ellievsbear
Janaina Medeiros
oozey mess
Kiana Khansmith
we're not kids anymore.
Game of Thrones Daily
todays bird
noise dept.
Love Begins
PUT YOUR BEARD IN MY MOUTH
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"I'm Dorothy Gale from Kansas"
#extradirty
❣ Chile in a Photography ❣
sheepfilms
NASA
will byers stan first human second
almost home
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Notes for the use and consumption of the public (and of the soil)
Émile Zharan, N.A.S.T.R.O., edited by Federico Federici, English | Italian edition. Also available on Lulu. tries various combinations of keywords, ending up forcing the lock monitors performance to optimize their own marginality in relation to an overall discourse in which they do not recognize themselves, but from which, deep down, they aspire to be recognized divides writers into two…
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Vincenzo Frungillo su "Stanze dei non risorti"
Stanze dei non risorti, with a note by Paolo Giovannetti, Adamàs series curated by Tommaso Di Dio, Vincenzo Frungillo, and Ivan Schiavone, La Vita Felice, Milan, 2026, ISBN 978-8893469845 [it] / buy: la vita felice | amazon Stanze dei non risorti di Federico Federici è una nuova tappa dell’autore nelle scritture verbo-visive. Qui, il confronto è con il capolavoro cinematografico di Ingmar…
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The Patient's Record [B]
«Meniscus», Jen Webb, Ginna Brock editors, University of Canberra, volume 14, issue 1, 2026.
Asemic Data and the Conditions of Semantization
Suspended semantics: what happens when marks or data lose their frame? Asemic writing and a contextless numerical matrix share the same condition—structure without reference. They are not meaningless; they are underdetermined. Interpretation cannot be recognised, only constructed. Asemicity, asemantization, semantizability: three ways to think how meaning is deferred, stripped, or re-imposed…
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Silence and Void: Toward an Aesthetics of Metrics
Silence and void are often reductively understood as negative conditions: the absence of sound in one case, the absence of matter in the other. This interpretation assigns both a derivative status, as if they were merely limiting cases or abstract containers, presumed to receive what they themselves exclude. Such a view, while intuitively appealing, is conceptually inadequate. It assumes that…
Die Leere Mitte – Issue 28
In this issue: Michael Betancourt, Patrick Sweeney, Mark Young, Graham Medric George, Angel Dionne, Stephen Bett, Heikki Huotari, Nathan Anderson, Werner Preuß, Sean G. Meggeson, Daniel Barbare, John Morton, Jim Meirose, Norbert Kovacs, Patrick Trombly, Angelo D’Amato. download | print ed.: lulu | amazon.com | submit | twitterEdited in Berlin by Horst Berger and Federico Federici.
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a plant enters the supermarket
a plant enters the supermarket, «3:AM Magazine», Daniel Davis Wood editor, March 16, 2026.
Field Notes (from an Invisible Crossing)
Ink against ink: only pressure, only residue that condenses. Like charged particles crossing a chamber of supersaturated air, signs precipitate in a supersaturated language. Trails—sentences—appear only where a blank equilibrium has been disturbed, leaving the trace of an event. The work does not present itself; it exposes only the conditions of its own existence.
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The Dispositive of Selection
A Theoretical Reading of Contemporary Editorial Practices Contemporary literary magazines, particularly those with significant international visibility, present themselves as sites of critical discernment, claiming to evaluate form, style, and literary value. Yet, a closer inspection of quantitative data they provide reveals a misalignment between this normative claim and the operational…
Instructions without Manual
This talk, given at the Cambridge Creation Lab, unfolds as a sustained inquiry into numbers, signs, and memory, approaching computation, notation, and writing as generative rather than instrumental media. Moving between algebra, asemic writing, physics, and typographic practice, Federici reframes numbers as aesthetic entities, silence as a relational medium, and writing as an experimental…
Authorship as Spectral Reduction
All that remains to be done is to play with the pieces. Playing with the pieces—that is postmodern. [Jean Baudrillard, Interview: Game with Vestiges, On the Beach, no. 5 (Winter 1984): 24.] I. Faced with generative models, the idea of a structuring self appears increasingly inadequate. Instead, a dispersive principle emerges: the self does not retain the sign or signal to process it, but…
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Profilo minore - p. 142
Traduzioni in lingua catalana a cura di Marta Vilardaga e Josep Porcar. Voce: Marta Vilardaga prendere parte al temponel corpo, sentirsi addossocrescere le ossa, tirare viala pelle, ridursi a una misura:una falange un mese,un’unghia un’ora o pocopiù sul guscio una fessura,sul cranio lacero al pensieroperdere le parti esposteal vuoto, deporre i pesiripudiati, di polvere, di petali,di pollini…
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Profilo minore - p. 137
Traduzioni in lingua catalana a cura di Marta Vilardaga e Josep Porcar. Voce: Marta Vilardaga adagio ritmare, rimare la pietra, prima che facciaargine al fosso, rotolatasulla riga scura d’acquache ricopre i solchi, tuttaarsura di licheni e frammistaai pieni, ai vuoti, vacui motividella gravità, dove peso avràe radici l’erba scossa secca*adagio ritmar, rimarla pedra, abans que facimarge al rec,…
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White Noise n.2
not-quite-archive of errata | signal loss | unwritten | data co/ordinates : misreading asemic writing as kitsch: scientific forms and structural depth; ten olivetti tables; first study about farfalla; first study across silence; warten auf god; rooks, knights (and other probabilities); negotiating authorship in the age of AI; [ controlled ] generative drift; two letter excerpts (and a recast);…
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The Author-as-Director
Émile Zharan, N.A.S.T.R.O., edited by Federico Federici, English | Italian edition. Also available on Lulu. If writing may arise from a subjectivity negotiating with the machine, in Federici it takes shape precisely where subjectivity withdraws. N.A.S.T.R.O. is signed under an alias chosen by the artificial intelligence itself. The author does not merely interrogate a model; he duplicates…
Recensione sul trimestrale del Premio Pagliarani
Émile Zharan, N.A.S.T.R.O., edited by Federico Federici, English | Italian edition. Also available on Lulu. Autorialità e intelligenza artificiale. di Nicola Delvecchio.
Hypothesis on a Practice of Operative Writing
«Nature is never finished.» Robert Smithson Liner Notes for a Pithecanthropus Erectus Sketchbook and Unmastered Bones form a sequence of successive elaborations that does not follow a logic of refinement, but unfolds as a process of material and procedural reformulation. The work begins with a bundle of sheets marked by sparse and disorganised writing, representing a first attempt to structure…