version of a book emoji into my inbox and I'll explain the plot of a fanfiction that I haven't written but daydream about.
Same goes for Tales of the Teenage Mutant Ninja Turtles. So excited for it. Pirate it or don't watch it, I am so serious. Do not give any of these fucking ghouls your money or viewership.
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